bedford joseph (116 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Copyright page states "Second edition, first printing" but accompanied by a number line ending in "2." xxxvi, 347, [1] pages. Hardcover. Dust jacket lightly rubbed; slight bumping at spine head; minor scuffing at flap fold heels. Black boards; slight bumping to spine head. Touch of soiling at top of fore-edge with a few leaves having minor specks at their margin corners; interior leaves are otherwise bright and clean. Binding retains some crispness. ISBN 9781932714876.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Singleissuemagazine. Condición: Good. First Edition. New York: The Frank A. Munsey Company Publisher.Pulp magazine. Pictorial wrappers [about 7" x 10"], 144 pages, illustrated. Includes "Rifle Pass" by Max Brand, the second of three parts of "The Great Betrayal" by George Challis AKA Max Brand, the first of three parts of "Anywhere But Here" by Eustace L. Adams, "The Case of the Deathly Barque" by H. Bedford-Jones, "He Floats Through the Air" by Theodore Roscoe, "High Rigger" by Jack Allman, etc. Good or better copy shallow chipping to the spine ends, tear to rear cover, usual edgewear to the cover, pages lightly toned. mag15E.

First edition, first printing (per publisher's requisite statements and number line upon copyright page). xxxv, [1], 1-347, [1] pages. Hardcover: H 23.5cm x L 15.75cm. Dust jacket lightly rubbed with light bumping at edges; minor scuff at front flap fold heel; front flap is not price-clipped. Black boards; spine heel lightly bumped. Interior pages are bright and clean. Binding remains fairly crisp. ISBN 9781932714876.

Paperback. Condición: Brand New. 1st edition. 172 pages. 9.30x5.90x0.70 inches. In Stock.

single issue magazine. Condición: Fair. First Edition. New York: The Frank A. Munsey Company Publisher. Fair. 1935. First Edition. Softcover. First edition. Pulp magazine. Pictorial wrappers [about 7" x 10"], 144 pages, illustrated. Fair to Good only copy [cover creased with scattered staining, usual edgewear and short tearing/light chipping to the cover, paper tanned. bx433.

paperback. Condición: As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

Condición: As New. Unread book in perfect condition.

Condición: New.

PF. Condición: New.

Soft Cover. Condición: Very Good. 96 + pp. Winter 1997-98, Vol. 11, No. 1 issue only! ISSN 0895-4852. Solidly bound copy with minimal external wear, crisp pages and clean text.

Hardcover. Condición: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Condición: New.

Paperback. Condición: new. Paperback. Chantal Mouffe has transformed the contemporary understanding of politics through her re-reading of political theory inspired by anti-foundationalist philosophybased on Saussures linguistics, Freuds psychoanalysis and Derridas deconstruction. Her writings have challenged the centrist, post-political ideology of the 1990s and presciently diagnosed the emergence of right-wing populism seen today with Trump and Brexit. For Mouffe, such populism is the result of the failed centrist conception of politics reduced to technical management. She has called for a return to politics on the view that social antagonisms cannot be reconciled but must be channeled into an agonistic form of institutionally stabilized struggle. This book brings Chantal Mouffes agonistic model of politics into direct dialogue with architecture and inquiries into the role that architecture plays constructing the political order of society, either by concealing or revealing its antagonisms and ideological conflicts. In doing so, it asks in what ways architecture operates politically; whether institutionally, in terms of its spaces and its part in forming cities, or as an aesthetic object with mediatic agency. Through this detailed exchange between Mouffe and four of the worlds leading architectural thinkers; Reinhold Martin, Ines Weizman, Pier Vittorio Aureli and Sarah Whiting, a debate unfolds within the book that tests the implications of Mouffes agonistic model of politics for architectural practice today. Through this, Bedford explores how architectural history, architectural drawing, the making of spectacular monuments, the design and policies behind housing, and the making of public and private space, all potentially contribute to the formulation of the channeling of social conflict into an agonistic form. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Good. Good condition paperback with light wear. Contents are clean with slight age tone.

Wraps. Condición: Very Good. Vol. 257, No. 5. Pulp magazine. [Edited by Albert J. Gibner.] Cover art by V. E. Pyles for "The Sacred Valley" (pt. 1 of 6) by Max Brand [Frederick Faust]. Includes "Lancers, Advance!" (pt. 2 of 2) by F. V. W. Mason; "The Blackbirds Sing" (pt. 4 of 6) by Dennis Lawton; "Riley Dillon, Masquerader" (pt. 5 of 6) by H. Bedford-Jones; "The Morrison Monument" (novelette) by Murray Leinster; "Devil a Dare" by Richard Howells Watkins; "Men of Daring: Temahi, Pearl Diver, Soldier" (True Story in Pictures) by Stookie Allen; "Fate Rolls Death" (novelette) by Tom Curry. Other Features: "Woders of the World - No. 32" by Alfred George; "Will a Meteor Hit You?" by Joseph W. Skidmore; "Bugs by Electricity" by J. W. Holden; "Steel" by Delos White; "A Sinking Town" by Melville C. Whitman; "Argonotes"; "Looking Ahead!" Tanned; marks on contents page in pencil; creasing; minor losses. Magazine.

