HARRIS, MARY EMMA (52 resultados)

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.51.

Broschiert. Condición: Sehr gut. Zust: Gutes Exemplar. Mit zahlreichen Abbildungen, 312 Seiten, Deutsch 1390g.

Condición: Very Good. 160 pp., hardcover, minor (mostly internal) library markings, light wear to spine edges else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condición: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Soft cover. Condición: Fine. Estado de la sobrecubierta: No Jacket as issued. 1st Edition. Published on the occasion of the exhibitions in 2005. A firm, clean copy.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: NoNE. PHOTOS Ilustrador. FIRST. A CLEAN BRIGHT HISTORY THE STORY OF THE BUILDING OF AN INNER RING SUBURB BOUND IN GREEN WITH PERFECT GOLD LETTERING AND DESIGN UNMARKED MAPS ON BOTH ENDPAPERS A VERY WELL WRITTEN HISTORY.

Softcover. Condición: Very Good+. Estado de la sobrecubierta: No Dust Jacket. Color and b and w photos and illus; 9.5 X 0.75 X 11 inches; 256 pages.

Condición: New. pp. 650.

Hardcover. Condición: Good. Howard Allen January 1966 Binding: Hardcover.

PB. Condición: very good, wraps (softcover). B&W illustrations Ilustrador. 12pp Uncommon exhibition booklet for this exhibit that opened at Bard College. THIS IS NOT THE BOOK OF THE SAME NAME by Harris.

Softcover with dustjacket, 316 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Gut. 1. Auflage. W : 22 x 27,5 cm, 255 Seiten, zahlreiche Abbildungen, Leinen mit Schutzumschlag - -.

Condición: Used: Very Good. Oversized softcover art book. No marks or writing in book. Light signs of handling; spine leaning a little. Profusely illustrated.

Softcover/Paperback. Condición: Gut. 314 S. Good condition. Ex library copy with stamps and back label. Sprache: Englisch Gewicht in Gramm: 1700.

Soft Cover. Condición: Very Good. First Edition. 314 pag - illustrated Size: 6M5.

Softcover. Quarto. Softcover. Oversized grey wrappers. 314 pgs w/ bw & some color illustrations. pictorial, cardstock dustjacket. "Launched in the depths of the Depression, Black Mountain College had fewer than 1300 pupils over its 24-year lifespan. Yet this haven of experimentation in the North Carolina hills counted among its students and faculty Franz Kline, Walter Gropius, Josef Albers, Charles Olson, Robert Creeley, Robert De Niro, Buckminster Fuller, Merce Cunningham and Willem de Kooning, among others. Based on some 300 interviews as well as primary sources, this revealing study by an art historian traces the school's evolution from a small, innovative liberal arts college with a general curriculum to a creative community of practicing artists. Despite bitter internal conflicts and a certain insularity, Black Mountain risked constant financial worries to maintain a democratic openness and willingness to ``let things happen.'' This attractively illustrated chronicle documents the gamut of creativity, from painting to weaving, ceramics, dance, graphic arts and photography."--Alibris. VG. Light bumping at tail of spine and and top right fore edge corners.

Stiff Wrappers. Condición: Fine Condition. 256 pages. Paperback with 225 illustrations 158 in color. Revised Edition. Foreword to the revised edition by Thomas P. Campbell. Published on the occasion of the exhibition from the Fine Arts Museums of San Francisco, de Young CA 18 November 2006-28 January 2007. Checklist of the Exhibition. Chronology. Selected Bibliography. Book.

Hardcover. Folio. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st edition. This first edition has boards bound in green linen with straight edges and pointed corners. Embossed designs present on front and back board. Spine is uncreased with straight edges and black titling. Text block is straight. Binding is firm. 314p. Interior is unmarked with crisp pages through out. There is an erratum sheet loose inside just before half title page. Dust Jacket is intact and unclipped with straight edges and pointed corners. Light creases at the head of spine.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. cloth, hardcover in dust jacket., no flaws or wear. clean. no markings. no bumps, tears, clips, creases. tight binding. a very well preserved copy.; 304pp., 281 illustrations, including 122 color plates. four essays. catalogue. reference material. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: Good. 4to. [50 pp.] Soft Cover. Very Good. Normal shelf wear. Minor chipping along cover corners, light sunning and some smudges on covers. Color Plates. Scarce. Provenance: From the estate of Gerald Nordland (1927-2019). He was a museum director, art critic, educator and author. Director of the Milwaukee Art Museum (1977-85); the UCLA Wight Art Gallery (1973-77); Dean of the Chouinard Art Institute (1960-64).Author of over 60 publications, including monographs on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

First edition As new and bright tall pictorial stiff wraps with its dustjacket Beautifully illustrated and profuse with art work, portraits and many stunning. With a real feel for the activity from a once upon a time experimental college. Gift quality.

Illustr, 13 x 9.5, cloth, 314 w/ index, vg in dw. Erratum present.

23.6 cm x 31.8 cm. 314 pages. Richly illustrated. Original Hardcover with dustjacket in protective collector's Mylar. As new condition with only minor signs of external wear. Original green cloth with blind signature design on front cover. Contains Erik Haugaard illustrated Exlibris on front pastedown. From the reference library of Hans Christian Andersen-Translator Erik Haugaard. Includes for example the following chapters: A Pioneering Venture (1933-1940): A New Deal in American Education / Art as Experience / A Log Cabin College / Education in a Time of War (1940-1945) Democracy in Action / War's End / An Essentially American Venture (1945- 1949) And Beyond the Duration / Art as Experiment / Reorganization and Resignation / A Community of Correspondences (1949-1957) Olson's University / Education as Conversation / The Closing / Epilogue: Continuations / Faculty and Student Roster etc. A definitive text made rich by details garnered from intensive research and interviews, it follows the mesmerising story of Black Mountain College's idealistic creation by John Andrew Rice and other visionaries such as Josef & Anni Albers, Buckminster Fuller, Eric Bentley, Ilya Bolotowsky, Robert Creeley, Willem de Kooning, Robert Duncan, Lyonel Feininger, Paul Goodman, Walter Gropius, Franz Kline, Robert Motherwell, and Charles Olson. The book chronologically portrays, how this small and justly famous experimental college became a powerhouse of people, ideas and creativity, the influence of which has affected America - especially the arts - ever since. Sprache: english.

Pictorial Self-Wrappers. Condición: Fine. First Edition. v + 83pp, profusely illustrated in color and b&w. Designed by John Jicha. With an exhibition checklist. This is the elegant catalogue issued in conjunction with a 1997 survey exhibition of collages and works on paper by the idiosyncratic late Fluxus and Correspondence Art titan - not to mention the enigmatic subject of the great documentary film "How to Draw a Bunny" - Ray Johnson. A most andsome example of the 1997 first printing of this co-publication of the Black Mountain College (Johnson's Alma Mater) Museum and Arts Center and the Asheville Art Museum. Artist Monograph.