GERALDINE LAY (32 resultados)

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Hardcover. Condición: new. Hardcover. After Failles Ordinaires (2012) which revealed Geraldine Lay's keen eye and original talent, the photographer here continues her urban explorations of humanity in Great Britain. Faithful to her precise, detailed method and ever attentive to the potential for surprise and chance in any setting, Geraldine Lay mentally apprehends her territories before photographing them. She senses the light and atmosphere, immersing herself in a setting rather than reconnoitring, an approach that brings intimacy to the heart of anonymity. Some critics have rightly highlighted the cinematographic dimension of the artist's work but such an interpretation overlooks the essentially photographic nature of her pursuit and, in each of her 'photograms', her exacting work reminds us how photography was invented before cinema, and had a special ability to capture and hold the delicately ephemeral. In doing so, she creates a new aesthetic unique to the photographic craft, an aesthetic that imbues all of her work. As we traverse suburban streets and squares, lives are captured in the mystery of their daily existence. As the Irish writer, Robert McLiam Wilson writes, 'People walk and wait. They talk, drink coffee. They cross streets. They work. They move about. Citizens busy with citizen things. Like all citizens everywhere, they are multiple, varied, various. Men, women, children. They are also British. Incredibly British. They couldn't come from anywhere else.' In an age of exponential standardized universality, Geraldine Lay's photography reaffirms both the permanence of unusual individualities and the resistance of collective identities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

paperback. Condición: Very good condition. In very clean condition. Ships quickly.

paperback. Condición: Good. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. After Failles Ordinaires (2012) which revealed Géraldine Lay's keen eye and original talent, the photographer here continues her urban explorations of humanity in Great Britain. Faithful to her precise, detailed method and ever attentive to the potential for surprise and chance in any setting, Géraldine Lay mentally apprehends her territories before photographing them. She senses the light and atmosphere, immersing herself in a setting rather than reconnoitring, an approach that brings intimacy to the heart of anonymity. Some critics have rightly highlighted the cinematographic dimension of the artist's work but such an interpretation overlooks the essentially photographic nature of her pursuit and, in each of her 'photograms', her exacting work reminds us how photography was invented before cinema, and had a special ability to capture and hold the delicately ephemeral. In doing so, she creates a new aesthetic unique to the photographic craft, an aesthetic that imbues all of her work. As we traverse suburban streets and squares, lives are captured in the mystery of their daily existence. As the Irish writer, Robert McLiam Wilson writes, 'People walk and wait. They talk, drink coffee. They cross streets. They work. They move about. Citizens busy with citizen things. Like all citizens everywhere, they are multiple, varied, various. Men, women, children. They are also British. Incredibly British. They couldn't come from anywhere else.' In an age of exponential standardized universality, Géraldine Lay's photography reaffirms both the permanence of unusual individualities and the resistance of collective identities.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: new.

Condición: New. 2018. Bilingual. Hardcover. . . . . .

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Brand New. bilingual edition. 96 pages. French language. 12.50x9.50x0.75 inches. In Stock.

Condición: New. 2018. Bilingual. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. bilingual edition. 96 pages. French language. 12.50x9.50x0.75 inches. In Stock.

État NEUF / NEW condition 196043 9782330109172 14.

Hardcover. Condición: Brand New. 140 pages. French language. 10.24x7.87x0.71 inches. In Stock.

Hardcover. Condición: Very Good. VERY GOOD hardcover, no marks in text, name on front free endpaper, very clean exterior; a gently used copy. Book.

Gebunden. Condición: New.

Hardcover. Condición: New.

Couverture rigide. Condición: Très bon. 1 vol. ; 137 p. ; 27 cm ; Très beau relié en très bon état ; couverture rigide illustrée légèrement salie au dos ; contient de nombreuses photographies en couleurs ; 8B2.

