aaron darling (80 resultados)

Paperback. Condición: Fair. First Paperback Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good.

Condición: New. Editor(s): Darling, Kate; Perzanowski, Aaron. Num Pages: 304 pages, black & white illustrations. BIC Classification: JHB; LAB; LNR. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 17. Weight in Grams: 426. . 2017. paperback. . . . . Books ship from the US and Ireland.

Condición: New. Editor(s): Darling, Kate; Perzanowski, Aaron. Num Pages: 304 pages, black & white illustrations. BIC Classification: JHB; LAB; LNR. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 17. Weight in Grams: 426. . 2017. paperback. . . . .

Paperback. Condición: Good (ex-library). First Paperback Edition. Ex-library with usual marks, ink stamps &tc. Size: 8vo - over 7¾" - 9¾". Book.

Hardcover. Condición: New. ISBN:9789386602954,288pp.

Condición: New. Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.

Condición: New. Brand New, Softcover edition. This item may ship from the US or our Overseas warehouse depending on your location and stock availability.

Condición: New.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 214 pages. 9.00x6.00x0.49 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Behind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Instead, these communities rely on evolving social norms and market responses-sensitive to their particular cultural, competitive, and technological circumstances-to ensure creative incentives. From tattoo artists to medical researchers, Nigerian filmmakers to roller derby players, the communities illustrated in this book demonstrate that creativity can thrive without legal incentives, and perhaps more strikingly, that some creative communities prefer, and thrive, in environments defined by self-regulation rather than legal rules. Beyond their value as descriptions of specific industries and communities, the accounts collected here help to ground debates over IP policy in the empirical realities of the creative process. Their parallels and divergences also highlight the value of rules that are sensitive to the unique mix of conditions and motivations of particular industries and communities, rather than the monoculture of uniform regulation of the current IP system.

Paperback or Softback. Condición: New. Creativity Without Law: Challenging the Assumptions of Intellectual Property. Book.

Hardcover. Condición: New. Brand New! Fast Delivery "International Edition " and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 4-6 Working days .and we do have flat rate for up to 2LB. Extra shipping charges will be requested This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.

Condición: new.

Paperback. Condición: New. Behind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Instead, these communities rely on evolving social norms and market responses-sensitive to their particular cultural, competitive, and technological circumstances-to ensure creative incentives. From tattoo artists to medical researchers, Nigerian filmmakers to roller derby players, the communities illustrated in this book demonstrate that creativity can thrive without legal incentives, and perhaps more strikingly, that some creative communities prefer, and thrive, in environments defined by self-regulation rather than legal rules. Beyond their value as descriptions of specific industries and communities, the accounts collected here help to ground debates over IP policy in the empirical realities of the creative process. Their parallels and divergences also highlight the value of rules that are sensitive to the unique mix of conditions and motivations of particular industries and communities, rather than the monoculture of uniform regulation of the current IP system.

Condición: New. pp. 304.

Condición: as new. New York : New York University Press, 2017. Paperback. vi, 280 pp. 23 cm. - Intellectual property law, or IP law, is based on certain assumptions about creative behaviour. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Contents : Introduction / Aaron Perzanowski and Kate Darling -- Norms-based intellectual property systems: the case of French chefs / Emmanuelle Fauchart and Eric von Hippel -- An IP lawyer walks into a bar: observations on creativity in cocktails / Matthew Schruers -- Derogatory to professional character? The evolution of physician anti-patenting norms / Katherine J. Strandburg -- Owning the body: creative norms in the tattoo industry / Aaron Perzanowski -- Painting on walls: street art without copyright? / Marta Iljadica -- Subcultural change and dynamic norms: revisiting roller derby's master roster / David Fagundes -- Architecture and morality: transformative works, transforming fans / Rebecca Tushnet -- Internet pornography without intellectual property: a study of the online adult industry / Kate Darling -- Nollywood: pirates and Nigerian cinema / Olufunmilayo B. Arewa -- Conclusion: some positive thoughts about IP's Negative space / Christopher Jon Sprigman. Condition : as new copy. ISBN 9781479856244. Keywords : RECHT, intellectuele eigendom.

Condición: as new. New York : New York University Press, 2017. Paperback. vi, 280 pp. Behind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws. Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Instead, these communities rely on evolving social norms and market responses - sensitive to their particular cultural, competitive, and technological circumstances - to ensure creative incentives. From tattoo artists to medical researchers, Nigerian filmmakers to roller derby players, the communities illustrated in this book demonstrate that creativity can thrive without legal incentives, and perhaps more strikingly, that some creative communities prefer, and thrive, in environments defined by self-regulation rather than legal rules. Beyond their value as descriptions of specific industries and communities, the accounts collected here help to ground debates over IP policy in the empirical realities of the creative process. Their parallels and divergences also highlight the value of rules that are sensitive to the unique mix of conditions and motivations of particular industries and communities, rather than the monoculture of uniform regulation of the current IP system. Condition : as new copy. ISBN 9781479856244. Keywords : RECHT, intellectuele eigendom.

Condición: New.

Condición: New. pp. 304.

PF. Condición: New.