Walter Moroder Figures of Presence and Absence /anglais. Este artículo no está disponible.
Idioma: inglés
Editorial: HATJE CANTZ, 2026
- Tapa dura
- Nuevo

Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Vendedor de IberLibro desde 6 de enero de 2003
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Descripción del artículo del vendedor
256 pages. 8.50x2.00x11.25 inches. In Stock.
N° de ref. del artículo x-3775761918
- Título
- Walter Moroder Figures of Presence and Absence /anglais
- Autor
- KLAMMER MARKUS (Author)
- Editorial
- HATJE CANTZ
- Año de publicación
- 2026
- Estado
- Brand New
- Encuadernación
- Hardcover
- Idioma
- inglés
- ISBN 10
- 3775761918
- ISBN 13
- 9783775761918
- Peso del artículo
- 1,74 kilogramos
Timeless sculptures between presence and absence – an insight into the unique artistic world of Walter Moroder
“Sinopsis” puede pertenecer a otra edición de este título.
Acerca del autor
Markus Klammer is an editor, art critic, and curator of numerous exhibitions of modern and contemporary art, with publications and texts on Heinz Gappmayr, Rémy Zaugg, Gerhard Merz, Michele Bernardi, Hugo Vallazza (selection). Hatje Cantz published his monograph on Gianpietro Carlesso in 2014. Markus Klammer lives and works in Bolzano (Italy).
Walter Moroder (born 1963) comes from a renowned family of sculptors in Val Gardena (Italy). During his training, he went through all the stages of the region's craft and artistic tradition, only to leave them behind after studying at the Academy of Fine Arts in Munich (graduating in 1988) and making a decisive decision about his future direction. His sculptural exploration of the forms of the human body confirms his affinity for classical sculpture, but in conjunction with a decidedly postmodern visual thinking that goes beyond figurative, abstract, or neo-expressive conventions.
Walter Moroder (born 1963) comes from a renowned family of sculptors in Val Gardena (Italy). During his training, he went through all the stages of the region's craft and artistic tradition, only to leave them behind after studying at the Academy of Fine Arts in Munich (graduating in 1988) and making a decisive decision about his future direction. His sculptural exploration of the forms of the human body confirms his affinity for classical sculpture, but in conjunction with a decidedly postmodern visual thinking that goes beyond figurative, abstract, or neo-expressive conventions.
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