The Visual Object of Desire in Late Medieval England:
Idioma: inglés
Editorial: University of Pennsylvania Press, Philadelphia, Pennsylvania, 2008
- Tapa dura
- Usado
Librería: Andover Books and Antiquities, Andover, MA, Estados Unidos de AmericaAndover Books and Antiquities
Vendedor de AbeBooks desde el 12 de agosto de 2004
Condición: Usado - Bueno
EUR 47,62
Cantidad disponible: 1 disponible
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290 pp. The Middle Ages.
N° de ref. del artículo 1208I1102
- Título
- The Visual Object of Desire in Late Medieval England:
- Autor
- Stanbury, Sarah ; ;
- Editorial
- University of Pennsylvania Press, Philadelphia, Pennsylvania
- Año de publicación
- 2008
- Estado
- Very good condition.
- Sobrecubierta
- Very good
- Encuadernación
- Hardcover
- Idioma
- inglés
- ISBN 10
- 0812240383
- ISBN 13
- 9780812240382
- Catálogos de vendedores
- Byzantine and Medieval Civilization from East to West, 600 - 1500 CE: Britain in the Fifteenth Century
Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches.
In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, and Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture--though these writers by no means agree on the ethics of those demands. The chronicler Henry Knighton invoked a statue of St. Katherine to illustrate a lurid story about image-breaking Lollards. Later John Capgrave wrote a long Katherine legend that comments, through the drama of a saint in action, on the powers and uses of religious images. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly made queen in Chaucer's <i>Clerk's Tale</i> or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life.
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Andover Books and Antiquities
Andover, MA, Estados Unidos de America
Vendedor de AbeBooks desde el 12 de agosto de 2004
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Andover Books and Antiquities
MA, Estados Unidos de America
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