Zustand: Sehr gut | Sprache: Englisch | Produktart: B�cher | Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Bamberg, course: African American Drama, language: English, abstract: History is an issue of great meaning within the works of August Wilson. In this paper shall be analysed through which channels and with which methods the author transports not only the history of a family, but also the history of slavery interwoven with the experiences of the characters and their ancestors in the award winning novel The Piano Lesson. In this process of analysis we will find, that Wilson proposes a concept of memory that can be summed up with the term �kommunikatives Ged�chtnis� which was coined by Jan and Aleida Assmann and further developed by Harald Welzer. For better understanding the term �communicative memory� will be used instead. In his play Wilson uses the method of storytelling. Through this we can see how the characters within the play communicate with each other and on one level transport communicative memory. But on the other level the reader becomes a silent listener participating in these conversations and in this role is able to read historical elements from the subtext of the stories told. In the last chapter August Wilson�s way of communicating memory will be compared to Toni Morrison�s approach in Site of Memory. What the reader finds in the first lines of the play is a short description of the setting. This short text tells about the Charles� house and the people who live in it. Most of the description however is concerned with the piano. �What time or period is the setting for The Piano Lesson? That was the first question asked by the late great Chinese actor and director Ying Roucheng after he read the play in 1991.� His confusion concerning the time in which the action of the play is set can be understood easily, because nothing in the secondary text informs the reader about the temporal conditions of the play. It is necessary to take a closer look at the primary text to find the hints Wilson gives to define the temporal situation. The most prominent of those hints can be found in Doaker�s story about the piano when he says, that his older brother Boy Charles �would have been fifty-seven if he had lived. He died in 1911 when he was thirty-one years old.� Subsequently the reader has to do the math. Knowing this, the play must take place in the year 1936 or 1937.

N� de ref. del art�culo 4579855/2

Contactar al vendedor

Denunciar este art�culo

Detalles bibliogr�ficos

T�tulo

Writing history : Communicative memory and conversational remembering in August Wilson's 'The Piano Lesson'

Editor

GRIN Verlag

Fecha de publicaci�n

2008

Idioma

Ingl�s

ISBN 10

3640134877

ISBN 13

9783640134878

Encuadernaci�n

Encuadernaci�n de tapa blanda

Estado

Sehr gut

Cat�logos de vendedores

B�cher

Acerca de

Sinopsis

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Bamberg, course: African American Drama, language: English, abstract: History is an issue of great meaning within the works of August Wilson. In this paper shall be analysed through which channels and with which methods the author transports not only the history of a family, but also the history of slavery interwoven with the experiences of the characters and their ancestors in the award winning novel The Piano Lesson. In this process of analysis we will find, that Wilson proposes a concept of memory that can be summed up with the term "kommunikatives Ged�chtnis" which was coined by Jan and Aleida Assmann and further developed by Harald Welzer. For better understanding the term "communicative memory" will be used instead. In his play Wilson uses the method of storytelling. Through this we can see how the characters within the play communicate with each other and on one level transport communicative memory. But on the other level the reader becomes a silent listener participating in these conversations and in this role is able to read historical elements from the subtext of the stories told. In the last chapter August Wilson's way of communicating memory will be compared to Toni Morrison's approach in Site of Memory. What the reader finds in the first lines of the play is a short description of the setting. This short text tells about the Charles' house and the people who live in it. Most of the description however is concerned with the piano. "What time or period is the setting for The Piano Lesson? That was the first question asked by the late great Chinese actor and director Ying Roucheng after he read the play in 1991." His confusion concerning the time in which the action of the play is set can be understood easily, because nothing in the secondary text informs the reader about the temporal conditions of the play. It is necessary to take a closer look at the primary text to find the hints Wilson gives to define the temporal situation. The most prominent of those hints can be found in Doaker's story about the piano when he says, that his older brother Boy Charles "would have been fifty-seven if he had lived. He died in 1911 when he was thirty-one years old." Subsequently the reader has to do the math. Knowing this, the play must take place in the year 1936 or 1937.

