baker kriselle (10 resultados)

Soft cover. Condición: Very Good. 1st Edition. Auckland University Press Auckland 2005 First Edition VG (card covers w french flaps sl rubbed and worn, spine v sl faded).

Hardcover. Condición: new. Hardcover. European explorers of the Pacific in the 18th and early 19th centuries faced a problem - how to describe the people they met and report what they had seen and found. From Cook onwards, a serious expedition included artists and scientists in its ship's company. An ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was the latest thing. D'Urville chose to take on the voyage an eminent phrenologist, Pierre-Marie Dumoutier, to preserve likenesses of people by making life casts. When the expedition returned to France, the casts were displayed, and later stored in the Musee de l'Homme in Paris, to be joined eventually by other casts from Dumoutier's collection, including those of the d'Urville and Dumoutier families. All were overtaken by photography and history. In the 18th and early 19th centuries, European explorers in the Pacific region faced a challenge: how to describe the peoples they met and how to report what they had seen and found. Thus, it was necessary that serious expeditions include artists and scientists in its ship's company. One ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was popular. On this South Pacific voyage, D'Urville chose to take an eminent phrenologist, Pierre-Marie Dumoutier, to make head lifecasts of the indigenous peoples they would encounter in order to preserve their likenesses. When the expedition returned to France, the casts were displayed, then later stored in the Musee de l'Homme in Paris. The collection was soon overtaken by photography and history. In 2007, photographer Fiona Pardington first learned of the lifecasts when a chance convers Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover imperial octavo (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Hardback. Condición: New. European explorers of the Pacific in the 18th and early 19th centuries faced a problem - how to describe the people they met and report what they had seen and found. From Cook onwards, a serious expedition included artists and scientists in its ship's company. An ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was the latest thing. D'Urville chose to take on the voyage an eminent phrenologist, Pierre-Marie Dumoutier, to preserve likenesses of people by making life casts. When the expedition returned to France, the casts were displayed, and later stored in the Musée de l'Homme in Paris, to be joined eventually by other casts from Dumoutier's collection, including those of the d'Urville and Dumoutier families. All were overtaken by photography and history.

Hardcover. Condición: new. Hardcover. European explorers of the Pacific in the 18th and early 19th centuries faced a problem - how to describe the people they met and report what they had seen and found. From Cook onwards, a serious expedition included artists and scientists in its ship's company. An ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was the latest thing. D'Urville chose to take on the voyage an eminent phrenologist, Pierre-Marie Dumoutier, to preserve likenesses of people by making life casts. When the expedition returned to France, the casts were displayed, and later stored in the Musee de l'Homme in Paris, to be joined eventually by other casts from Dumoutier's collection, including those of the d'Urville and Dumoutier families. All were overtaken by photography and history. In the 18th and early 19th centuries, European explorers in the Pacific region faced a challenge: how to describe the peoples they met and how to report what they had seen and found. Thus, it was necessary that serious expeditions include artists and scientists in its ship's company. One ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was popular. On this South Pacific voyage, D'Urville chose to take an eminent phrenologist, Pierre-Marie Dumoutier, to make head lifecasts of the indigenous peoples they would encounter in order to preserve their likenesses. When the expedition returned to France, the casts were displayed, then later stored in the Musee de l'Homme in Paris. The collection was soon overtaken by photography and history. In 2007, photographer Fiona Pardington first learned of the lifecasts when a chance convers Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: new. Hardcover. European explorers of the Pacific in the 18th and early 19th centuries faced a problem - how to describe the people they met and report what they had seen and found. From Cook onwards, a serious expedition included artists and scientists in its ship's company. An ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was the latest thing. D'Urville chose to take on the voyage an eminent phrenologist, Pierre-Marie Dumoutier, to preserve likenesses of people by making life casts. When the expedition returned to France, the casts were displayed, and later stored in the Musee de l'Homme in Paris, to be joined eventually by other casts from Dumoutier's collection, including those of the d'Urville and Dumoutier families. All were overtaken by photography and history. In the 18th and early 19th centuries, European explorers in the Pacific region faced a challenge: how to describe the peoples they met and how to report what they had seen and found. Thus, it was necessary that serious expeditions include artists and scientists in its ship's company. One ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was popular. On this South Pacific voyage, D'Urville chose to take an eminent phrenologist, Pierre-Marie Dumoutier, to make head lifecasts of the indigenous peoples they would encounter in order to preserve their likenesses. When the expedition returned to France, the casts were displayed, then later stored in the Musee de l'Homme in Paris. The collection was soon overtaken by photography and history. In 2007, photographer Fiona Pardington first learned of the lifecasts when a chance convers Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condición: New. European explorers of the Pacific in the 18th and early 19th centuries faced a problem - how to describe the people they met and report what they had seen and found. From Cook onwards, a serious expedition included artists and scientists in its ship's company. An ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was the latest thing. D'Urville chose to take on the voyage an eminent phrenologist, Pierre-Marie Dumoutier, to preserve likenesses of people by making life casts. When the expedition returned to France, the casts were displayed, and later stored in the Musée de l'Homme in Paris, to be joined eventually by other casts from Dumoutier's collection, including those of the d'Urville and Dumoutier families. All were overtaken by photography and history.

Quarto, grey cloth boards, blind stamped text to spine & front board, 160pp, illus, VG+ (light soiling to boards, light tanning to page edges) in d/w VG+ (v slight rubbing & creasing to edges).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. First Edition. It's difficult to imagine a more sumptuously produced volume about a social history so intriguing as The Pressure of Sunlight Falling. How did 18th-century travelers and explorers describe the peoples they met while in transit around the world, including to the insular Pacific? Fine-looking, structurally sound hardcover, little discernible wear to the blind-stamped brown cloth over boards covers, blind-stamped lettering to spine, bright interior, clean, unmarked. Bright and shiny dust jacket, illustrated, little worn beyond nick to front spine bottom, heavy, thick, illustrated with an evocative photographs. Replete with the author's black-and-white and sepia photographs of the amazing life-casts made by Pierre-Marie Dumoutier in Durmont d'Urville's insular Pacific voyage of 1837-1840. The photographer is Maori-Scottish by birth and resident artist in New Zealand. Augmented with two fine essays by Kriselle Baker and Elizabeth Rankin, a Foreword by Rhana Devenport, David Elliott, Nicholas Thomas (!), Yves le Fur, Stacy L. Kamehiro, Ross Calman, Ariana Tikao, and Anne Salmond (!). [5], 6-159 pp. and including notes about the authors.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Cloth. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. 159p D-J Cloth binding Near Fine With map and illustrations, and the author's photographs, the amazing life casts made by Pierre-Marie Dumoutier in d'Urville's Pacific voyage of 1837-1840, with accompanying essays. This book weighs more than 1.5 kgs, so will incur extra postal charges.