KARSTEN, ROBERT (128 resultados)

Soft cover. Condición: Near Fine. pp.xix,444, frontispiece, 17 tables and 3 figures in the text, a very good+ copy [0907582133].

Hardcover. Condición: Fine. pp.xxiii, 470 pages, a Fine hardback (red cloth & no dust-jacket called for) [1571818545].

Hardcover. Condición: Near Fine. 2nd Edition. very nice copy.

Paperback. Condición: New. This revised and enlarged edition brings the successful original volume of 1984 right up to date, taking into account the most recent developments. Each section begins with an introduction that provides the context for the following documents. There is no comparable volume of its kind available in English, and most documents have not previously been translated.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0907582133.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0907582133.

Paperback. Condición: Very Good. Crease and scratches to cover Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Soft cover. Condición: Near Fine. trade paperback in near fine conditoin.

Singleissuemagazine. Condición: Very Good. First Edition. New York: The Journal of Philosophy Inc 1986. Very Good. 1986. First Edition. Softcover. First edition. Magazine. Printed wrappers [about 6" x 9"], saddle-stapled, last numbered page is 696 [first numbered page is 625] plus ads at the rear. Near fine with very light wear. 811E.

gebundene Ausgabe. Condición: Gut. 111 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Namensvermerk des Vorbesitzers im Vorsatz. Sprache: Deutsch Gewicht in Gramm: 250.

gebundene Ausgabe. Condición: Gut. 111 Seiten; Das Buch ist in einem neuwertigen Zustand. Sprache: Deutsch Gewicht in Gramm: 240.

Paperback. Condición: Fine. 1st. 383 pages; 21 cm. Tight, clean copy. *** CONTENTS: Robert Ryman: Critical texts since 1967: The Silent Art, 1967, by Lucy R. Lippard; Review. Robert Ryman: Paul Bianchini Gallery, 1967, by Joseph Kosuth; New York Commentary, 1969, by Dore Ashton; Robert Ryman's Double Positive, 1971, by Carter Ratcliff; Robert Ryman, 1971, by Willis Domingo; Review. Robert Ryman at Fischbach Gallery and Dwan Gallery, 1971, by Kenneth Baker; Review. Art: Ryman's White-on-White Oeuvre, 1972, by John Canaday; "Ryman" Brand Paintings, 1972, by Naomi Spector; Ryman, Marden, Manzoni: Theory, Sensibility, Mediation, 1972, by Robert Pincus-Witten; Opaque Surfaces, 1973, by Douglas Crimp; Robert Ryman, John Weber Gallery, 1973, by Bruce Boice; Review. Strata: paintings, drawings and prints by Ellsworth Kelly, Brice Marden, Agnes Martin, Robert Ryman and Cy Twombly, 1974, by Lynda Morris; Robert Ryman: Unfinished III (Position), 1974, by Barbara R. Reise; Review. Robert Ryman: John Weber Gallery, 1974, by Ellen Lubell Note continued: Robert Ryman; active painting, 1975, by Catherine Millet; Review. Robert Ryman: John Weber Gallery, 1975, by Hilton Kramer; Appreciating Ryman, 1975, by Jeremy Gilbert-Rolfe; Ryman Dossier: About the destruction of the surface entity, 1978, by Christian Bonnefoi; Review. Robert Ryman: Sidney Janis Gallery, 1979, by Jeff Perrone; Robert Ryman: Reductionism [actual symbol not reproducible] Entropy, 1979, by Donald B. Kuspit; Robert Ryman: Another View, 1979, by Marcia Hafif; Irreproducible Ryman, 1980, by Thierry de Duve; Painting in Shreds, 1981, by Jean Clay; The End of Painting, 1981, by Douglas Crimp; Ryman's Tact, 1981, by Yve-Alain Bois; Review. Robert Ryman: Bonnier Gallery, 1983, by Stephen L. Kaplan; Review. Robert Ryman: Maeght Lelong, 1984, by Gerrit Henry; This Is Not a White Square, 1984, by Jean Fremon; Review. Robert Ryman: Leo Castelli Gallery, 1986, by Ellen Handy; Art at the Edge: Ryman's Vector and Cezanne, 1986, by Walter Thompson Note continued: Robert Ryman: The Charter Series: A Meditative Room for the Collection of Gerald S. Elliott, 1987, by Neal Benezra; Nonrepresentation in 1988: Meaning; production beyond the Scope of the Pious, 1988, by Jeremy Gilbert-Rolfe; Review. Robert Ryman: Dia Art Foundation, 1989, by Meyer Raphael Rubinstein, by Daniel Wiener; Red Desert and Arctic Dreams, 1989, by Donald B. Kuspit; Signed Ryman, 1990, by Jean-Pierre Criqui; Surprise and Equanimity, 1990, by Yve-Alain Bois; Robert Ryman: Ode to a Clean Slate, 1991, by Dan Cameron; Review. Robert Ryman: Pace Wildenstein, 1991, by Franklin Sirmans; Absence Made Visible: Robert Ryman's "Realist" Painting, 1992, by Thomas McEvilley; Interpretation or projection? Robert Ryman; after-thoughts on the retrospective in Schaffhausen, 1992, by Laura Arici; Robert Ryman Prints 1969-1993, 1993, by Amy Baker Sandback; Simple Gifts, 1993, by Robert Storr; A Paler Shade of White, 1993, by Robert Hughes Note continued: Ryman, 1993, by Arthur Coleman Danto; Review. New York, Museum of Modern Art: Robert Ryman, 1993, by David Carrier; Ryman's Poetics, 1994, by Christopher S. Wood; Review. Robert Ryman: Pace Wildenstein, 1996, by Lee Siegel; Robert Ryman: "Standard," 1967, 1996, by Klaus Kertess; The Ineffable; About Ryman's Work, 1999, by Daniel Buren; About Robert Ryman, 1999, by Christel Sauer; Notes on Obsessive Whiteness (Ethnic Identities Of Whites), 2000, by Ernesto Pujol; Painting as space of experience, 2000, by Christoph Schreier; Boundary, 2000, by Volker Adolphs; About Hand-writing, 2000, by Bernhart Schwenk; Taking Care of Painting, 2000, by Thierry De Duve; Radiant Dispersion: Robert Ryman's Philadelphia Prototype, 2002, 2002, by Jeffrey Weiss; Robert Ryman: Works On Paper 1957-1964, 2004, by Joseph Marioni; The Education of Robert Ryman, 2004, by John Yau; Review. Robert Ryman: PaceWildenstein, 2005, by Roberta Smith; Robert Ryman, 2005, by Jan Dibbets Note continued: Interview. Ryman Paintings and Ryman Exhibitions, 2006, by Urs Raussmuller; Abstraction Problem: Two new shows on an old idea, 2007, by Peter Schjeldahl. Size: 8vo.

