adrian feint (44 resultados)

Paperback. Condición: new. Paperback. Adrian Feint (1894-1971) was a painter, printmaker, bookplate designer, illustrator, commercial artist and gallery director. In his home city of Sydney, and elsewhere in Australia, he was known as 'a man of unerring taste and colour sense'. Adrian Feint: Cornucopia showcases the range of works of this unjustly neglected artist, focusing especially on his stunning flower paintings and landscapes. Adrian Feint (1894-1971) was a painter, printmaker, bookplate designer, illustrator, commercial artist and gallery director. In his home city of Sydney, and elsewhere in Australia, he was known as AEoa man of unerring taste and colour senseAEo. This book showcases the range of works of this unjustly neglected artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fair. Adrian Feint. Ilustrador. 1st Edition. xix+169 pages. illustrated. Dust jacket chipped torn and split with some loss. Plastic wrapper.

Paperback. Condición: Good. Feint, Adrian Ilustrador. The cover has a bit of wear, with a few scuffs and creasing on the spine. The page edges are a bit spotted with a few stains, foxing and tanning, as are the first and last few pages. 201 pages Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Hardcover. Condición: Good. No Jacket. Adrian Feint. Ilustrador. 1st Edition. pp.xx+169. 24.5cm. Colour frontispiece portrait with tissue guard. 2 black and white photographic portraits. 13 line illustrations in the text. Verse 'In Memory of John Fairfax' by Henry Kendall, at the end. hard covers in quarter dark brown morocco, lettered in gilt to the spine. Embossed portrait of Fairfax on the front board. A little edge wear and bruising. A good clean copy.

Hardcover. Condición: Very Good. No Jacket. Adrian Feint. Ilustrador. 169 pages. Illustrated, Inscription from the author's mother on March 23 rd 1954.

Paperback. Condición: new. Paperback. Adrian Feint (1894-1971) was a painter, printmaker, bookplate designer, illustrator, commercial artist and gallery director. In his home city of Sydney, and elsewhere in Australia, he was known as 'a man of unerring taste and colour sense'. Adrian Feint: Cornucopia showcases the range of works of this unjustly neglected artist, focusing especially on his stunning flower paintings and landscapes. Adrian Feint (1894-1971) was a painter, printmaker, bookplate designer, illustrator, commercial artist and gallery director. In his home city of Sydney, and elsewhere in Australia, he was known as AEoa man of unerring taste and colour senseAEo. This book showcases the range of works of this unjustly neglected artist. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Edited by Sydney Ure Smith. Introduction by Tatlock Miller. 78 [1] pp. Illustrated in black and white and color, including 12 tipped-in color plates. Folio, publisher's blue cloth. First edition; one of 1500 copies signed by Adrian Feint and dated 1948. A fine copy.

Paperback. Condición: new. Paperback. Adrian Feint (1894-1971) was a painter, printmaker, bookplate designer, illustrator, commercial artist and gallery director. In his home city of Sydney, and elsewhere in Australia, he was known as 'a man of unerring taste and colour sense'. Adrian Feint: Cornucopia showcases the range of works of this unjustly neglected artist, focusing especially on his stunning flower paintings and landscapes. Adrian Feint (1894-1971) was a painter, printmaker, bookplate designer, illustrator, commercial artist and gallery director. In his home city of Sydney, and elsewhere in Australia, he was known as AEoa man of unerring taste and colour senseAEo. This book showcases the range of works of this unjustly neglected artist. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Soft cover. Condición: Fair. FEINT, Adrian Ilustrador. ".the convicts working day began two hours before dawn, when they were aroused and had to carry their bedding out into the courtyard of the barracks, where it lay all day exposed to the weather." Softback, head and tail of spine bumped. Covers moderately rubbed, so too edges of front cover. Free endpaper lightly discoloured, this halos most pages. General use and thumbing throughout. Previous owner's inscription on half-title page. This book is in fair condition. *We always describe the faults of our books meticulously but they usually present better than they sound.

