aldine press (25 resultados)

Condición: New. pp. 203.

stapled stiff paper wrappers. Aldine Press Ilustrador. small 4to. stapled stiff paper wrappers. 25 pages. Reproduced from typescript. A fine copy.

Condición: New. pp. 203.

tapa blanda. Condición: Bien. Stanley, Diane [illustrator] Ilustrador. Ballooning, Juvenile fiction., Size, Fiction, Children's stories Dent. London. 1970. 19 cm. 154 pages illustrations. Encuadernación en tapa blanda de editorial ilustrada. Idioma Inglés. Literature of today series. Puffin Books. by Mary Norton ; with illustrations by Diana Stanley . Cubierta deslucida. ISBN: 046005659X; 9780460056595 (=3079738=) LR114.

Condición: New. pp. 203.

paper wrappers. Aldine Press Ilustrador. tall 8vo. paper wrappers. (vi), 83, (3) pages. Nicely illustrated catalogue of books relating to one of the earliest presses to publish Greek texts. Fine copy.

4to, numerous illustrs., (some coloured), orig. decorated wrappers, 86 lots.

stiff paper wrappers. Aldine Press Ilustrador. square 4to. stiff paper wrappers. 239+(1) pages. Text in Italian. A near fine copy. List of contributors, introduction, indices of manuscripts and names, bibliography. Black and white illustrations in text. Color plates. An exhibition commemorating the 500th anniversary of the Aldine Press.

stiff paper wrapper. Aldine Press Ilustrador. 8vo. stiff paper wrapper. 124, (2) pages. Exhibition catalogue for the XII Mostra del Libro Antiquo. A fine copy. Seventy-two printed books, spanning the career of Aldo Manuzio, appear in this brief, but informative offering. Complete transcriptions of the titles and subtitles are followed by physical descriptions and brief notes about the editions of the copies reproduced. Most of the volumes listed herein are reproduced in color as accompaniments to the entries. A brief bibliography and index of names appears at the end of the volume.

Hardcover. Condición: New. Folio, blue boards lettered in white, Aldine device in gold. Printed in double column, pp.vi, 256. With 4 Indexes. ** Comprises a short Introduction to Aldine collectors & collections; and 167 discursive entries detailing the Aldine Collection bequeathed by Lionel Oliver Bigg to Harrow School in 1887; also a separate section on the Aldine Cicero Editions. *** Aldines At Harrow would ideally be ordered together with Printing & Publishing at The Aldine Press, to which it is cross-referenced as a source of greater background detail. *** For further details, please request a Descriptive Flyer. *** Before Ordering : to confirm postage costs & options, please click the link Ask Bookseller A Question. *** Note 30% Trade Discount is available to recognised booksellers : please request the discount code.

Hardcover. Condición: New. Folio, blue boards lettered in white, Aldine device in gold. Printed in double column, pp.xvi, 188. Illustrated with 3 portraits, 9 type facsimiles, and 11 Aldine devices. ** An extensive handbook that, uniquely, covers the complete 90-year history of the Aldine Press and its activities, bringing together material otherwise scattered in many different sources. *** Comprises an extensive Introduction to Aldus and Renaissance printing, and four further parts : 1. The lives and publications of the Manutius & Torresani families; 2. Editing, type design & printing at the Aldine Press; 3. Eight other aspects of the Aldine Press including the Academy, the Libelli Portatiles, the Hypnerotomachia Poliphili, Aldus's European contacts, Jean Grolier &c; and 4. The design and use of the Aldine devices. *** For further details, please request a Descriptive Flyer. *** Before Ordering : to confirm postage costs & options, please click the link Ask Bookseller A Question. *** Note 30% Trade Discount is available to recognised booksellers : please request the discount code.

cloth. Aldine Press Ilustrador. small 4to. cloth. (iv), 415 pages. One more descriptive catalogue for the Aldine quincentenary. Covers soiled, else a near fine copy. Only the UCLA collection surpasses the physical scope of this one. Contains 33 pages of plates depicting bindings, inscriptions, and shelf marks. A total of 526 entries. Illustrated.

full leather stamped in gilt. Aldine Press Ilustrador. 12mo. full leather stamped in gilt. (xiii), (24) 144, 120, 171, (21), 66, (2), (2 blanks) pages. et Prose. Di nuovo con diligenza rivedute, corretteì, et di vaghe Figure adornate. Parte Prima. Part one (of two) only of this Aldine edition (Tassiana, 16 (for volume 2, see 25); Adams, T-252, 256, 265; Gamba, 967). With the bookplates of The Right Honourable Wilmot, Viscount Lisburne on the front pastedown, private bookplate of James H. Stewart on the recto of the front free endpaper, and Bill Jackson of The Four Ducks Press on the verso of the front free endpaper. Front cover and endpaper detached, yet present, binding split entirely down the middle between M1 and M2. Rear hinge cracked. Entire gathering between M2 and M11 detached, yet present. Headbands loosen. Sold as-is. Part 1: Rime, Part 2: Aminta, Part 3: Il Forno, Part 4: Paragone dell'Italia alla Francia-Il Romeo-Conclusioni.

Aldine Press Ilustrador. small 4to. cloth, paper cover and spine labels, slipcase. 671, (3) pages. First edition. Fine in fine slipcase. This catalogue provides a descriptive bibliography of books in the Ahmanson-Murphy Aldine collection at the University of California, Los Angeles, together with abbreviated notices of works not at UCLA. Handsomely produced, slipcased, and carefully annotated, this volume should become a major resource for Aldine studies and the history of the book. The Aldine Press revolutionized the production, accessibility, and use of the book. Founded by Aldus Manutius (c. 1452-1515), the press introduced a number of innovations that helped shape the development of the modern book, including italic type and the smaller, pocket-sized volume. By putting the Greek and Latin classics in a form that everyone could afford, it revolutionized scholarship: the uniform Aldine texts made comparison and collation universally available, and they were used in schools. Collectors were interested in the Aldine Press from the beginning; Jean Grolier acquired over two hundred of its publications, often having the books elegantly bound and handsomely illuminated. Since that time, the output of the Aldine Press has been sought after by scholars, book collectors, and librarians. Copies of its books are found in libraries all over the world, where they remain a prized possession and the object of much scholarly research. For thirty-two years, Franklin D. Murphy, who came to UCLA as its sixth chancellor, fostered the expansion of the Aldine collection and encouraged its growth. During the greater part of this long period he was joined in these endeavors by the Ahmanson Foundation, whose constant support permitted the collection to increase in both size and significance. Following Dr. Murphy's death, the Ahmanson Foundation continued its generous support for the expansion of the collection and, in addition, by means of a grant late in 1996, enabled the present catalogue to come into existence. The binding cloth used for both the book and the slipcase is a Japanese book cloth (no. 2504) distributed by the Campbell-Logan Bindery. The binding board is 110 point acid-free Eska board from Ecological Fibers, Inc. cloth, paper cover and spine labels, slipcase.

Hardcover. Condición: Very Good+. Two works in one volume, 8vo. Seventeenth-century vellum, flat spine with red gilt-lettered morocco label, marbled endleaves. (Libro primo) Italic type, 30 lines plus headline. collation: A-R8: 136 leaves, foliated. Text with a few stains, but overall very clean. A quite nice copy. Bound with (Libro secondo) Italic type, 30 lines plus headline. collation: A-P8: 120 leaves, foliated. Woodcut Aldine dolphin device on both title-pages and final verso of both works. References: (Libro primo) UCLA 381; Renouard 144/10; Edit16 52899; USTC 803298; (Libro secondo) UCLA 400; Renouard 147/14-15; Edit16 26981; USTC 803436.

