alison saar (48 resultados)

Condición: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

paperback. Condición: Good.

paperback. Condición: Very Good.

Paperback. Condición: Very Good. 1st Edition. No markings.

Softcover, 82 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Paperback. Condición: As New. Appears unread. U.S. orders are shipped from Lewiston, NY location.

Paperback. Condición: Near Fine. Oversize wraps with minor wear, like new with no faults to note.

Paperback. Condición: Fine. 1st. 80 pages, colour illustrations; 28 cm. Monograph series; no. 29. Catalogue of an exhibition held at the UCLA Fowler Museum of Cultural History, November 12, 2000 to May 13, 2001. Firm binding, clean inside copy. *** "Although the sculpture of African American artist Alison Saar is influenced by African objects and ideas, this volume does not seek to establish direct linkages, opting instead to present dialogues. It features an extended interchange between noted Africanist and art historian Mary Nooter Roberts and Saar, and through a series of beautfully photographed images, it also establishes a visual dialogue between Saar s frequently large-scale sculptural pieces and the intimate and intricate works of the Luba peoples of the Democratic Republic of the Congo." - Publisher. Size: 4to. Collectible.

Stiff Wrappers. Condición: Fine Condition. 79 pages. Paperback Texts in English. Crisp, tight, sharp and clean condition, essentially "as new." 103 illustrations in color. Monograph series no. 29. Illustrated endpapers. Bibliography. Book.

Paperback. Condición: Good. Stapled gallery catalogue Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

First Edition. Paperbound, tri-folded, 7 3/4Ó x 9Ó. An illustrated catalogue issued to accompany an exhibit of art works by Alison Saar. Fine in printed wrappers.

Softcover. Condición: Near Fine. First edition. Small quarto. 82pp. Illustrated from color photographs. Pictorial wrappers. Spine ends gently bumped, near fine.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Original publishers sewn paperback, pictorial frontcover, large 4to: frontispiece, 82pp., very richly illustrated, 100 objects depicted and described, bibliography, credits, notes on authors. Very fine copy - as new. Volume 29: Monograph Series.

Ephemera. This is not a book. The original pamphlet for an exhibition titled "Art en Route: MTA Arts for Transit" and held at PaineWebber Art Gallery, NYC, July 14 - September 23, 1994. The show presented artworks created for the Metropolitan Transportation Authority that were on view the length of the New York metropolitan train and subway lines. The pamphlet includes images of works by Romare Bearden, Andrew Leicester, Elizabeth Murray, Roy Lichtenstein, and Alison Saar as well as architectural renderings. The text outlines the history of the program. Single sheet, machine-folded to 8 panels (double parallel fold); 8 color illustrations; list of programs; 4 x 9 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address, abrasions and postal marks on rear.

Soft cover. Condición: Very Good.

Soft cover. Condición: Good. Paperback book in good+ condition. Minor general wear to covers with a couple of small dings to spine. Page edges lightly tanned. 4to. 80pp.

Hardback. Condición: New. Mirror, Mirror collects the vast body of prints made by Los Angeles-based artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged-empowering the content of the image while resisting the flat repetitive nature of the medium.

Softcover with metal spiral binding, 86 pages; very good condition, owner's name and date stamp; no other internal marks. Foreign shipping may be extra.

Hardback. Condición: New. Mirror, Mirror collects the vast body of prints made by Los Angeles-based artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged-empowering the content of the image while resisting the flat repetitive nature of the medium.

Spiral bound. Condición: Near Fine. Estado de la sobrecubierta: No dust jacket. Betye and Alison Saar Ilustrador. First Edition. Essays by Lucy R. Lippard, Ishmael Reed and Judith Williams.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Hardcover. Condición: Brand New. 127 pages. 11.00x10.00x0.75 inches. In Stock.

Soft Cover. Condición: As New. First Edition; First Printing. Tight, clean and crisp. The book appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. ; 14 color plates. Essay by Mary Davis MacNaughton. Published on the occasion of the exhibition at Ruth Chandler Williamson Gallery, Scripps College, March 18 - April 16, 2000.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Poster with text printed on rear, measuring 21 x 14 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Very Good. 1st Edition. 6" x 9.25" hardcover book in moth-print cloth boards. 84pp. with color illustrations. No DJ as issued. Text by Thelma Golden, Lowery Stokes Sims, Sarah Lewis. Clean, unmarked, and tightly bound. Boards bowed tinily, barely noticeable. Very slightly wear to corners of boards. Pages crisp, fresh. A handsome copy of this catalogue published on the occasion of a 2011 exhibition of American sculptor Alison Saar's bronzes in Madison Square Park. Scarce.