SingleIssueMagazine. Condición: Very Good. Vol. 259, No. 6. Pulp magazine. [Edited by Albert J. Gibner.] Cover art is uncredited for "Rodeo" (pt. 1 of 6) by Arthur Hawthorne Carhart. Includes "Eagle's Eye" (pt. 4 of 5) by Allan Vaughan Elston; "Midnight Taxi" (pt. 5 of 7) by Bordon Chase; "Bowie knife" (pt. 6 of 6) by H. Bedford-Jones; Black Ace" (long novelette) by George Bruce; "Men of Daring: Gen. Smith-Dorrien, Hero of Mons" (True Story in Pictures) by Stookie Allen; "Stairway to Rose Street" by Stewart Robertson; "A Nickel's Worth of Life" by James H. S. Moynahan. Other Features: "Wonders of the World - No. 45" by Alfred George; "the Valuable Coyote" by J. W. Holden; "How to Make Gold" by Joseph W. Skidmore; "Stretching a Light" by Delos White; "Argonotes"; "Looking Ahead!" Upper front cover foredge corner off (small); minor fading, stains, tanning, and creasing. Overall a nice copy. Book.

Paperback. Condición: New. Chantal Mouffe has transformed the contemporary understanding of politics through her re-reading of political theory inspired by anti-foundationalist philosophy-based on Saussure's linguistics, Freud's psychoanalysis and Derrida's deconstruction. Her writings have challenged the centrist, post-political ideology of the 1990s and presciently diagnosed the emergence of right-wing populism seen today with Trump and Brexit. For Mouffe, such populism is the result of the failed centrist conception of politics reduced to technical management. She has called for a "return to politics" on the view that social antagonisms cannot be reconciled but must be channeled into an agonistic form of institutionally stabilized struggle. This book brings Chantal Mouffe's agonistic model of politics into direct dialogue with architecture and inquiries into the role that architecture plays constructing the political order of society, either by concealing or revealing its antagonisms and ideological conflicts. In doing so, it asks in what ways architecture operates politically; whether institutionally, in terms of its spaces and its part in forming cities, or as an aesthetic object with mediatic agency. Through this detailed exchange between Mouffe and four of the world's leading architectural thinkers; Reinhold Martin, Ines Weizman, Pier Vittorio Aureli and Sarah Whiting, a debate unfolds within the book that tests the implications of Mouffe's agonistic model of politics for architectural practice today. Through this, Bedford explores how architectural history, architectural drawing, the making of spectacular monuments, the design and policies behind housing, and the making of public and private space, all potentially contribute to the formulation of the channeling of social conflict into an agonistic form.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Good. Good condition paperback with minimal wear. Contents are clean and bright throughout with no markings.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Near Fine. 1st edition. varia paginated, quarto, blue leather, tight binding, clean throughout, clean boards with a touch of wear to a few corners, bright gilt titles and decor.

Paperback or Softback. Condición: New. How is Architecture Political?: Engaging Chantal Mouffe. Book.

Softback. A beautifully bound book in blue imitation leather with small pictorial decoration to front cover. book.

Paperback. Condición: New. Bringing Graham Harman's philosophy into direct confrontation with contemporary architectural theory in new and creative ways, Is There an Object-Oriented Architecture? provides a dialogue between Harman and six of the world's leading architectural thinkers, Adam Sharr, Lorens Holm, Jonathan Hale, Peg Rawes, Patrick Lynch and Peter Carl. Harman's object-oriented philosophy is one that sees the universe as a carnival of equal "objects" with no hierarchy between humans and nonhumans. In his model, unicorns, triangles, bicycles, neutrons, and humans are all things with enduring essences that outlast their partial transformations. It is a strikingly democratic vision of the universe that knocks humans off their ontological pedestal as arbiters of what is real. It also radically challenges the very precepts of architectural theory, the structure of which remains stubbornly human-centric as it seeks to give form to the human being's place at the centre of the cosmos. In this new book, each thinker develops the implications of Harman's philosophy for the future of architecture by entering into a direct exchange with the philosopher and his thinking, both questioning him and questioning with him.

Condición: New.