Aldine Press Ilustrador. folio (308 x 212 mm). early limp vellum, yap edges, paper spine label with title and date. a-y8, z10, A-E8, F3. First edition, minus the final signature, of one of the most celebrated incunables, considered by many to be the most beautiful of all printed Venetian books of the Renaissance. The presumed author, Francesco Colonna, was a Dominican monk of the Zattere at Venice (the author's identity did not become evident until the 18th century when it was noticed that the 38 initials of the individual sections form the famous acrostic: "Poliam Frater Franciscus Columna Peramavit" - Brother Franciscus Columna loved Polia very much). The Hypnertomachia Poliphili was printed in Venice by Aldus Manutius in his re-cut Bembo type, which was cast by Francesco Griffo of Bologna. The book has become extremely rare in recent years and is a highly desired "masterpiece of integrated text and design, and influences designers to this day." -G. Scott Clemens. This copy is in the original setting as called for by Neil Harris (Gutenberg Jarbuch, 2006), except the last few leaves which were substituted for the 2nd edition (E1-F3). Hand-corrected letters "AM" in the second title (a1r). (Saneque en Sanequam). The phallic woodcuts 'Sacrifice to Priapus' on m6r and the woodcut on x8v, are not mutilated in this folio, unlike the majority of copies. Vellum binding lightly age-darkened, with minor spotting to the rear cover. Natural creasing to the vellum covers. The textblock has separated along the front hinge but is still attached along the spine. Rear hinge cracked between the rear cover and F3. Paper spine label chipped with some loss. Lacking the front pastedown. Title page (A1) has become separated from the textblock, but is present in this copy. The last eleven (11) leaves in this copy are from the 2nd edition (1545, France), substituted most likely during the 16th century. There are 34 (of 39) woodcut initials present, as the last five were in the last eleven leaves of the first edition. Lacking the last leaf (errata and colophon). Very minor spotting / foxing to preliminary pages. Spotting / minor dampstaining to the very top edge of q8v-r4r. Dampstaining only affecting leaves C8-D8. A small ink-spot affecting the edges of the pages around r4-r6. The preserved state of the textblock, which contains the revolutionary typography and visually-stunning wood engravings, is remarkable. Considered the "masterpiece of the classic style in Venetian illustration" (Albert Ilg, Ueber den Kunsthistorischen Werth der H. P., 1872), the tome was printed with 172 remarkable woodcuts commonly attributed to the Paduan miniature painter Benedetto Berdone (c.1455/6 - 1530). Regardless of the anonymity of the illustrator, the beauty of the engravings transport the reader into a world where Polipho's dream becomes a reality. George D. Painter, Keeper in charge of Incunabula of the British Museum, stated in the foreword of his Hypnerotomachia Poliphili of 1499 (Eugrammia Press, 1963) that "Gutenberg's Forty-Two-Line Bible of 1455 and the Hypnerotomachia of 1499 confront one another from opposite ends of the incunable period with equal and contrasting pre-eminence. The Gutenberg Bible is sombrely and sternly German, Gothic, Christian and mediaeval; the Hypnerotomachia is radiantly and graciously Italian, classic, pagan, and renascent. These are the two supreme masterpieces of the art of printing, and stand at the two poles of human endeavour and desire." The book is written in a Latinized version of Italian, offering a unique challenge to readers, as one must be near fluent in both Latin and Italian. Also contained in the text are various examples of Greek, which Manutius was very fond of, as well as early examples of Hebrew. One of the earliest documented cases of COMPLETE words in Arabic published in the entire world which can be found on the illustrated wood engraving of the three doors of the realm of Queen Telosia (h8r), perhaps one of the most important aspects about the Hypnerotomachia. This precedes the first book printed entirely in Arabic, which is The Kitab Salat al i (1514, Fano, Italy). The book contains two main stories in the text: one from our hero, Poliphilo, which was written around 1490, and one from his lover, Polia, which was written c.1467. There are numerous passages in Hebrew, Arabic, Greek, and Egyptian hieroglyphics, as well as mathematical notes, geometric and architectural construction plans, and more, perhaps inspired by Colonna's teachings of rhetoric at Treviso and Padua. A second edition published in France appeared in 1545. Kallendorf 29; Goff C-767; HC * 5501; GW 7223; ISTC ic00767000; BMC V, 561 (IB 24500); IGI 3062; Essling 1198; BSB C-471. early limp vellum, yap edges, paper spine label with title and date.

