Use of Rome, in Latin. Hore divine virginis Marie secundum usum Romanum
Editorial: Paris, Germain Hardouyn, 1533 (Kalender: 1520-32), 1533
- Tapa dura
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Librería: Sokol Books Ltd. ABA ILAB, London, Reino UnidoSokol Books Ltd. ABA ILAB
Vendedor de IberLibro desde 8 de marzo de 2005
Condición: Usado - Excelente
EUR 47.656,24
Cantidad disponible: 1 disponible
Añadir al carritoDescripción del artículo del vendedor
[A PRINCE-BISHOP’S COPY] PRINTED ON VELLUM 8vo. 96 unnumbered leaves, A-L8, a8. 31 lines. Roman Letter. Six full page and fifteen large half page metalcuts, all freely illuminated in gold and colours by a contemporary hand with gold painted architectural borders ruled in red, to each large cut, twelve small freely painted metalcuts in text. Metalcut skeleton with four small cuts all freely painted on verso of title, borders to each page ruled in red and black, painted with gold, with large freely painted floral and vine outer borders on liquid gold grounds, entirely rubricated with liquid-gold initials and line-filler on alternate red and blue grounds. A1r, title with Hardouin device, A1v Skeleton with four small cuts and with text in French, A2r table, A2v almanac for 1520-1532, A3-A5r calendar, A6r-A8r Gospel sequence (two full page cuts), A8v-B4r Passion according to St. John, B4v-F4r Hours of the Virgin (nine large cuts), F4v-G3r, Seven Penitential Psalms (two large cuts, King David and Bathsheba), G3r-I1r Office of the Dead (two large cuts, one of Job on his dungheap), I1v-I4v Hours of the Cross and of the Holy Ghost (three large cuts of Crucifixion etc), I5r- K1v Office of the Immaculate Conception and Beata Maria (one large cut, one text cut), K2r-L8v, Suffrages, prayers to the saints (one large cut, and eleven text cuts), a1r-a8v ‘hore ad laudem divi Hieronymi’ by Giovanni Andrea Bishop of Aleria in Latin and in French. Inscription on pastedown “16+28 Benefac Dne bonis et rectis corde Georgius Friderius Arcbicps Mogts” (the gift of Georg Friedrich von Grieffenklau zu Vollards, Archbishop-Elector of Mainz dated 1628). A fine copy, with the painting and gold absolutely fresh and clean, in stunning early C17th velvet over wooden boards, 8 large grotesque gilt metal cornerpieces of a medusa head with scallop below, two finely worked gilt metal clasps with a portrait of a warrior within oval, four gilt metal catches with a pair of griffins with open scallop beneath, arms at centre within ornate grotesque border of winged figures out of cornucopia (shield missing from upper cover). velvet worn on spine and edges, all edges gilt. Extremely rare, finely printed and beautifully illuminated book of hours, finely printed on good quality vellum with the cuts beautifully illuminated in gold and colour in a ;rectangular format. The illuminator has not simply coloured the cuts beneath but has freely painted over them or extended the painting of the figures beyond the original borders. Books of hours were used by individuals at home rather than in church. A calendar was attached to the front so that memorial days of the saints could be identified. They were typically structured around the hourly prayers observed in monasteries and Catholics would recite the appropriate liturgy eight times a day. These books served as symbols of status and and were often luxurious items, gifts given on important occasions.“An important point to notice in connection with the illustrations of French ‘Books of Hours’ at this time is that they are nearly all inspired by German artists and nearly all copied from illuminated MSS.” Joseph Cundall. ‘A Brief History of Wood engraving.’ The Hardouin’s workshop dominated the market of printed books of hours, in Paris between 1510 and 1550. Gillet Hardouin worked primarily as a printer, between 1500 and 1542, and German Hardouin was registered in the Guild of Illuminators. They were the only editors capable of both printing and illumination without commissioning other professionals. They often used fine, densely ornamented metal cut borders, however they had gone out of fashion by the time this vol was produced, which gives this volume a much cleaner and clearer style. Here borders have been added but have been freely painted in the margins over gilt grounds. The quality of their work is remarkable. It seems that they produced books of hours in various formats.…
N° de ref. del artículo K98
Detalles bibliográficos
- Título
- Use of Rome, in Latin. Hore divine virginis Marie secundum usum Romanum
- Autor
- BOOK OF HOURS, illuminated manuscript
- Editorial
- Paris, Germain Hardouyn, 1533 (Kalender: 1520-32)
- Año de publicación
- 1533
- Estado
- Fine
- Encuadernación
- Hardcover
Sokol Books Ltd. ABA ILAB
London, Reino Unido
Tarifas de envío de Reino Unido a Estados Unidos de America
| Artículo | De 7 a 20 días hábiles | De 5 a 10 días hábiles |
|---|---|---|
| Primer artículo | EUR 50,15 | EUR 68,06 |
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Descripción de la tienda
We are antiquarian and rare booksellers based in central London. We have been established for forty years and specialise in English and Continental books printed before and up to the mid 1600s, as well as medieval and renaissance manuscripts. All of our stock can be viewed on our website: https://www.sokol.co.uk . Our shop is based in Chelsea at 239A Fulham Road, London, SW3 6HY. It is open Tuesday to Saturday 11AM-7PM. You are always welcome to visit.
Especialidad
English STC books (printed before 1640), Continental printed books before and up to the mid 1600s and medieval and renaissance manuscripts, both decorative and textual.Miembro de asociación
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Sokol Books Ltd
27 Charles Street
London, Reino Unido W1J 5DT
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Orders usually ship within 2 business days. Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required.
Sokol Books Ltd is a limited business. Our head office is at 27 Charles Street, London, W1J 5DT, and our shop is at 239a Fulham Road, London, SW3 6HY.
Our email is books@sokol.co.uk
Our phone 0207 499 5571 or 0207 351 5119
Our VAT number is 390 0083 77.
Our company representative is Grant McClean.