Soft cover. Condición: Near Fine. Adrian Feint Ilustrador. 1st Edition. 198 pages. 4to. Near fine copy of this soft cover edition tracing the life of John Piper from the time of his arrival in Sydney sixty years after settlement. (Original hardcover published in 1939).

No Binding. Condición: Very Good. 105 x 80mm. Mounted on top edge to card (240 x 160mm), from the bookplate collection of Kristen Rasmussen, mounted on his printed card; Signed with initials in plate(with PICTURE) 0.0.

Hard Cover. Condición: Very Good. Adrian Feint Ilustrador. Reprint. 169 pages, coloured frontis with tissue-guard: John and Sarah Fairfax in 1827, b/w ills. Quarter leather, worn at the spine foot, papered boards with a stamped portrait of John Fairfax at the centre of the front board. The story commemorates the centenary of the Fairfax proprietorship of The Sydney Morning Herald, which John Fairfax first built up to greatness. Size: 4to.

25 x 19cm 84pp b&w amd colour illustrations staplebound wraps edge tears and faded. good+ Bi-monthly art magazine. This edition focuses on the work of leading Australian writer & poet.

84 pp, colour illustrations, advertisements, minor damage to spine and marks from staples, else fine copy in illustrated, limp wrappers.

Or.cloth with gilt image on cover & lettered spine. 78pp. Name on ffe. With 12 tipped-in colour plates & many col & b/w ills. Very good copy. One of 1500 copies signed & dated by the artist. Adrian Feint studied art at the Sydney Art School under the direction of Julian Ashton & Elioth Gruner. After service in WWI he studied in Paris & later with Margaret Preston.

25.5 x 19.0cms 82pp b/w & some colour illusts very good+ stapled paperback with very good dustwrapper This issue publishes letterpress that appeared in Art In Australia; The Home The bUlletin & Stead's Magazine as well as some poems amd 6 new stories. Also 2 stories by Gabrielle D'Annunzio (The Bread Box & The Watch).

25.5 x 19.0cms 82pp b/w & some colour illusts very good+ stapled paperback with very good dustwrapper (this copy has 'Specimen Copy' stamped on the front cover). This issue publishes letterpress that appeared in Art In Australia; The Home The bUlletin & Stead's Magazine as well as some poems amd 6 new stories. Also 2 stories by Gabrielle D'Annunzio (The Bread Box & The Watch).

Hard Cover. Condición: Near Very Good. Estado de la sobrecubierta: Near Very Good. Feint, Adrian. Ilustrador. First Limited Edition. 78pp, 28 plates (most col), list of artist's works. Or cloth in jacket. Jacket price clipped with minor edge wear and a couple of small chips. Small bookseller label on front pastedown, slight foxing to endpapers. Edition limited to 1500 copies, SIGNED by the artist on limitation page. Size: 4to.

33.0 x 25.5cms 80pp 16 b/w 12 tipped-in colour and many pen illusts very good hardcover & dustwrapper (ed of 1500 all signed by the artist) Ure Smith presents Feint as Australia's most distinguished painter of fowers and Tatlock Miller writes on 'The painting of Flowers'. Some of Feint's colour ed works display his taste for cornucopiae of tulips azaleas etc. Others are fine specimens of various camellias.

Folio. Col.Ill.wrapps. 96pp. Profusely illustrated, mostly in colour. Articles on various aspect of Feint's work including an article on Adrian Feint's bookplates by Richard King. 1st ed.

Hardcover. Condición: Good. . Limited edition of1500 each signed by the artist. Signed by Author(s).

4to, 78pp, tipped-in colour illustrations. A very good hardback copy in like dust jacket. Some small tears to jacket, newspaper clipping stuck to front paste-down. Limited to 1500 copies and signed by the artist.

Folio. Col.Ill.wrapps. rebound in buckram with a buckram slip-case. 96pp. Profusely illustrated, mostly in colour. Articles on various aspect of Feint's work including an article on Adrian Feint's bookplates by Richard King. With the Richard King bookplate by L.Kingston. This copy signed by Richard King and the editor Richard Heathcote.

