amy granat (12 resultados)

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover without dustjacket as issued, 64 pages; good condition, bump / crimps at top of spine; covers yellowed; inscribed and signed by "Ann" on title page; no other internal marks. Foreign shipping may be extra.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 20,5 x 29 cm, Hardcover, 64 pages, 68 color illustrations - First monograph. Ann Craven is, fundamentally, a painter. She paints the moon, birds, flowers, deer, or color stripes. She paints antiquated subjects, for she knows the symbolic power of the images accompanying us, even the most insignificant onesthose empty of content that our grandmothers would keep for no veritable reason, or the gold stars that a schoolgirl or boy pins up in their room with such pride. Her birds and flowers series endlessly interpret the essential painterly relationship between background and form, and the vibration of dazzling colors as so many signs of the times. Therefore everything is "painting," and all painting is equal in her eyes, whether copy or original, background color, abstract band, or bird on a branch.

Condición: Bueno. First . Cita Books is an online bookshop run by readers for readers. Through its website it offers for sale items of its own library: a selection of titles collected over two decades, during which it has kept alive its interest in themes belonging to the fields of art, architecture and design.

Condición: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.

Condición: New. What does it mean to be in the studio? What is the space of the studio in the artist s practice? How do studios help artists envision their agency and, beyond that, their own lives? This title locates the studio both spatially and conceptually - at the cent.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Softcover. Condición: Sehr gut. Limitierte Ausgabe. Z : 17,5 x 9,5 x 27 cm, boxset, 32 softcover books, 480 pages with 480 illustrations - A series of 32 artist books in a boxset, in the comic book format, conceived in tribute to the late Steven Parrino. 250 copies limited edition. Each volume is linked in some way to Steven Parrino, by projects and exchanges, by friendship, by reciprocal inspiration. Black Noise celebrates a format that Steven Parrino was fond of, a culture that was familiar to him. The only constraint upon the authors invited in spring 2005 was the format and the title of the overall publication. Some directly evoke Steven Parrino's personality, whereas others produce a less referential contribution. With Rich Aldrich, John Armleder, Fia Backström, Sophie Bernhard, Peter Coffin, Philippe Decrauzat, Vidya Gastaldon & Fabrice Stroun, Gabrielle Giattino & Sarah Turner, Janine Gordon, Kim Gordon, Amy Granat, Drew Heitzler & Flora Wiegman, Jutta Koether, Alix Lambert, Balthazar Lovay, Brendan Majewski, Christian Marclay, Mass, John Miller, Thurston Moore, Olivier Mosset, Chuck Nanney, Genesis P-Orridge, Mai-Thu Perret, Carissa Rodriguez, Aura Rosenberg, Michael Scott, John Terhorst, Blair Thurman, John Tremblay, Elizabeth Valdez, Joan Wallace.

hardcover. Condición: Like New. Joe Bradley; Latifa Echakhch; Andrew Lord; Jay DeFeo; Saul Fletcher; Sarah Lucas; Klara Liden; Kim Jones; Hans Josephsohn; Alan Shields; Amy Granat; Sam Gilliam; Rudolf Schwarzkogler; Al Hansen Ilustrador. 12" x 9.75" cloth covered boards spine is untitled mull cloth. Tight and unmarked looks unread. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.