A j hubert (311 resultados)

Softcover. Condición: Fair. No Jacket. First Edition. Softcover Edition 4th printing (1953). The covers are curled at the edges and show some peeling of the outer laminated coating. Spine is creased and shows a bit of concave curvature along the length. The interior pages are clean and unmarked though tanned. The book will be carefully packaged for shipment for protection from the elements. USPS electronic tracking number issued free of charge.…

Condición: New.

Paperback or Softback. Condición: New. Collected Poems: With Translations from Jacques Pr�vert. Book.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.…

Soft cover. Condición: Very Good. No Jacket. b-566.

Condición: As New. Unread book in perfect condition.

Paperback. md-114 very good- fine paperback.

Paperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.…

Condición: Fair. 1962 PRINTING. SORRY MAYBE JUST A READING COPY. 272 PAGE TEXT HAS SOME LOOSE PAGES. SICENCE. 4.25'' X 7''. WE USE BUBBLE MAILERS.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Mass Market Paperback. Condición: Good. 6th Printing April 1959. 272 pp. Solidly bound copy with moderate use. Creased spine. Bottom right corner of front cover is creased.

Paperback. Very Good with no dust jacket; Some wear at spine; Abridged version of the McGraw Hill edition; Mass Market PB.

Paperback. Condición: new. Paperback. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's friend, the critic George Rostrevor Hamilton, said he was 'modest about his poetry, and sometimes thought it too small to be worthwhile. But over and above a dry wit and fancy, he had an exquisite feeling for words, meticulous but, like himself, without affectation. In his own way he was unrivalled.' Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: As New. Very nice book.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition.. VERY GOOD CONDITION IN VERY GOOD CLIPT(NOPRICE) DUST JACKET, CLEAN, SOLID, BRIGHT; GOLD SPINE TITLES ON BRIGHT WHITE HARD COVERS. BLACK TITLES ON WHITE TITLE BOX, ALL WITHIN PEACH COLORED DUST JACKET showing many musical instruments in white outline. Light blue endpapers.; 324pg pages; Book contains many old favorites. Bay Area Chefs offer more than 300 of their tempting easy to follow recipes especially for you to prepare at Home. Illustrated by BUKOVNIK, GARY Drawings (ilustrador).…

Soft cover. Condición: Very Good. ORIGINAL 1980 PUBLICATION; includes the large folded map in rear pocket (COMPLETE for this publication); ex-library; three - hole punched and placed within a flexible cardboard binder; in very good condition. Journal.

Paperback. Condición: Very Good. 2nd EDITION. Second Edition, Eighth Printing. Published by McGraw-Hill Books Company, 1964. Octavo. Paperback. Book is very good with shelf/edgewear and stamp inside the front cover. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Soft cover. Condición: Very Good. 1st Edition. Stiff color illus. wraps. Vintage SF digest. Inaugural issue (this title lasted only 3 issues), with contents by H. A. DeRosso, John Jakes, Milton Lesser, Hubert J. Bernhard, Ward Botsford, and William Morrison. Cover by Emsh, illus. by Beecham, Berwin, Ebel, Napoli, Orban. Vintage clear tape reinforcement along spine has yellowed, otherwise only minor handling wear. 160 pp., illus. Size: 8vo - over 7¾" - 9¾" tall. Emsh, Beecham, Berwin, Ebel, Napoli, Orban (ilustrador). Book. …

Hardcover. First edition. Fine clothbound hardcover with a bound-in ribbon book mark in a Near Fine dust jacket with light shelf wear and a couple of indents to the back panel. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "This first volume in the new Concept: Photography series--a loosely-knit collection of books, produced by Germany's international DZ Bank in cooperation with leading European museums--kicks off an exploration of key themes in the contemporary photography discourse. Dialogues & Attitudes concentrates on subjects like Reflection in Media, Cinematography, and the Staging of the Self. With works by Matthew Barney, Christian Boltanski, Hanne Darboven, Tacita Dean, Robert Rauschenberg, Klaus Rinke, Cindy Sherman, Taryn Simon, William Wegman, and many others, it presents a representative spectrum of the top current positions in photography and art." The catalogue for an exhibition held at the Ludwig Museum, Budapest, April 27 - June 10, 2007. Essays by Veronika Baksa-Soos, Hubert Beck, J.A. Tillmann, Luminita Sabau, and Wulf Herzogenrath. 160 pages; 154 color and b&w illustrations; 9.75 x 12 inches. Artists' biographies, exhibition checklist. Text in English and German. The dust jacket unfolds to make a 23 x 37 inch poster. Due to size and weight, international and expedited shipping will be more than quoted. …

Mass Market Paperback. Condición: VG+. 3rd Printing. Rather scarce in this format. Mentor M52.

Condición: New. pp. 256.

Soft cover. Condición: Good. Open-File Report; ex-corporate library; report is 2-hole punched and within light cardboard binder; title page and edges w/ light foxing spots, o/w in good condition. Journal.

SingleIssueMagazine. Condición: Good to Very Good-. Vol. 1, No. 1. Edited by Wade Kaempfert [Lester del Rey]. Cover art by Emsh. Includes "The Quest of Quaa" (novel) by H. A. DeRosso; "Jackrogue Second" (novelette) by John Jakes; "The Idols of Wuld" (novelette) by Milton Lesser; "Welcome, Voyagers" by Hubert J. Bernhard; "This World Is Condemned" by Ward Botsford; "The Haters" by William Morrison. Illustrated by Beecham, Berwin, Ebel, Napoli, and Orban. Closed tear at upper front hinge has been glue-repaired; spine edges rubbed with chipping and wear; quarter-sized piece out of upper rear cover edge; creasing; tanning; short tears at spine ends, nearly 1" at heel. Book. …

Soft cover. Condición: Very Good. Softcover in very good condition. Article topics include : japanese art lacquers; p.pedro kasui 1587-1639; saikaku and boccaccio; a biographical study of tz'u-en; textkritische untersuchungen zum daidoruijuho part 4; a copy of bonifacii christiani pueri institutio in cophenhagen; ein portugiesischer brief takayama ukons; and more. Size: 4to - over 9¾ - 12" tall. Journal.…

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft Cover. Condición: Fair. First Thus. Mass market paperback M52, 240 pages including tables, charts and drawings, plus black-and-white illustrations; spine and covers creased and worn, some faded pale old waterstaining, text pages otherwise clean and unmarked.