Rese�a del editor

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Bamberg, course: African American Drama, 8 entries in the bibliography, language: English, abstract: History is an issue of great meaning within the works of August Wilson. In this paper shall be analysed through which channels and with which methods the author transports not only the history of a family, but also the history of slavery interwoven with the experiences of the characters and their ancestors in the award winning novel The Piano Lesson. In this process of analysis we will find, that Wilson proposes a concept of memory that can be summed up with the term "kommunikatives Ged�chtnis" which was coined by Jan and Aleida Assmann and further developed by Harald Welzer. For better understanding the term "communicative memory" will be used instead. In his play Wilson uses the method of storytelling. Through this we can see how the characters within the play communicate with each other and on one level transport communicative memory. But on the other level the reader becomes a silent listener participating in these conversations and in this role is able to read historical elements from the subtext of the stories told. In the last chapter August Wilson's way of communicating memory will be compared to Toni Morrison's approach in Site of Memory. What the reader finds in the first lines of the play is a short description of the setting. This short text tells about the Charles' house and the people who live in it. Most of the description however is concerned with the piano. "What time or period is the setting for The Piano Lesson? That was the first question asked by the late great Chinese actor and director Ying Roucheng after he read the play in 1991." His confusion concerning the time in which the action of the play is set can be understood easily, because nothing in the secondary text informs the reader about the temporal conditions of t

"Sobre este t�tulo" puede pertenecer a otra edici�n de este libro.

Descripci�n de la librer�a

Seit �ber 30 Jahren handeln wir mit B�chern. Begonnen hat alles als kleiner Fachbuchhandel in Berlin. Heute sind wir spezialisiert auf den An- und Verkauf gebrauchter B�cher. Noch immer liegt unser Fokus dabei auf den Kategorien: Fachbuch und englischsprachige Literatur. Hinzu kommen B�cher aus allen anderen Genres, wie Belletristik, Biografien oder Kinderb�cher. Unser oberstes Ziel ist dabei die Weiterverwendung von Dingen und die Schonung von Ressourcen. Neben dem Ankauf von privaten B�chern oder Haushaltsaufl�sungen kaufen wir bundesweit komplette Bibliotheken und Buchbest�nde von Institutionen auf, um diese nachhaltig ein weiteres Mal auf den Markt zu bringen. Parallel dazu bietet Buchpark die M�glichkeit, gro�e Mengen einzulagern. Ganze Bibliotheken und umfangreiche Buchbest�nde werden von uns professionell auf Qualit�tsmerkmale hin untersucht und sorgf�ltig f�r den Onlinehandel aufbereitet. Wir schenken B�chern ein zweites Leben.

Ver la p�gina web de la librer�a

Informaci�n empresarial del vendedor

Buchpark GmbH
Kr�gerweg 1, Trebbin, 14959, Germany

Condiciones de venta y env�o

Condiciones de venta

Derecho a cancelaci�n

Si eres un consumidor puedes cancelar el presente contrato de acuerdo con lo indicado a continuaci�n. Son consumidores las personas f�sicas que act�en con un prop�sito ajeno a su actividad comercial, empresarial, oficio o profesi�n.

Documento de informaci�n al consumidor y usuario sobre el desistimiento

Derecho de desistimiento:

Tienes derecho a desistir del presente contrato en un plazo de 14 d�as naturales sin necesidad de justificaci�n.

El plazo de desistimiento expirar� a los 14 d�as naturales del d�a en que t� o un tercero que hayas indicado, distinto del transportista, adquiera la posesi�n material del �ltimo bien, componente o pieza.

Para ejercer el derecho de desistimiento, deber�s notificarnos a Buchpark, Unit B, Enterprise House, Waldeck Road, SL6 8BR, Maidenhead, Berkshire, United Kingdom, +49 03381 79 76 585, de tu decisi�n de desistir del contrato a trav�s de una declaraci�n inequ�voca (por ejemplo, una carta enviada por correo postal, fax o correo electr�nico). Podr�s utilizar el modelo de formulario de desistimiento que figura a continuaci�n, aunque su uso no es obligatorio. Tienes asimismo la opci�n de cumplimentar y enviar electr�nicamente el modelo de formulario de desistimiento o cualquier otra declaraci�n inequ�voca a trav�s de nuestro sitio web a "Mis pedidos" en "Mi cuenta". Si recurres a esta opci�n, te comunicaremos sin demora en un soporte duradero (por ejemplo, por correo electr�nico) la recepci�n de dicho desistimiento.