Holzschnitt -- ca. 11,5 x 8,5 cm. -- gut erhalten. // woodcut -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Holzschnitt -- ca. 12 x 9 cm. -- gut erhalten. // woodcut -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Holzschnitt -- ca. 9 x 6 cm. -- mit einer Knickspur, ansonsten gut erhalten. // woodcut -- with a crease, otherwise in good condition // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Holzschnitt -- ca. 10,5 x 7 cm. -- gut erhalten. // woodcut -- in good condition // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

[Botany] SIGNED LIMITED EDITION. Large quarto (34 x 26cm), pp.30. With a total of 10 illustrated plates by Feint and Jones. Number 270 of 550 copies thus, SIGNED by the author and both artists to the limitation page. Publisher's green cloth with darker green titles to spine, and a device stamped to upper. With the dust-jacket priced at 50s. Internally crisp and clean. Jacket shows light wear, with a closed tear to top right of the front panel. Near fine.

Hard Cover. Condición: VG-. No Jacket. First Edition. 12mo. original blue cloth gilt (slightly rubbed, general marking and fading to spine and lower board, some toning and spotting; lacks dustwrapper); pp. x (last blank), 784. A very good copy. Flatsigned to FFE by the author, 'John Masefield'. Ex-libris Australian childrens author, Ethel Turner, with her attractive bookplate to upper pastedown designed and signed by Adrian Feint, with relevant newspaper clipping loosely enclosed and sections marked in text. Signed by Author.

Hardcover. Condición: Very Good. First Edition. Sydney, Palmtree Press, June 1928. Large octavo, [66] pages (the first five and the last three are blank, and the blank leaf between the limitation page and the title page is tipped in) with decorations and 21 original woodcut bookplates by Adrian Feint tipped in on blank leaves (rectos only). Quarter cloth and green papered boards, with paper title-labels on the spine and front cover; all edges uncut; green paper on the boards mottled (presumably as ever); light wear to the paper along the bottom edges and corners of the covers; an excellent copy. Number 85 of 125 copies numbered and signed by Adrian Feint and published under his private imprint; the typography is by Percy Green. This copy is inscribed and signed on an early blank page 'For Enid Wienholt with all good wishes. Adrian Feint. Sydney, 1932'. 'The Plates in the Book were printed direct from the Original Woodcut Blocks on Jap Hand-wove or Van Gelder Papers. The Title Page and the decorations are printed direct from Woodcut Originals' (colophon). Eight of the plates are in colour: two are monochrome, four are in two colours, and two are extensively hand-coloured. The checklist records 68 bookplates from 1922 to 1927. Among the original plates in the book are examples for Dorothea MacKellar, William and Margaret Preston, John Lane Mullins, Sydney Ure Smith, Thea Proctor, Walter Taylor, and Kenneth Macqueen. The 'Australian Dictionary of Biography' entry on Adrian George Feint (1894-1971) makes it clear that the inclusion of bookplates for the above-mentioned individuals is no accident. After he was discharged from the army in 1919, 'Feint returned to the Sydney Art School which was noted for its teaching in "black and white". He worked extensively for Sydney Ure Smith's advertising agency, Smith & Julius, and provided decorations and cover designs for his magazines, "Art in Australia" (1928-40) and the "Home". Regarded as having impeccable taste, Feint (with Walter Taylor) directed Grosvenor Galleries between 1924 and 1928. He showed his first wood-engravings in 1927 while studying design with Thea Proctor'. Later, 'he virtually gave up commercial art in 1938 to concentrate on oil-painting - receiving technical advice from Margaret Preston'. The ADB also makes short work of the identity of the recipient of this gift: Enid Wienholt (née Enid Frances Sydney Jones) was the wife of Arnold Wienholt (1877-1940), army officer, adventurer, pastoralist, politician and author, who led an extraordinary life.