abbaspour maria (23 resultados)

Hardcover. Condición: Good. Illustrated. With dust jacket. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: About Fine. Estado de la sobrecubierta: About Fine. 1st Edition. Hardcover with complete DJ. 400pp. 615 reproductions, mostly b/w, some colour. Clean, unmarked, and square.

Hardcover. Condición: Very Good. Hardcover. 4to. The Museum of Modern Art, New York, 2014. 400 pgs. Illustrated throughout. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Hardcover. 4to. The Museum of Modern Art, New York, 2014. 400 pgs. Illustrated throughout. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. OBJECT: PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist using particular techniques at a precise time, surviving into the present with a unique history. This perspective provides new insight into the singular nature of each work and the density of references that each contains while also acknowledging the cultural importance of photography from the interwar period--as well as the rarity of its best examples. Recognition of this importance informed The Museum of Modern Art's acquisition, in 2001, of the 341 modernist photographs that now constitute the Thomas Walther Collection, each presented in this volume in special 5 color reproductions and accompanied by an unprecedented degree of detailed information, constituting new standards for the field. OBJECT: PHOTO represents the culmination of four years of research by the Museum's Departments of Photography and Conservation and by more than two dozen visiting scholars, demonstrating in its varied voices their remarkable collaborations with the works and with each other. Essays by historians, curators and conservators consider such topics as the political and cultural pressures shaping the formation of the photographic avant-garde in Europe, the reception of modernist photography at the time and in subsequent revivals of interest in it, the intellectual backgrounds that were then generating new histories of photography, the standards and rationale for material analysis of photographs and the physical qualities of the photographs in the Walther collection as evidence of the development of photographic materials during the period. Thematic object-based case studies demonstrate new multidimensional approaches to the photograph as a cultural and artistic object in its own right. EB; 8vo 8" - 9" tall.

First edition. 12.5x 10 inches. 400 pages. Profusely illustrated in color. Original cloth; pictorial dust jacket. "OBJECT: PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist using particular techniques at a precise time, surviving into the present with a unique history. This perspective provides new insight into the singular nature of each work and the density of references that each contains while also acknowledging the cultural importance of photography from the interwar period--as well as the rarity of its best examples. Recognition of this importance informed The Museum of Modern Art's acquisition, in 2001, of the 341 modernist photographs that now constitute the Thomas Walther Collection, each presented in this volume in special 5 color reproductions and accompanied by an unprecedented degree of detailed information, constituting new standards for the field. OBJECT: PHOTO represents the culmination of four years of research by the Museum's Departments of Photography and Conservation and by more than two dozen visiting scholars, demonstrating in its varied voices their remarkable collaborations with the works and with each other. Essays by historians, curators and conservators consider such topics as the political and cultural pressures shaping the formation of the photographic avant-garde in Europe, the reception of modernist photography at the time and in subsequent revivals of interest in it, the intellectual backgrounds that were then generating new histories of photography, the standards and rationale for material analysis of photographs and the physical qualities of the photographs in the Walther collection as evidence of the development of photographic materials during the period. Thematic object-based case studies demonstrate new multidimensional approaches to the photograph as a cultural and artistic object in its own right" (the publisher). Generally a clean copy.

Oversized Hardcover. Condición: Good.

Condición: New.

Condición: new.

Hardcover in Dust Jacket. Condición: Very Good. First Edition. First Edition. As-new, in publisher's shrink-wrap.Brilliant photographs from the first half of the twentieth century, the culmination of four years of research by MoMa's Department of Photography and Conservation and by more than two dozen visiting scholars.

hardcover. Condición: fine. Estado de la sobrecubierta: fine. Illustrated with 615 four-color, five-color, and duotone reproductions. 400 pages. Folio, lime-green cloth, pictorial d.w. New York: The Museum of Modern Art, (2014). First edition. A fine copy in a fine dust wrapper. With contributions by Jim Coddington, Constance McCabe, Hanako Murata, and others.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. New.

Hardcover. Condición: New. 'OBJECT: PHOTO' contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist using particular techniques at a precise time, surviving into the present with a unique history. This perspective provides new insight into the singular nature of each work and the density of references that each contains while also acknowledging the cultural importance of photography from the interwar period--as well as the rarity of its best examples. Recognition of this importance informed The Museum of Modern Art's acquisition, in 2001, of the 341 modernist photographs that now constitute the Thomas Walther Collection, each presented in this volume in special 5 color reproductions and accompanied by an unprecedented degree of detailed information, constituting new standards for the field. 'OBJECT: PHOTO 'represents the culmination of four years of research by the Museum's Departments of Photography and Conservation and by more than two dozen visiting scholars, demonstrating in its varied voices their remarkable collaborations with the works and with each other. Essays by historians, curators and conservators consider such topics as the political and cultural pressures shaping the formation of the photographic avant-garde in Europe, the reception of modernist photography at the time and in subsequent revivals of interest in it, the intellectual backgrounds that were then generating new histories of photography, the standards and rationale for material analysis of photographs and the physical qualities of the photographs in the Walther collection as evidence of the development of photographic materials during the period. Thematic object-based case studies demonstrate new multidimensional approaches to the photograph as a cultural and artistic object in its own right.

Hardcover. Condición: new. Hardcover. OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography. Shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2015. 1st Edition. Hardcover. Shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. Num Pages: 400 pages, illustrations. BIC Classification: AGC; AJC. Category: (G) General (US: Trade). Dimension: 314 x 246 x 41. Weight in Grams: 2780. . . . . .

Condición: New.

Hardcover. Condición: Brand New. 400 pages. 12.00x10.00x1.50 inches. In Stock.

Condición: New. 2015. 1st Edition. Hardcover. Shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. Num Pages: 400 pages, illustrations. BIC Classification: AGC; AJC. Category: (G) General (US: Trade). Dimension: 314 x 246 x 41. Weight in Grams: 2780. . . . . . Books ship from the US and Ireland.

Condición: New. Shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality.KlappentextrnrnOBJE.

Hardcover. Condición: new. Hardcover. OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography. Shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Neuware - 'Photographs acquired by The Museum of Modern Art from Thomas Walther in 2001'--Page 11.