Para cumplir el plazo de desistimiento, basta con que la comunicaci�n relativa al ejercicio por tu parte de este derecho sea enviada antes de que venza el plazo correspondiente.

Consecuencias del desistimiento:

En caso de desistimiento por tu parte, te devolveremos todos los pagos recibidos de ti, incluidos los gastos de entrega (con la excepci�n de los gastos adicionales resultantes de la elecci�n por tu parte de una modalidad de entrega diferente a la modalidad menos costosa de entrega ordinaria que ofrezcamos) sin ninguna demora indebida y, en todo caso, a m�s tardar 14 d�as naturales a partir de la fecha en la que se nos informes de tu decisi�n de desistir del presente contrato. Procederemos a efectuar dicho reembolso utilizando el mismo medio de pago empleado por ti para la transacci�n inicial, a no ser que hayas dispuesto expresamente lo contrario; en todo caso, no incurrir�s en ning�n gasto como consecuencia del reembolso.

Podremos retenerte el reembolso hasta haber recibido los bienes, o hasta que hayas presentado una prueba de la devoluci�n de los mismos, seg�n qu� condici�n se cumpla primero. Deber�s devolvernos o entregarnos directamente los bienes a Buchpark, Unit B, Enterprise House, Waldeck Road, SL6 8BR, Maidenhead, Berkshire, United Kingdom, +49 03381 79 76 585, sin ninguna demora indebida y, en cualquier caso, a m�s tardar en el plazo de 14 d�as naturales a partir de la fecha en que nos comuniques tu decisi�n de desistimiento del contrato. Se considerar� cumplido el plazo si efect�as la devoluci�n de los bienes antes de que haya concluido dicho plazo. Deber�s asumir el coste directo de devoluci�n de los bienes. Solo ser�s responsable de la disminuci�n de valor de los bienes resultante de una manipulaci�n distinta a la necesaria para establecer la naturaleza, las caracter�sticas y el funcionamiento de los bienes.

Excepciones al derecho de desistimiento:

La entrega de peri�dicos, publicaciones especializadas o revistas con la excepci�n de contratos de suscripci�n; y
La entrega de contenido digital (incluyendo apps, MP3, etc.) que no hubiera sido entregado en un medio tangible (por ejemplo: CD o DVD), si al realizar tu pedido has aceptado que podemos proceder al env�o del producto y que no resulta posible su cancelaci�n una vez comienza la entrega.

Modelo de formulario de desistimiento

(S�lo debe cumplimentar y enviar el presente formulario si desea desistir del contrato)

A la atenci�n de: (Buchpark, Unit B, Enterprise House, Waldeck Road, SL6 8BR, Maidenhead, Berkshire, United Kingdom, +49 03381 79 76 585)

Por la presente le comunico/comunicamos* que desisto de mi/desistimos de nuestro* contrato de venta del siguiente bien/prestaci�n del siguiente servicio*

Pedido el/recibido el*:

Nombre del consumidor y usuario o de los consumidores y usuarios:

Domicilio del consumidor y usuario o de los consumidores y usuarios:

Firma del consumidor y usuario o de los consumidores y usuarios (solo si el presente formulario se presenta en papel):

Fecha:

* Eliminar en su caso

Condiciones de env�o

Tarifas de env�o de Alemania a Estados Unidos de America

Tarifas de env�o de Alemania a Estados Unidos de America
Cantidad del pedido	De 60 a 60 d�as h�biles	De 60 a 60 d�as h�biles
Primer art�culo	EUR 105.00	EUR 130.00

Los plazos de entrega los establecen los vendedores y var�an seg�n el transportista y la ubicaci�n. Los pedidos que pasan por la aduana pueden sufrir retrasos y los compradores son responsables de los aranceles o tarifas asociadas. Los vendedores pueden ponerse en contacto con usted en relaci�n con cargos adicionales para cubrir cualquier aumento en los costes de env�o de los art�culos.

Informaci�n detallada sobre el vendedor