bear nicol (23 resultados)

Condición: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0340095687.

Hardcover. 188pp. Near new condition, covers bright, text clean and binding tight / minor sunning to dust jacket which is now in a clear protective mylar sleeve.

Condición: Very Good. 1st edition. Cloth, dj, VG/VG. viii+291pp, spine of the dustjacket yellowed, mark to the upper panel where a sticker has been removed, corners bumped, otherwise a nice copy. Interpretations of a series of dramatic productions, from Greek drama to Brecht. 575 grams.

Condición: Good. 1969. No edition remarks. 291 pages. Dust jacket over purple cloth. Book is in better condition than most examples of this age. Neat, clean, well bound pages with very minimal foxing, tanning and thumbing. Small inscriptions and neat labels may be present. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Clipped jacket has light edge-wear with minor tears and chipping. Mild rubbing and marking.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First edition. Near fine in a near fine dust jacket.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Hardcover and dust jacket in 'As New' and unread Condition. Please message for image.

Presented as a discussion between four teachers in the drama department of Loughborough College of Education, giving a series of interpretations of plays ranging from Greek tragedy to Beckett. Hardback, 291pp.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. viii, 292pp. In pink cloth-covered boards with titles on spine. 8vo. Very slightly rounded at spine ends and corners, else neat, clean, bright and tight throughout. In its original dust jacket, a little bumped at edges, slightly sunned on spine. Presents a series of interpretations of plays through discussions between drama teachers - Stanley Evernden, Thora Burnley Jones, Roger Hubank and Bernard de Bear Nicol. Themes include Greek Drama; Freedom and Agony in Christopher Marlowe's plays; Jacobean Scepticism, Henrik Ibsen; Brecht, the Gentle Marxist etc.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Vii + 201 Pages. A Clean And Soundly Bound Book. Dustjacket Edges A Little Worn And Jacket Spine Discoloured, But No Tears.

Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 15601770. Commentary is based in every case on a careful reading of original texts (by, for instance, Scaliger, Castelvetro, Corneille, D' Aubignac, Dryden, Johnson, Diderot, Mercier), which have been translated by the authors where necessary and are liberally quoted, and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. Far from being academic, artificial, doctrinaire or rigid - pejorative terms usually applied to them - the neo-classical critics were asking fundamental questions about the nature of drama. The book attempts to 'place' a selection of early European dramatic criticism in a fresh context. It brings together a good deal of information not available elsewhere and presents it in a form which non-specialist readers will find easy to assimilate and which specialists will find stimulating as a sophisticated critical interpretation of neo-classicism. This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 15601770. Commentary is based in every case on a careful reading of original texts and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Wraps. Condición: Very Good Minus. No Jacket. Wraps slightly faded and very lightly foxed Size: 12mo - over 6¾" - 7¾" tall.

Soft cover. Condición: Near Fine. Cover photograph, The Story of Isaac, by Nazif Topcuoglu Ilustrador. First Edition. Near fine in original wrappers with light wear.

Condición: New. In.

Staple Binding. Condición: Good Minus. No Jacket. Some foxing to edges of front and rear covers, staples stained, pp clear to read, pp secure in binding. Size: 8vo. Quarterly Review.

Condición: Very Good. No Jacket. First Edition. 187pp. 7.6 inches/ 19.3cm. No dw. The hardback binding of the paperback. Petrol-blue front, design by Michael&Shirley Tucker, the boards sealed in plastic film. Internally, ex-university bookplate etc, else contents as new. 300g (Literature, Drama, Criticism, 17th Century) Size: 12mo - over 6¾" - 7¾" tall.

Paperback. Condición: new. Paperback. This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 15601770. Commentary is based in every case on a careful reading of original texts (by, for instance, Scaliger, Castelvetro, Corneille, D' Aubignac, Dryden, Johnson, Diderot, Mercier), which have been translated by the authors where necessary and are liberally quoted, and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. Far from being academic, artificial, doctrinaire or rigid - pejorative terms usually applied to them - the neo-classical critics were asking fundamental questions about the nature of drama. The book attempts to 'place' a selection of early European dramatic criticism in a fresh context. It brings together a good deal of information not available elsewhere and presents it in a form which non-specialist readers will find easy to assimilate and which specialists will find stimulating as a sophisticated critical interpretation of neo-classicism. This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 15601770. Commentary is based in every case on a careful reading of original texts and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 1560-1770. Commentary is based in every case on a careful reading of original t.

Paperback. Condición: new. Paperback. This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 15601770. Commentary is based in every case on a careful reading of original texts (by, for instance, Scaliger, Castelvetro, Corneille, D' Aubignac, Dryden, Johnson, Diderot, Mercier), which have been translated by the authors where necessary and are liberally quoted, and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. Far from being academic, artificial, doctrinaire or rigid - pejorative terms usually applied to them - the neo-classical critics were asking fundamental questions about the nature of drama. The book attempts to 'place' a selection of early European dramatic criticism in a fresh context. It brings together a good deal of information not available elsewhere and presents it in a form which non-specialist readers will find easy to assimilate and which specialists will find stimulating as a sophisticated critical interpretation of neo-classicism. This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 15601770. Commentary is based in every case on a careful reading of original texts and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.