Buch. Condición: Neu. Neuware - After Failles Ordinaires (2012) which revealed Géraldine Lay's keen eye and original talent, the photographer here continues her urban explorations of humanity in Great Britain. Faithful to her precise, detailed method and ever attentive to the potential for surprise and chance in any setting, Géraldine Lay mentally apprehends her territories before photographing them. She senses the light and atmosphere, immersing herself in a setting rather than reconnoitring, an approach that brings intimacy to the heart of anonymity. Some critics have rightly highlighted the cinematographic dimension of the artist's work but such an interpretation overlooks the essentially photographic nature of her pursuit and, in each of her 'photograms', her exacting work reminds us how photography was invented before cinema, and had a special ability to capture and hold the delicately ephemeral. In doing so, she creates a new aesthetic unique to the photographic craft, an aesthetic that imbues all of her work. As we traverse suburban streets and squares, lives are captured in the mystery of their daily existence. As the Irish writer, Robert McLiam Wilson writes, 'People walk and wait. They talk, drink coffee. They cross streets. They work. They move about. Citizens busy with citizen things. Like all citizens everywhere, they are multiple, varied, various. Men, women, children. They are also British. Incredibly British. They couldn't come from anywhere else.' In an age of exponential standardized universality, Géraldine Lay's photography reaffirms both the permanence of unusual individualities and the resistance of collective identities.

Hardback. Condición: New. After Failles Ordinaires (2012) which revealed Géraldine Lay's keen eye and original talent, the photographer here continues her urban explorations of humanity in Great Britain. Faithful to her precise, detailed method and ever attentive to the potential for surprise and chance in any setting, Géraldine Lay mentally apprehends her territories before photographing them. She senses the light and atmosphere, immersing herself in a setting rather than reconnoitring, an approach that brings intimacy to the heart of anonymity. Some critics have rightly highlighted the cinematographic dimension of the artist's work but such an interpretation overlooks the essentially photographic nature of her pursuit and, in each of her 'photograms', her exacting work reminds us how photography was invented before cinema, and had a special ability to capture and hold the delicately ephemeral. In doing so, she creates a new aesthetic unique to the photographic craft, an aesthetic that imbues all of her work. As we traverse suburban streets and squares, lives are captured in the mystery of their daily existence. As the Irish writer, Robert McLiam Wilson writes, 'People walk and wait. They talk, drink coffee. They cross streets. They work. They move about. Citizens busy with citizen things. Like all citizens everywhere, they are multiple, varied, various. Men, women, children. They are also British. Incredibly British. They couldn't come from anywhere else.' In an age of exponential standardized universality, Géraldine Lay's photography reaffirms both the permanence of unusual individualities and the resistance of collective identities.

Condición: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782330109172.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Hardcover. Condición: New. 1st Edition. First edition first impression large format hardback in new condition, no markings, this is a new book, signed by Geraldine, please see pics, PayPal accepted, any questions please get in touch. Faithful to her precise, detailed method and ever attentive to the potential for surprise and chance in any setting, Géraldine Lay mentally apprehends her territories before photographing them. She senses the light and atmosphere, immersing herself in a setting rather than reconnoitring, an approach that brings intimacy to the heart of anonymity. Some critics have rightly highlighted the cinematographic dimension of the artist's work but such an interpretation overlooks the essentially photographic nature of her pursuit and, in each of her 'photograms', her exacting work reminds us how photography was invented before cinema and had a special ability to capture and hold the delicately ephemeral. In doing so, she creates a new aesthetic unique to the photographic craft, an aesthetic that imbues all of her work. As we traverse suburban streets and squares, lives are captured in the mystery of their daily existence. As the Irish writer, Robert McLiam Wilson writes, 'People walk and wait. They talk, drink coffee. They cross streets. They work. They move about. Citizens busy with citizen things. Like all citizens everywhere, they are multiple, varied, various. Men, women, children. They are also British. Incredibly British. They couldn't come from anywhere else.' In an age of exponential standardized universality, Géraldine Lay's photography reaffirms both the permanence of unusual individualities and the resistance of collective identities. Signed by Author(s).

Condición: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782330009878.