art kaufman editor (4 resultados)

Soft cover. Condición: Fine. 1st Edition. First Edition, First Printing of this Double Issue of 19 Short Stories. Featured are The Faceless Thing by Edward D Hoch, Days of Rage by Doug Allyn, Password by Michael Z Lewin, The Ministry of Whisky by Val McDermid, The Girl in the Golden Gown by Robert S Levinson, Satan Rides The 5:15 by Vincent Lardo, When,He Wondered by Lynne Barrett, Monopoly by Judith Merchant, The Widow's Garden Party by Bruce Rubenstein, Cleaning Up by Steven Steinbock, Duel by William Link, A Tour of the Tower by Christine Poulson, Death by Misadventure by John Buchanan, Rearview Mirror by Art Taylor, The Seven Sorrows by Terence Feherty, It All Adds Up by Thomas Kaufman, The Disappearance of the Wicked by Kristine Kathryn Rusch,On the Banks of the Khorad Dur by Brian Muir and Femme Fatale by E Shaun Russell. In Fine Condition.

Hardcover. Condición: Very Good. Hardcover, no dust jacket, in Very Good condition. Clean pages. Good binding. Minimal wear to the exterior. Carefully packaged to avoid damage in shipping.

Soft cover. Condición: As New. Ted Trogdon Cover. (Art by; WENZEL(3 illos), Dan DeCarlo(1 illo), Don Orehek, Sergio Aragones(1 illo), Serrano, Lutner, Engleman, Hageman, Hoest, Schochet, Keith, Brad Anderson, Bob Zahn, Al Kaufman, Ted Trogdon, Al John's, Atkins, Dennis, Bob Tupper) Ilustrador. Paperback Original (True 1st). February 1969; Sexy Adult Girlie Cartoon book. >>>> "Mirth about birth. 125 cartoons guaranteed to deliver instant laughs!" >>> RARE title; An Original Owner Collection UN-READ example. Size: 12mo - over 6¾" - 7¾" Tall. Book.

Condición: Near Fine. First edition. Complete first edition set of all 12 issues of the San Francisco Oracle, plus the second and third editions of the 7th issue and additional variant of the 10th issue. Bookended by the Oracle's single-issue predecessor P. O. Frisco and single-issue successor Harbinger (virtually the 13th issue of the Oracle) for a total of 17 broadsides, each 12 - 52 pp. Near Fine with typical toning and minimal soiling and edgewear, subscription creases to several issues, and light foxing to covers of Harbinger and fourth issue of Oracle. A spectacular run of the voice of Haight-Ashbury. P. O. Frisco, which lived and died in a single issue published September 2,1966, began with articles including "Concentration Camps Ready for 'Subversives,'" "The Craft of Masturbation," and "Lenny Bruce: what can you say?." Features on culture and politics were supplemented by an art page and a recipe for hashish brownies. After the individualists on staff won a power struggle with the collectivists, the paper was reborn as the San Francisco Oracle just three weeks later. The style was more distinctly psychedelic, with a focus on personal liberty, and the back cover was printed with the editors' "Prophecy of a Declaration of Independence": "We hold these experiences to be self evident, that all is equal, that the creation endows us with certain inalienable rights, that among them are: the freedom of body, the pursuit of joy, and the expansion of consciousness." Over the next two years, the paper's contributors included the countercultural icons Timothy Leary, Ken Kesey, Allen Ginsberg, Laurence Ferlinghetti, Gary Snyder, Alan Watts, and Buckminster Fuller. The issues had themes like "Aguarian Age" and "Youth Quake" and combined articles and poetry with hand-drawn advertisements for health food stores, music sellers, and hippie fashion boutiques. The publishers introduced split-fountain color printing with the sixth issue to create a rainbow roller effect, and the newspaper's graphics and layout came to define the look of hippie culture. The worker-owned paper folded in 1968, and staff members who had relocated to Middletown put out a singe issue called Harbinger which was effectively the thirteenth and final issue of the Oracle. At its peak, the paper was printed in a run of 125,000 copies, and made an outsized impact on American culture as the rest of the country looked toward Haight-Ashbury. The editor Allen Cohen later wrote: "It began as a dream and ended as a legend.".