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Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
Libro
hardcover. Condición: Good. Major highlighting throughout the pages.
Publicado por MIT Press, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Libro
Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.6.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Publicado por MIT Press, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Libro
Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.6.
Publicado por MIT Press, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.6.
Publicado por MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Publicado por The MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de America
Libro
paperback. Condición: Very Good. Illustrated. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.
Publicado por The MIT Press, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Libro
Condición: As New. Like New condition. Very Good dust jacket. With remainder mark.
Publicado por The MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
Libro
Paperback. Condición: Very Good.
Publicado por The MIT Press, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Libro
Condición: Very Good. Very Good condition. Good dust jacket. With remainder mark.
Publicado por The MIT Press, 2023
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Hardcover. Condición: Good. Artists, art historians, and critics look at the legacies of feminism and critical theory in the work of women artists, more than thirty years after the beginning of the modern women's movement and Linda Nochlin's landmark essay "Why Have There Been No Great Women Artists?"More than thirty years after the birth of the modern women's movement and the beginnings of feminist art-making and art history, the time is ripe to examine the legacies of those revolutions. In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth-century art and the discourses surrounding it. In 1971, when Linda Nochlin published her essay "Why Have There Been No Great Women Artists?" in a special issue of Art News, there were no women's studies, no feminist theory, no such thing as feminist art criticism; there was instead a focus on the mythic figure of the great (male) artist through history. Since then, the "woman artist" has not simply been assimilated into the canon of "greatness" but has expanded art-making into a multiplicity of practices with new parameters and perspectives. In Women Artists at the Millennium artists including Martha Rosler and Yvonne Rainer reflect upon their own varied practices and art historians discuss the innovative work of such figures as Louise Bourgeois, Lygia Clark, Mona Hatoum, and Carrie Mae Weems. And Linda Nochlin considers changes since her landmark essay and looks to the future, writing, "We will need all our wit and courage to make sure that women's voices are heard, their work seen and written about."Artist Pages By: Ellen Gallagher, Ann Hamilton, Mary Kelly, Yvonne Rainer, Martha RoslerContributing Writers: Emily Apter, Carol Armstrong, Catherine de Zegher, Maria DiBattista, Brigid Doherty, Briony Fer, Tamar Garb, Anne Higonnet, Ewa Lajer-Burcharth, Molly Nesbit, Mignon Nixon, Linda Nochlin, Griselda Pollock, Abigail Solomon-Godeau, Lisa Tickner, Anne Wagner.
Publicado por MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Softcover. Condición: Good. Illustrated. Artists, art historians, and critics look at the legacies of feminism and critical theory in the work of women artists, more than thirty years after the beginning of the modern women's movement and Linda Nochlin's landmark essay "Why Have There Been No Great Women Artists?"More than thirty years after the birth of the modern women's movement and the beginnings of feminist art-making and art history, the time is ripe to examine the legacies of those revolutions. In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth-century art and the discourses surrounding it. In 1971, when Linda Nochlin published her essay "Why Have There Been No Great Women Artists?" in a special issue of Art News, there were no women's studies, no feminist theory, no such thing as feminist art criticism; there was instead a focus on the mythic figure of the great (male) artist through history. Since then, the "woman artist" has not simply been assimilated into the canon of "greatness" but has expanded art-making into a multiplicity of practices with new parameters and perspectives. In Women Artists at the Millennium artists including Martha Rosler and Yvonne Rainer reflect upon their own varied practices and art historians discuss the innovative work of such figures as Louise Bourgeois, Lygia Clark, Mona Hatoum, and Carrie Mae Weems. And Linda Nochlin considers changes since her landmark essay and looks to the future, writing, "We will need all our wit and courage to make sure that women's voices are heard, their work seen and written about."Artist Pages By: Ellen Gallagher, Ann Hamilton, Mary Kelly, Yvonne Rainer, Martha RoslerContributing Writers: Emily Apter, Carol Armstrong, Catherine de Zegher, Maria DiBattista, Brigid Doherty, Briony Fer, Tamar Garb, Anne Higonnet, Ewa Lajer-Burcharth, Molly Nesbit, Mignon Nixon, Linda Nochlin, Griselda Pollock, Abigail Solomon-Godeau, Lisa Tickner, Anne Wagner.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: HPB-Diamond, Dallas, TX, Estados Unidos de America
Libro
hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Publicado por MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: Irish Booksellers, Portland, ME, Estados Unidos de America
Libro
Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 2.56.
Publicado por The MIT Press, Cambridge, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: THE PRINTED GARDEN, ABA, MPIBA, SANDY, UT, Estados Unidos de America
Libro Original o primera edición
Hard Cover. Condición: F. Estado de la sobrecubierta: NF. No Additional Printings Noted. Larger Octavo. Book has no discernable flaws. Black cloth covered boards and spine with shiny silver foil lettering on the spine. Light violet endpapers. Binding is straight and tight. High quality stock pages are all clean, white, and glossy. 450 pages. Illustrated throughout with photographs and artwork. Dust Jacket - has a nearly unnoticable trace of rubbing at the extreme tips of the two upper outside corners - jacket is otherwise clean, bright, and sharp. Heavier than average book will likely require additional postage for orders requesting International or Priority shipping service. A lovely copy.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Half Price Books Inc., Dallas, TX, Estados Unidos de America
Libro
hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Publicado por MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: WeBuyBooks, Rossendale, LANCS, Reino Unido
Libro
Condición: VeryGood. Most items will be dispatched the same or the next working day.