Hardcover. Condición: As New. Aldine Press Manutis Ilustrador. 1st Edition. 1st Edition. 1534. third issue dubbed the best edition of the Maxims and Essays and Philosophy of Valerius Maximus Dictorum et Factorum Tiberius Greek ROME Philosophy Badius A rare 16th-century printing of Valerius s Dictorum et Factorum or Historical Anecdotes. This work is a collection of short stories, sayings, and phrases, memorial to Tiberius Caesar, who was reigning during Valerius lifetime. These anecdotes depict ancient Greek life and philosophy as well as famous kings and Caesars. Many modern historians claim that Valerius s work was taken from Cicero, Livy, and Sallust, as well as other ancient historians and philosophers, rather than creating original works. However, many of the topics he writes about were controversial and unusual for the time he wrote on homosexuality within the Roman army and the aristocracy of ancient Greece. While homosexually itself was written on, it was only considered tolerable in a master-slave relationship; not within a public and high status sense. Other topics include omens, revenge, superstitious cults, women lawyers, modesty, crimes, and conflicting political views. Notable names mentioned in this famous work include Scipio Africanus, Gaius and Tiberius Gracchus, and Alexander the Great! This 1558 Venetian edition features the commentary and notes of Ascensius Badius. Item number: #4050 Price: $950 MAXIMUS, Valerius Valerii Maximi Moralium exemplorum libri nouem, summa diligentia castigati, Ac fidelissimis eruditissimorum uirorum Oliuerij s. Arziganensis, Iodocique Badij Ascensij commentarijs enarrati, Quibus addita sunt quatuor & viginti exempla, nuper Aldi Manutij industria inuenta, eiusdem Ascensij commentarijs exornata. Cum duplici indice, altero quidem capitum, altero vero eorum, quae toto opere notatu digna uisa sunt. Insunt praeterea Theophili viri eruditissimi perutiles Lucubrationes, quae tibi non mediocri erunt (si huius autoris uirtutes optime nosse uolueris) adiumento. Adiunctis etiam autoritatibus Liuii, Iustini, Plutarchi, Dionysii, et multorum aliorum illustrium historiographorum, quae in aliis deerant. Venetiis: 1534 Note a Very fine crisp copy of this rare 3rd issue of the dubbed best edition of the work of the contemporary author of Tiberius Caesar circa AD to 37 AD. in a signed binding French late 19th century by Pierre Beres in full straight grained deep green levant morocco with Greek Key vignette gilt and Italian stone marbling quite exquisite end papers. withe the Aldine anchor twice on title page and colophon According to the French critic and Aldine Press, A.A. Renouard, this edition of the Maxims of the Tiberius period is the best. reference pages 110 to 111 in his Annales De L'impr. Des Alde. Signed by Binder.

Second edition, 3 vols., royal 8vo (235 x 155 mm), large paper copy, [4], 425, [1]; [4], 434, [2]; xl, 420, [4]pp., with half-titles and engraved frontispiece portrait to first and second volumes as called for, 10 facsimile plates, 6 of which are double-page or folding, some occasional light spotting to text (mainly prelims), marbled endpapers, cont. red morocco, spines gilt extra, marbled boards, spines just slightly faded, uncut, t.e.g. an attractive set. This famous bibliography of the output of the Manutius family and their Aldine Press, 1494-1598, has remained the standard work on the subject and has been praised as a classic of its kind. Over 1,500 entries given. Provenance: From the library of Charles Butler (1821-1910), Warren Wood in Hatfield, Hertfordshire. The majority of the library was sold at Sotheby's, London, on 5 April 1911.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1497 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 34 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: grc.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1840 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 173 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 173.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1803 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 209 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 209 Antonio Cesare Burgassi, Aldine press.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 294 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 294 Language: Italian.

Leather Bound. Condición: New. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in . The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages:- 294, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 294.

Full Leather Bound. Condición: New. Language: Italian. A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. Original edition was published in [ [1803] ] and this unique edition is Reprinted in 2025 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian, Pages 203, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. 203.

Leather Bound. Condición: New. Language: Italian. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2015, utilizing the invaluable guidance of the original edition published many years ago in 1803. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages:- 203, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 203.