a j hubert (281 resultados)

Condición: New.

Paperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback or Softback. Condición: New. Collected Poems: With Translations from Jacques Pr�vert. Book.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: Very Good. No Jacket. b-566.

Condición: As New. Unread book in perfect condition.

Paperback. md-114 very good- fine paperback,

Condición: Fair. 1962 PRINTING. SORRY MAYBE JUST A READING COPY. 272 PAGE TEXT HAS SOME LOOSE PAGES. SICENCE. 4.25'' X 7''. WE USE BUBBLE MAILERS.

Paperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.

Mass Market Paperback. Condición: Good. 6th Printing April 1959. 272 pp. Solidly bound copy with moderate use. Creased spine. Bottom right corner of front cover is creased.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Illustrated by BUKOVNIK, GARY Drawings Ilustrador. 1st Edition?. VERY GOOD CONDITION IN VERY GOOD CLIPT(NOPRICE) DUST JACKET, CLEAN, SOLID, BRIGHT; GOLD SPINE TITLES ON BRIGHT WHITE HARD COVERS. BLACK TITLES ON WHITE TITLE BOX, ALL WITHIN PEACH COLORED DUST JACKET showing many musical instruments in white outline. Light blue endpapers.; 324pg pages; Book contains many old favorites. Bay Area Chefs offer more than 300 of their tempting easy to follow recipes especially for you to prepare at Home.

Paperback. Very Good with no dust jacket; Some wear at spine; Abridged version of the McGraw Hill edition; Mass Market PB.

Paperback. Condición: new. Paperback. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's friend, the critic George Rostrevor Hamilton, said he was 'modest about his poetry, and sometimes thought it too small to be worthwhile. But over and above a dry wit and fancy, he had an exquisite feeling for words, meticulous but, like himself, without affectation. In his own way he was unrivalled.' Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Single Issue magazine. Condición: Very Good. Cover by Hubert Rogers Ilustrador. First Edition. New York: The Frank A. Munsey Company Publisher. New York: 1936. First Edition Pulp magazine in Pictorial wrappers [about 7" x 10"], 144 pages, illustrated. Includes "The Rockets' Red Glare---" by George Bruce, "The Mob Knows Best" by Murray Leinster, "Highway to Hell" by Paul Ernst, etc. A very good copy with a short tear to the spine head rear corner, usual edge wear to the cover, text paper toned as usual. See Photos mag 24 / E.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: As New. Very nice book.

Soft cover. Condición: Very Good. ORIGINAL 1980 PUBLICATION; includes the large folded map in rear pocket (COMPLETE for this publication); ex-library; three - hole punched and placed within a flexible cardboard binder; in very good condition. Journal.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Revised Edition. Dust jacket has heavy edge wear with small tears, scuffed surface, corners worn, price clipped. Grey cloth boards are worn at the corners and head/tail of spine. Revised edition 1948. One of the most widely-used and respected introductions to the study of astronomy, this authoritative guide for students and laymen explores and explains the universe of constellations, nebulae, planets, comets, the sun and earth - in addition to sections on rainbows, auroras, and many other cosmic phenomena. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Paperback. Condición: Very Good. 2nd EDITION. Second Edition, Eighth Printing. Published by McGraw-Hill Books Company, 1964. Octavo. Paperback. Book is very good with shelf/edgewear and stamp inside the front cover. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Soft cover. Condición: Very Good. Emsh, Beecham, Berwin, Ebel, Napoli, Orban Ilustrador. 1st Edition. Stiff color illus. wraps. Vintage SF digest. Inaugural issue (this title lasted only 3 issues), with contents by H. A. DeRosso, John Jakes, Milton Lesser, Hubert J. Bernhard, Ward Botsford, and William Morrison. Cover by Emsh, illus. by Beecham, Berwin, Ebel, Napoli, Orban. Vintage clear tape reinforcement along spine has yellowed, otherwise only minor handling wear. 160 pp., illus. Size: 8vo - over 7¾" - 9¾" tall. Book.

Mass Market Paperback. Condición: VG+. 3rd Printing. Rather scarce in this format. Mentor M52.

Soft cover. Condición: Good. Open-File Report; ex-corporate library; report is 2-hole punched and within light cardboard binder; title page and edges w/ light foxing spots, o/w in good condition. Journal.

Condición: New. pp. 256.

SingleIssueMagazine. Condición: Good to Very Good-. Vol. 1, No. 1. Edited by Wade Kaempfert [Lester del Rey]. Cover art by Emsh. Includes "The Quest of Quaa" (novel) by H. A. DeRosso; "Jackrogue Second" (novelette) by John Jakes; "The Idols of Wuld" (novelette) by Milton Lesser; "Welcome, Voyagers" by Hubert J. Bernhard; "This World Is Condemned" by Ward Botsford; "The Haters" by William Morrison. Illustrated by Beecham, Berwin, Ebel, Napoli, and Orban. Closed tear at upper front hinge has been glue-repaired; spine edges rubbed with chipping and wear; quarter-sized piece out of upper rear cover edge; creasing; tanning; short tears at spine ends, nearly 1" at heel. Book.

Soft Cover. Condición: Fair. First Thus. Mass market paperback M52, 240 pages including tables, charts and drawings, plus black-and-white illustrations; spine and covers creased and worn, some faded pale old waterstaining, text pages otherwise clean and unmarked.

Soft Cover. Condición: Very Good. Mass market paperback MD114, later (1958) printing, 272 pages including tables, charts and drawings, plus black-and-white illustrations; one heavy spine crease, otherwise gently read, ink signature/address, otherwise very clean and unmarked. See also our listing for Gartmann, Heinz's Rings Around the World, and for John R. Kippax's classic The Call of the Stars, A Popular Introduction to a Knowledge of the Starry Skies.

Condición: new.

Condición: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . .