anderson mark eds (15 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Near Fine. No Jacket. Signed by the editor, Blayer, with gift inscription on the ffep. Hardcover, no dust jacket (likely as issued). The book condition is Near Fine. Pages are bright, clean, and clear of writing, markings, highlighting, etc. Binding tight. Hinges tight. Hardcover board corners bumped and rubbed, whitened. A few minor dings along board edges. Moderate light surface scuffing/scratching/dinging on boards. Spine has a foreward lean ot it. Signed by Author(s).

Soft cover. Condición: Very Good. 1st edition. VG. 4to, 188pp, printed wrappers. From the collection of Opal Louis Nations (though he was not a contributor to this issue). Late issue of this great avant-garde review. Includes some Pattern Poetry. Unmarked copy, a bit of outer wear. Not Signed.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. xxi, 668 pp, 1 leaf. Original cloth. Bookplate on pastedown. A bit of tearing on one corner of jacket, else Near Fine, in near fine dust jacket (unclipped). The Mark Twain Papers.

Condición: Good. Estado de la sobrecubierta: Near Fine. Hbk, royal 8vo, 669pp, dj is price-clipped, otherwise fine and now in protective sleeve, uncirculated ex-public library with a few usual library remnants but no external shelfmark, clearly the text has not been used and internally is excellent, clean and tight and a fine working copy.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. xxi, 668 pp, 1 leaf; xv, 701, [1] pp. Original cloth. Top edges of pages foxed. Signature of former owner on pastedown of Vol. II. Else a Very Good+ set, without dust jackets. The Mark Twain Papers. ISBN for Vol. I: 0520023269. 'In the summer of 1855, when the nineteen-year-old Sam Clemens traveled from Saint Louis to Hannibal, Paris, and Florida, Missouri, and then to Keokuk, Iowa, he carried with him a notebook in which he entered French lessons, phrenological information, miscellaneous observations, and reminders about errands to be performed. This first notebook thus took the random form which would characterize most of those to follow. About the text: In order to avoid editorial misrepresentation and to preserve the texture of autograph documents, the entries are presented in their original, often unfinished, form with most of Clemens' irregularities, inconsistencies, errors, and cancellations unchanged. Clemens' cancellations are included in the text enclosed in angle brackets, thus ; editorially-supplied conjectural readings are in square brackets, thus [word]; hyphens within square brackets stand for unreadable letters, thus [--]; and editorial remarks are italicized and enclosed in square brackets, thus [blank page}- A slash separates alternative readings which Clemens left unresolved, thus word/word. The separation of entries is indicated on the printed page by extra space between lines; when the end of a manuscript entry coincides with the end of a page of the printed text, the symbol [#] follows the entry. A full discussion of textual procedures accompanies the tables of emendation and details of inscription in the Textual Apparatus at the end of each volume; specific textual problems are explained in headnotes or footnotes when unusual situations warrant. The twelve notebooks in volume 1 provided information about the eighteen years in which the most profound, even dramatic, changes took place in Clemens' life. He early achieved the limits of his boyhood ambition by becoming a steamboat pilot on the Mississippi River, a position there is no reason to believe he would have abandoned if the Civil War had not forced him to do so. In fleeing from a war which principle and temperament prevented him from supporting, Clemens entered into the first stages of his literary career by serving as a reporter for newspapers in Virginia City and San Francisco. When the restricted experiences available to a local reporter had been thoroughly explored, he moved on as a traveling correspondent to the Sandwich Islands and then still farther to Europe and the Near East. The latter travels provided him with material for The Innocents Abroad, the book that established Mark Twain as a popular author with an international reputation in 1869. In 1872 he further exploited his personal history by publishing Roughing It and in the same year visited England to gather material on English people and institutions. He returned to England the following year, this time accompanied by his family and by a secretary who would record the observations printed as the last notebook in volume 1. Volume 2 of Mark Twain's Notebooks and Journals, documenting Clemens' activities in the years from 1877 to 1883, consists largely of the record of three trips which would serve as the source for three travel narratives: the excursion to Bermuda, a prolonged tour of Europe, and an evocative return to the Mississippi River. Despite the common impulse to preserve observations and impressions for literary use, the contents of the notebooks are remarkably different in their vitality-and the works which developed from the notes are correspondingly varied.'.

