apoteker (22 resultados)

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condición: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 1999. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Edition 1999. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Bon. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: Very Good. L'article peut présenter de légères marque de lecture et/ou de stockage mais du reste en très bon état. - Envoi rapide et soigné dans une enveloppe à bulle depuis France. 21x14x2cm. 1999. Broché. 230 pages. Very Good.

Soft cover. Condición: Very Good. Texte francais, couverture souple. État d'usage: très bon état. . Après la maladie de la vache folle, l'utilisation dans les élevages des hormones de croissance et des antibiotiques, les plantes génétiquement manipulées inquiètent légitimement les consommateurs. Car le génie génétique est une révolution qui gagne silencieusement nos assiettes. Il fait moins peur que le développement du nucléaire et il est peu probable qu'il déclenche une catastrophe aussi brutale que Tchernobyl. Mais les biologistes moléculaires qui créent de nouveaux organismes vivants - comme des fraises comportant des gènes de poisson pour résister au gel - et les firmes agrochimiques et agro-alimentaires qui les lâchent dans la nature, risquent de créer une pollution d'un type nouveau : une pollution génétique, dont la caractéristique principale est la totale irréversibilité. Dans ce livre passionnant, nourri d'enquêtes sur le terrain et d'une excellente connaissance du dossier, l'auteur brosse un tableau complet des développements les plus récents en matière d'aliments transgéniques, et de leurs risques pour la santé. Il montre en quoi l'utilisation des organismes génétiquement modifiés (OGM) risque de bouleverser de plus en plus notre alimentation et notre environnement dans les années qui viennent. Et il explique enfin comment une mobilisation citoyenne peut permettre de résister à la pression des intérêts économiques, en imposant des réglementations indispensables, avant qu'il ne soit trop tard. Book.

Condición: Buone. italiano Condizioni dell'esterno: costa e copertina leggermente logorate Condizioni dell'interno: leggermente ingiallite.

Condición: Good. Il cofanetto (se previsto) può presentare modeste tracce d'uso, piccole lesioni, fioriture e macchie non invasive.Sovraccoperta con modeste tracce d'uso. Può presentare piccole mancanze, leggere bruniture, rade fioriture o macchiette.Copertina con modeste tracce d'uso. Può presentare minime mancanze, qualche rada fioritura o macchietta, leggere bruniture o piccole pieghe.Dorso in buone condizioni. Può presentare un fisiologico stress da lettura, piccole mancanze e segni di cedevolezza in prossimità delle cerniere.Tagli moderatamente bruniti; possono presentare fioriture rade.L'interno può presentare modeste tracce d'uso, segni a matita, timbro o firma di appartenenza. Le pagine possono presentare minime gualciture, fioriture non invasive e leggere bruniture.Per Maggiori informazioni o foto non esitate a contattarci. . Buono (Good). Book.

Aug 26, 1999. Condición: D'occasion - Très bon état. Quelques légères traces sur la reliure toilée, tranche un peu salie, livre comme neuf sinon. Envoi rapide et soigné dans enveloppe à bulles.

Condición: Fine. **Per foto ed ulteriori informazioni contattateci** . Ottimo (Fine). Book.

Condición: Ottime condizioni. Rimanenza di magazzino, libro nuovo che presenta difetti di copertina e bordi pagine Dettagli LibroSku: PZZLB54824ISBN: 9788835949558Titolo: L' Invasione Del Pesce-Fragola. Come Viene Manipolata La Nostra AlimentazioneAutore: Arnaud ApotekerEditore: Editori RiunitiAnno: 2000Pagine: 223Formato: BrossuraQuesto libro traccia un quadro completo degli sviluppi in atto nel campo dell'alimentazione transgenica, illustrando le tecniche utilizzate ed esaminando le possibili conseguenze. In questo dossier, l'autore illustra la necessità di imporre regole certe e chiare, prima che l'intreccio tra interessi economici e progresso scientifico stravolga definitivamente l'equilibrio del mondo vivente.

Condición: Très bon. In-8 de 230 pp.; broché, couverture illustrée. La librairie offre aux clients d'AbeBooks 20% de réduction sur l'ensemble de son catalogue. Prix d'origine : 10 EUR.

Condición: Good. Envoi rapide Bon Etat. 21x14x2cm. 1999. Broché. 230 pages. Good.

Selbstverlag, Kopenhagen, 1903 bis 1928, 110 S., kart. 4°---Dänische Ausgabe mit abb. von Inventar, Laboratorien, Geräten sowie 2 Grundrissen. 680 Gramm.

Condición: very good. vendeur pro, expedition soignee en 24/48h.Le livre peut montrer des signes d'usure dus à son utilisation, des défauts esthétiques tels que des rayures, des bosses et/ou des coins legerement endommages.

Condición: Used: Acceptable. Occasion - Etat Correct - Livre de bibliothèque, tampons présents - Du poisson dans les fraises (1999) - Grand Format.

Condición: Used: Acceptable. Occasion - Etat Correct - Livre de bibliothèque, tampons présents - Du poisson dans les fraises (1999) - Grand Format.

71 vintage single weight keybook contact sheets, amounting to over 800 numbered images, from the 1958 French film. Much of the film is represented in minute detail, along with test shots, set design shots, and many candid moments from the set. Dramatic high-contrast images of starring actors, Demongeot answering telephones and in heated embraces, with several sheets capturing a formal dinner with the cast and crew, presumably the film's premiere. Most with 12 images per sheet, a few with 6-frame strips of 35mm film, each image with a series number, and all sheets credit at the top the photo laboratory Tele-Photo, film studio Cinedis, film title, and photographer Apoteker. Housed in a red paper 2-ring binder with French titles printed on the front. Several with brief numerical annotations on the verso. Noirish crime thriller based on Michel Lebrun's novel "Un Silence de Mort" (1957), starring Demongeot as Sylvie, married to Jean (Ronet), an executive at a fashion magazine. Jean's boss, André (Servais), obsesses over Sylvie, whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker, whose "Too Late for Love" (1959) is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" (1960), Sautet's romance noir "Classe Tous Risques" (1960), and Woody Allen's "Love and Death" (1975). Demongeot and Ronet are amply represented throughout the collection, including a preliminary mockup of the poster art. Photos 8.25 x 10.25 inches, a few slightly variant sizes, hole-punched, and two with square cuts. Very Good plus overall, with curling and light foxing, creases to the binder.

Collection of 370 original black-and-white keybook still photographs from the 1959 French film, consisting of two unique and complimentary pieces, one being a studio film still keybook with 97 contact prints of small format transparencies, most with 12 images per print, amounting to over 1,000 images captured, nearly all images with series number etched in the original film negative before development, and credits at the top for photo laboratory (Tele-Photo), film studio (Ulysse), film title, and photographer Apoteker, housed in an oblong 2-ring paper binder with printed French titles on the front. Laid in is a small piece of graph paper addressed "Cher Christian", presumably filmmaker Christian-Jaque, with brief slightly illegible note in French in manuscript ink. The remaining 273 photographs are single photos with similar etched series numbers, mounted with cello tape on thick stock in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper, printed French titles affixed on the front wrapper of one. Small "x" annotations in manuscript ink on several pages. All three keybooks capture the film and photographer Apoteker's sense of desperation in composed and candid moments. Michele Morgan and Gil Vidal dominate the imagery, hamming for the camera and in action scenes, with Vidal emerging from a car crash and rarely without a glass in-hand, and stunning images of Morgan hula-hooping off-set and in several placid studio portraits. Catherine (Morgan) is an alcoholic lawyer who enlists the help of reporter Walter (Vidal) to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival (1946). Photographer Apoteker's debut film, followed by successful crime noirs, notably "Classe Tous Risques" (1960), and later worked on "Love and Death" (1975) and the futuristic "cinema du look" film, "Le prix du danger" (1983). Fourth film of noted costume designer Autré, whose other credits include "Love on a Pillow" (1962), "Contempt" (1963), "Lost Command" (1966), and "The Game is Over" (1966). Notebook photos 3.75 x 5 inches, most pages with four mounted photos, keybook photos to 8.25 x 10.5 inches. Very Good plus overall, with light foxing, and curling and rubbing to the studio keybook, a few photos with small edge tears.

Collection of 11 original black-and-white photographs from the 1959 French film. Most feature starring actress Morgan, and a few show other actors, including Vidal. Three on-the-set photographs of Morgan being fitted by a female crew member, possibly costume designer Tanine Autré, and eleven still photographs, with Morgan and Blanche at a bar, even an image of kids gathered in a junkyard. On the versos of the three on-the-set are French film title and "M. Morgan" in manuscript ink and rubber stamps for photographer Paul Apoteker, numerical annotations in manuscript pencil on the versos of the still photographs. Housed in a French Kodak photo box with French film title label on the lid. Catherine (Morgan) is an alcoholic lawyer who enlists the help of reporter Walter (Vidal) to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival (1946). Photographer Apoteker's debut film, followed by successful crime noirs, notably "Classe Tous Risques" (1960), and later worked on "Love and Death" (1975) and the futuristic "cinema du look" film, "Le prix du danger" (1983). Fourth film of noted costume designer Autré, whose other credits include "Love on a Pillow" (1962), "Contempt" (1963), "Lost Command" (1966), and "The Game is Over" (1966). Photos range from 3.75 x 5.25 inches to 7 x 9.25 inches, most stills with a 2-inch border at the bottom. Slight curling, else Near Fine. Box Very Good overall. Complete collation upon request.

Leatherbound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1914 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 36 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German.

Two vintage reference photographs on the set of the 1960 film. Both with "Cinema Verite" and "London Express News" stamps on verso and one with mimeo snipe on verso. A young woman finds herself standing trial for the murder of her lover, forcing her to reflect on her memories of their turbulent relationship. Set in and shot on location in Paris, France. 6.75 x 10.25 inches and 7 x 10.25 inches. Mildly wavy, else Near Fine. Criterion Collection 960. Grant France.

Kiøbenhavn, Schultziske Officiin, 1818. 4to. Uden omslag. 42 pp. Lidt spredte brunpletter.