Publicado por MIT Press, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Books of the Smoky Mountains, Del Rio, TN, Estados Unidos de America
Libro
Condición: very good. Gently used book with ongoing seller support until you're fully satisfied with your purchase.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: GoldBooks, Denver, CO, Estados Unidos de America
Libro
Hardcover. Condición: very good. Very Good Copy. Customer Service Guaranteed.
Publicado por MIT Press; An October Book, Cambridge, MA, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st. Cloth, xx, 450 pages, illustrations (some colour); 24 cm. Tight, clean copy. Remainder mark/tail edge. Dust jacket, with light shelfwear, protected in a mylar cover. "More than thirty years after the birth of the modern women's movement and the beginnings of feminist art-making and art history, the time is ripe to examine the legacies of those revolutions. In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth-century art and the discourses surrounding it. In 1971, when Linda Nochlin published her essay 'Why Have There Been No Great Women Artists?' in a special issue of Art News, there were no women's studies, no feminist theory, no such thing as feminist art criticism; there was instead a focus on the mythic figure of the great (male) artist through history. Since then, the 'woman artist' has not simply been assimilated into the canon of 'greatness' but has expanded art-making into a multiplicity of practices with new parameters and perspectives. In Women Artists at the Millennium artists including Martha Rosler and Yvonne Rainer reflect upon their own varied practices and art historians discuss the innovative work of such figures as Louise Bourgeois, Lygia Clark, Mona Hatoum, and Carrie Mae Weems. And Linda Nochlin considers changes since her landmark essay and looks to the future, writing, 'We will need all our wit and courage to make sure that women's voices are heard, their work seen and written about.'" - Publisher. CONTENTS: Preface, by Carol Armstrong; Introduction, by Catherine de Zegher; Yvonne Rainer; "Why have there been no great women artists?": Thirty years after, by Linda Nochlin; Rethinking the artist in the woman, the woman in the artist, and that old chestnut, the gaze, by Griselda Pollock; Mediating generation: the mother-daughter plot, by Lisa Tickner; Responding: questions of perspective, by Molly Nesbit; Martha Rosler; Duchess of nothing: video space and the "woman artist", by Ewa Lajer-Burcharth; Drawing drawing: Agnes Martin's infinity, by Briony Fer; The inside is the outside: the relational as the (feminine) space of the radical, by Catherine de Zegher; Responding: dwelling on spaces, by Brigid Doherty; Ann Hamilton; Hairlines, by Tamar Garb; The she-fox: transference and the "woman artist", by Mignon Nixon; Difference and disfiguration, or Trockel as mime, by Anne Wagner; Responding: a referendum on theory and feminism, by Emily Apter; Mary Kelly; Francesca Woodman: a ghost in the house of the "woman artist", by Carol Armstrong; Taunting and haunting: critical tactics in a "minor" mode, by Abigail Solomon-Godeau; Sally Mann: the price of success, by Anne Higonnet; Responding: scandalous matter: women artists and the crisis of embodiment, by Maria Dibattista; Ellen Gallagher. Size: 8vo.
Publicado por MER. Paper Kunsthalle, 2013
ISBN 10: 9490693715ISBN 13: 9789490693718
Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Libro
Hardcover. Condición: new.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Big Bill's Books, Wimberley, TX, Estados Unidos de America
Libro
Hardcover. Condición: new. Brand New Copy.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: GoldenWavesOfBooks, Fayetteville, TX, Estados Unidos de America
Libro
Hardcover. Condición: new. New. Fast Shipping and good customer service.
Publicado por MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: Books Unplugged, Amherst, NY, Estados Unidos de America
Libro
Condición: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 2.1.
Publicado por MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: Book Deals, Tucson, AZ, Estados Unidos de America
Libro
Condición: Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 2.1.
Publicado por MIT Press, 2011
ISBN 10: 0262515946ISBN 13: 9780262515948
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.1.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: Grumpys Fine Books, Tijeras, NM, Estados Unidos de America
Libro
Hardcover. Condición: new. Prompt service guaranteed.
Publicado por Ludion, 2006
ISBN 10: 905544832XISBN 13: 9789055448326
Librería: VintagePhotoBooks, Amsterdam, Holanda
Libro
Hardcover. Condición: Fine. design by Luc Derycke and Thomas Desmet, 1140 gr, 28,5 x 21 cm.
Publicado por Mit Pr, 2006
ISBN 10: 026201226XISBN 13: 9780262012263
Librería: BennettBooksLtd, North Las Vegas, NV, Estados Unidos de America
Libro
Condición: New. New. In shrink wrap. Looks like an interesting title! 2.56.