Worship Through Drama (Paperback)
Idioma: inglés
Editorial: Tradd Street Press, 2026
- Tapa blanda
- Nuevo
Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
Vendedor de IberLibro desde 29 de junio de 2022
Condición: Nuevo
EUR 32,09
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Paperback. "Worship Through Drama" is a comprehensive exploration of the intersection between theatrical performance and religious liturgy. Written by Ryllis Clair Alexander and Omar Pancoast Goslin, this work advocates for the revitalization of worship services through the expressive power of the dramatic arts. It provides a foundational framework for understanding how drama can serve as a profound medium for spiritual reflection and community engagement within a religious context.The book details various methods for incorporating dramatic elements into traditional services, ranging from simple readings to elaborate pageants. By examining the historical and spiritual precedents for sacred theater, the authors illustrate how performance can illuminate biblical narratives and theological concepts in ways that resonate deeply with modern congregations. "Worship Through Drama" serves as both a theoretical defense of religious theater and a practical manual for clergy, educators, and laypeople interested in deepening the worship experience through creative expression. This work remains a significant contribution to the field of liturgical studies and the history of religious performance, highlighting the enduring connection between the stage and the altar.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…
N° de ref. del artículo 9781026096154
- Título
- Worship Through Drama (Paperback)
- Autor
- Ryllis Clair Alexander
- Editorial
- Tradd Street Press
- Año de publicación
- 2026
- Estado
- new
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 1026096154
- ISBN 13
- 9781026096154
"Worship Through Drama" is a comprehensive exploration of the intersection between theatrical performance and religious liturgy. Written by Ryllis Clair Alexander and Omar Pancoast Goslin, this work advocates for the revitalization of worship services through the expressive power of the dramatic arts. It provides a foundational framework for understanding how drama can serve as a profound medium for spiritual reflection and community engagement within a religious context.
The book details various methods for incorporating dramatic elements into traditional services, ranging from simple readings to elaborate pageants. By examining the historical and spiritual precedents for sacred theater, the authors illustrate how performance can illuminate biblical narratives and theological concepts in ways that resonate deeply with modern congregations. "Worship Through Drama" serves as both a theoretical defense of religious theater and a practical manual for clergy, educators, and laypeople interested in deepening the worship experience through creative expression. This work remains a significant contribution to the field of liturgical studies and the history of religious performance, highlighting the enduring connection between the stage and the altar.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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