Hardcover. Condición: Very Good. No Jacket. 470 pages. Clean hardback. No dust jacket. Politics and Government in Germany, 1944-1994 : Basic Documents.

Paperback. Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket. A bright, clean copy. ; 1.3 x 8.5 x 5.6 Inches; 470 pages.

Ill. OPBd. Condición: befriedigend. In Fraktur, Einband bestossen und beriebn, Vorsatz mit einer Widmung sowie einem Gedicht. ersten vier Seiten mit Einriss, wenige Seiten gelockertund fleckig, sonst ordentliches Exemplar - mit Abb. Deutsch 159 pages. 8.

Condición: Brand New. 166 pages. 6.61x0.55x9.45 inches. In Stock.

Paperback. Condición: Brand New. 172 pages. 6.65x0.59x9.37 inches. In Stock.

Paperback. Condición: Brand New. 177 pages. 6.57x0.51x9.37 inches. In Stock.

Paperback. Condición: Brand New. 182 pages. 6.61x0.55x9.37 inches. In Stock.

Condición: New.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback or Softback. Condición: New. Politics and Government in Germany, 1944-1994: Basic Documents. Book.

Paperback. Condición: Very Good. PERSPECTA 26 The Yale Architectural Journal with texts by Irving Lavin, Karsten Harries, Robert Wilson, Sophie Gobran, George Izenour, Ada Karmi-Melamede, Richard Schechner, Stanford Anderson, Peter Behrens, Marco De Michelis, Tadao Ando, Alberto Ferlenga, Ann Hutchinson Guest, John Winkler, John Heyduk, Thomas Beeby and Kavid Harvey, Krzysztof Wodiczko. 292 pages, paper with stiff wrap. Black and white photographs and drawings. 12" x 9". Slight wear to cover otherwise very good condition.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Brand new book. Fast ship. Please provide full street address as we are not able to ship to P O box address.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. This revised and enlarged edition brings the successful original volume of 1984 right up to date, taking into account the most recent developments. Each section begins with an introduction that provides the context for the following documents. There is no comparable volume of its kind available in English, and most documents have not previously been translated.

Hardcover. Condición: Wie neu. Erotik, Liebe, Der Reigen, Szenische Dialoge, Geschlechterverhältnis, Arthur Schnitzler, Neufassung.

Paperback. Condición: New. This revised and enlarged edition brings the successful original volume of 1984 right up to date, taking into account the most recent developments. Each section begins with an introduction that provides the context for the following documents. There is no comparable volume of its kind available in English, and most documents have not previously been translated.