Hardcover. Condición: VG+. Grey cloth with color illustrated dust jacket. 360 pp. Color and bw illustrations. Catalogue for the 2008 exhibition at Meadows Museum, Southern Methodist University. This major publication sheds new light on one of the most important artworks produced in late fifteenth century Spain. The twenty-six panels of the altarpiece of the cathedral of Ciudad Rodrigo (Castile) rank among the most beautiful and ambitious works by two of Castile's gifted late medieval painters, Fernando Gallego and the virtually unknown Master Bartolomé. Accompanying a major new exhibition of their work, this extensively illustrated volume includes full catalog entries for each of the panels, as well as a collection of essays exploring both their cultural and artistic significance. Ranging in subject matter from the physical life and composition of the altarpiece itself, to Fernando Gallego, the Hispano-Flemish tradition in Spain and millennialism in late fifteenth-century Castile, these essays highlight individual techniques and workshop practices in the context of the cosmopolitan communities of a Castile. Includes full catalogue entries for each panel.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 870pp. Taupe broadweave cloth with facsimile Twain signature in red at lower front cover right corner; spine title lettering in red, with author and editor names, publisher name, in black lettering. Dustwrapper light mustard with title, volume number and twain's facsimile signature in red on front cover, with spine lettering and coloring corresponding to that of the spine itself; tiny tear at lower right front cover corner, else other corners Fine; 3/4" closed tear at 3/4" to left of spine at top rear edge, else Fine. No previous owner names or other writing in text or on edges. Now in mylar which forgives all sins mightily. Fat, heavy book may require extra shipping.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. xv, 701, [1] pp. Original cloth. Bookplate on pastedown, else Near Fine, in near fine dust jacket (unclipped). The Mark Twain Papers.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Book condition: Near Fine with nudge to head of spine. Jacket: VG/Fine with tiny nick to head of spine. A bright copy.

Hardcover. Ex-library, o/wise good (no markings to clean and bright text). No dust jacket. 254pp. ISBN 0080231322.

Condición: very good. Stephen Gray, John Barrell, Nick Humphrey, Mark Lushington (eds), GRANTA Vol. 68 No. 1231, GRANTA, Cambridge, 1963. 218 x 280. Printed blue and black on white, orange and pink stock. The Modern Art Issue features an Essay on Kinetic Art and Frank Malina by Reg Gadney (cover design also features Galaxy by Malina), alongside 'Notes on Alberto Giacometti' by Stephen Bann, 'Pop Art' by Robert Harvey, 'The Importance of Ben Nicholoson' by Charles Harrison, 'Annie and Child' by Jules Lubbock. The issue also features poems from Thomas Clark, John Roe and Jeremy Hilton. Condition: very good.

Condición: Muy Bueno. 243. Rústica. Cubierta en buen estado, mínimos roces. Interior del libro en buen estado.- 16,5 x 23,5 cm.- Localización: E8. Castellano. Rústica. Cubierta en buen estado, mínimos roces.

Condición: Muy Bueno. 16,5x23,5. 506. Rústica. Cubierta en buen estado, mínimos roces. Interior del libro en buen estado.- Localización: E8. Español. Rústica. Cubierta en buen estado, mínimos roces.

336pp with 103 colour and 67 monochrome illustrations. Cloth 28x24.8cms. ISBN: 978085667651. Fully-illustrated catalogue of the twenty-six panel altarpiece originally from the Ciudad Rodrigo in Castile, and now part of the Samuel Kress Collection in Arizona. As one of the most important late 15th century Spanish works of art it is a masterpiece by Gallego and the virtually unknown Master Bartolomé. A collection of essays highlight Gallego and the Hispano-Flemish tradition in Spain; Bartolomé in 15th century Castile; and new infra-red techniques and pigment analysis of the panels employed as part of a major conservation project on this work. Text in English.