Philippe lacoue labarthe (467 resultados)
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Heidegger, Philosophy, and Politics: The Heidelberg Conference
Lacoue-Labarthe, Philippe,Gadamer, Hans-Georg,Derrida, Jacques
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Idioma: Inglés
Editorial: State University of New York Press, 1992
Serie: SUNY series in Contemporary Continental Philosophy, Libro 5 de 158. Libro 5 de 158 - SUNY series in Contemporary Continental Philosophy
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Idioma: Inglés
Editorial: State University of New York Press, (Albany, 1992), 1992
Serie: SUNY series in Contemporary Continental Philosophy, Libro 5 de 158. Libro 5 de 158 - SUNY series in Contemporary Continental Philosophy
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Idioma: Francés
Editorial: Musee e d'art moderne, 1983
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Paperback or Softback. Condición: New. Poetry as Experience. Book.
Idioma: Inglés
Editorial: State University of New York Press, 1992
Serie: SUNY series in Contemporary Continental Philosophy, Libro 5 de 158. Libro 5 de 158 - SUNY series in Contemporary Continental Philosophy
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Idioma: Inglés
Editorial: State University of New York Press, 1988
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Idioma: Inglés
Editorial: Basil Blackwell, 1990
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Paperback. Condición: New. Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition…and action-a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tübingen, Jänner" and "Todtnauberg"-the one a response to Hölderlin, the other to Heidegger-and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject-or, for that matter, to the concept of poetry-but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future.
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Paperback. Condición: Fine. Translated from the French by Felicia McCarren. First paperback edition. Fine in illustrated wraps.
Editorial: Stanford: Stanford University Press, 1994, 1994
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Lacoue-Labarthe, Philippe, 1940-2007. Musica ficta: figures of Wagner. Translated by Felicia McCarren. Stanford: Stanford University Press, 1994, xxiii, 161pp., PAPERBACK, very good. Series: Meridian (Stanford). - This is a pioneering attempt to rearticulate the relationship between music and the problem of mimesis, of presentat…ion and re-presentation. Four "scenes" compose this book, all four of them responses to Wagner: two by French poets (Baudelaire and Mallarme), two by German philosophers (Heidegger and Adorno). It is difficult today to realize how profoundly Wagner affected the cultural and ideological sensibilities of the nineteenth century. Wagnerism rapidly spread throughout Europe, partly because of Wagner's propagandizing talent and the zeal of his adherents. But the main reason for his ascendance was the sudden appearance of what the century had desperately tried to produce since the beginnings of Romanticism - a work of art on the scale of great Greek and Christian art. Finally, here it was, the secret of what Hegel called the "religion of art" rediscovered. - CONTENTS: Baudelaire -- Mallarme -- Heidegger -- Adorno. 9780804723855 ISBN 0804723850.
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Paperback. Condición: new. Paperback. Lacoue-Labarthe's "Poetry as Experience" addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organ…izes, and secures both cognition and action—a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: "Singbarer Rest." Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tubingen, Janner" and "Todtnauberg"—the one a response to Holderlin, the other to Heidegger—and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an "experience," a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the "concept" of the subject—or, for that matter, to the concept of poetry—but is rather the language of the "decept." Only by being "disappointed" of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future. Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action—a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tubingen, Janner" and "Todtnauberg"—the one a response to Holderlin, the other to Heidegger—and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject—or, for that matter, to the concept of poetry—but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Condición: Fine. Near Fine. First English language edition. Cloth. From the Meridian Crossing Aesthetics series, edited by Werner Hamacher and David E. Wellbery. Addresses Baudelaire, Mallarme, Heidegger, and Adorno. With extensive notes and references.
