andrews sybil (19 resultados)

Soft cover. Condición: Near Fine. No Jacket. Sybil Andrews; Edward Ardizzone; Stanley Roy Badmin; Samuel Palmer; C. F. Tunnicliffe Ilustrador. 1st Edition. Catalogue No: 13 in association with Chris Beetles Ltd. presenting a total of 198 original engravings, etchings and drypoint prints for sale in Autumn 1993. Detailed descriptions with b/w illustrations and prices. Artists include Stanley Roy Badmin, Edward Ardizzone; Samuel Palmer; C. F. Tunnicliffe. Front cover illustration is detail of Saloman van Abbe. Slightly dusty rear cover. Appears hardly read. Laid in is an Invitation card to the Opening event of this exhibition on Tuesday 12 October 1993.

Soft cover. Condición: Near Fine. No Jacket. Sybil Andrews; Clare Leighton (and others) Ilustrador. 1st Edition. 40pp catalogue of European and American prints available for sale from Catherine E. Burns. Undated. Total of 93 items (each is illustrated with a b/w plate) together with a free-standing Price List. Mainly late 19th and early 20th century. Includes four plates of wood engravings by Clare Leighton. White card covers with linocut by Sybil Andrews (1898 - 1992) printed in four colours on front cover. Staple bound. No inscriptions. In fine condition.

SOFTCOVER. Condición: AS NEW. 1st Edition. Square 4to in colour printed stiff card covers, 48pp on thick art paper, colour plates, etc. . [CONDITION: A well preserved AS NEW unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. White wraps with color illustration. 88 pages : illustrations (some color). Catalog of an exhibition./ English and French./ Includes bibliographical references. VG Cover has general wear, small tear at top of spine.

Hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. Howard Hodgkin & Sybil Andrews (Jacket Illustrations, Front & Back) Ilustrador. 2nd Edition. 321 pp. An excellent, spotlessly clean copy and dust jacket! Clean, fresh, sharp, tight, essentially flawless copy and dust jacket with crisp pages, clean text, and very light shelf wear.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

SOFTCOVER. Condición: As New. 1st Edition. Landscape 4to in colour printed stiff card covers, with tissue end-papers, 60pp on thick art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. 8vo. pp 90. Original publisher's bright orange quarter cloth covered boards with white paper at front and dark grey at rear. Inlaid colour illustration and dark grey lettering to fron board, white lettering at spine, engraved illustration to rear board. Copiously illustrated in colour throughout. Published to coincide with an exhibition of the same name at the Osborne Samuel Modern and Contemporary Art gallery, London, 24 September - 10 October 2015. ISBN: 9780993078644 About fine.

Soft cover. Condición: Good. Exhibition Catalogue March 26th - May 4th 1985. Illustrated. Redfern Gallery, 1985. Wrappers, with wonderful Powers linocut reproduced on cover. Wrappers, a little rubbed along edges o/w good.

29 x 23 cm 88 pp with 16 colour plates and 74 b&w illustrations. English and French parallel text. Wrappers, fine.

Soft cover. Condición: Fine. Second Printing. Fine, unread copy. As new.

Hardback. Condición: Near fine. First Edition. 20 x 25cm 90pp near fine hardback exhibition catalogue with an introduction by Gordon Samuel. Sybil Andrews was an English-Canadian artist who specialised in printmaking and is best known for her modernist linocuts, here shown in colour reproduction. Has a text by Hans Leaper on Sybil Andrews and the Grosvenor School. Also included is a private view card for this exhibition.

Quarto in original pictorial stiff card covers with B/W and colour illustrations in text. Text in French and English. Minor wear, including a slightly bent back bottom corner and small bumps on edges. Text is clean and intact. This item is in overall good condition. The standard catalogue on Sybil's work. Her prices have done nothing but increase in value and prestige over the years.

(12),212 pp. Octavo. Original illustrated wrappers; edges slightly rubbed. Several diagrams inside. Slight bit of foxing on the front and rear wrapper otherwise a clean copy Essays discussing the author's experiences teaching her private Arts Class. The total print run for all three printings was 700 copies and they have become very scarce on the market especially a very good copy.

Final script for the 1935 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). After her parents are murdered by mobsters, a young girl endears herself to her newfound caretakers, a pair of kindhearted, small-time confidence men. Set in New York. Bound in full red leather, with gilt titles on the front board and spine. Distribution page present, stamped copy No. 95 and noted as Final, with receipt intact. Title page present, dated 5/14/35, with credits for screenwriters Robert Andrews, Julius J. Epstein, and Jerry Wald. 125 leaves, with last page of text numbered 122. Mimeograph duplication, rectos only. Pages Near Fine, binding Very Good plus, lightly worn at the corners and spine.

Condición: Good. Sybil Andrews Ilustrador. Poster: SYBIL ANDREWS. Glenbow Museum. September 14 - October 22, 1982. 24 x 18 inches. Generally good condition.

74 pen-and-ink, graphite, and pastel drawings, within archival mats. 1 oil painting on canvas. 1 graphite drawing on canvas. Various sizes. Housed in 6 black cloth boxes. With extensive related research conducted by Sibyl Andrews expert Dr. Hana Leaper. A remarkable collection of preparatory sketches by the English-Canadian artist Sibyl Andrews, including 74 sketches from the 1920s to the 1980s, most signed, including 1 oil painting and 1 graphite on canvas. Many of these developmental drawings relate directly to Andrews's most sought after prints. This extraordinary collection of Andrews's dynamic drawings spans the length of her long career with 74 preparatory works that are, in part, integrally connected to her famed linocuts including The Winch (1929) and The Tube Station (1932). With preliminary sketches from both her time in the UK and Canada, as well as those attached to her iconic London Underground commercial posters designed with the architect Cyril Power, this ready-made research archive would be the perfect complement to any institutional collection of her famous linocuts. As the art historian Dr. Hana Leaper, author of Andrews's catalog raisonn?, wrote of the present collection, "the developmental drawings in this body of work provide important new evidence of Andrews's working processes." Especially of interest is how these sketches evince Andrews's use of architectural drawing tools and techniques. Evidence of her methodology is present in compass and pin holes, and tracing papers used to transfer drawings to printing blocks. Associated with Vorticism and the Grosvenor School of Art, Andrews was an accomplished printmaker and painter whose modernist linocuts expressed the energy and speed of the machine age. Encouraged by her teacher Claude Flight, Andrews developed an electric style of overlaid forms that reflected the influence of Cubism and Futurism. Her work depicted race cars, motorcycles, machinery, subway commuters, and other images of modern industrial society. Working jointly under the pseudonym Andrew Power, Andrews and her partner Cyril Power received commissions to produce promotional posters for Transport for London, advertising events such as the 1933 Wimbledon tennis tournament. Andrews moved to Canada in 1947 and lived the rest of her life there, making work that captured Canadian nature and culture. We wish to extend thanks to the art historian Dr. Hana Leaper, John Moores Painting Prize Senior Lecturer and Development Manager at the Liverpool School of Art and Design, who worked with us to extensively catalog and contextualize the present Sybil Andrews collection. Dr. Leaper wrote the catalogue raisonn? on Andrews's work, has curated exhibitions of her artwork, and is the foremost scholar writing on her today. An itemized catalog of the full Andrews archive with an extensive essay by Dr. Leaper is available upon request. Hana Leaper, Sybil Andrews Linocuts: A Complete Catalogue, Lund Humphries, 2015; Sybil Andrews and the Grosvenor School Linocuts, Osborne Samuel Limited, 2015.

Edition unknown. Signed in pencil lower right by Andrews, titled and numbered No. 3 lower left. Andrews is synonymous along with Cyril Powers and Claude Flight for producing linocuts at the Grosvenor School of Modern Art. She started producing linocuts from 1926 and presumably this etching is earlier. We have located only three impressions of this print previously in commerce. Etching on laid paper. Image size: 37.6 x 26 cm. Sheet size: 46.6 x 32.2 cm. Framed size: 62.5 x 49.2 cm. Excellent condition. Presented in a black hardwood frame with conservation acrylic glazing.

Andrews, Sybil (English/Canadian, 1898-1992), C. SA26. "SLEDGEHAMMERS", Color Linocut, 1933, ed. 60 plus 4 trial proofs, Ref. C. SA 26, 10-1/4 x 12-1/2, signed, titled and numbered 60/60 in pencil, on thin cream laid japan paper. 11 1/2 x 13 3/4 inches (sheet), typical oil haloing as common within image from the printing ink, ink residue from printing to margins, the full sheet in excellent condition as issued. A beautiful impression of this fine Grovsenor School color linocut by Andrews, a masterwork of British early 20th century machine age design.