University Library of Autobiography (Classic Reprint)
Idioma: inglés
Editorial: Forgotten Books, 2018
- Tapa blanda
- Nuevo
Librería: Forgotten Books, London, Reino UnidoForgotten Books
Vendedor de AbeBooks desde 2 de junio de 2021
Condición: Nuevo
EUR 21,61
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Print on Demand. This book presents a first-hand account of the imprisonment and execution of Louis XVI and Marie Antoinette, as witnessed by their 15-year-old daughter, imprisoned with them in the Temple Tower. The author's child's-eye view of this tumultuous period in French history provides a unique and deeply affecting perspective on the events that shaped the course of democracy and monarchy. This book offers a moving and insightful account of the effects of revolution on one of its most famous and unfortunate families. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.
N° de ref. del artículo 9781330745281_0
- Título
- University Library of Autobiography (Classic Reprint)
- Autor
- Unknown Author
- Editorial
- Forgotten Books
- Año de publicación
- 2018
- Estado
- New
- Tipo de libro
- print-on-demand item
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 1330745280
- ISBN 13
- 9781330745281
- Catálogos de vendedores
- Biography and Autobiography
Marie Therese kept no journal of those later years after 1815, when the remnants of her family had been restored to power, her uncle being king as Louis XVIII and she herself married to a royal prince. But other writers have told us that she never forgot - as alas how could she forget - that even in extreme old age, as late as 1850, she still lived in the horror of the past, still trembled at the memory of those childhood days, of which she tells with such simple and convincing childishness.
Of German biographies of this period we have two noted ones. They show us much of the internal conditions of Ger many in that Metternich's Age of reaction which followed after 1815. The German peasants and city folk had fought heroically and freed their country from Napoleon; but they won no personal freedom as a reward. All power went back again to the old nobility and the old petty German princes, one of whom declared that they had turned back the clock, and made his people resume the same costumes, the same occupations, and even, so far as he could manage - it, the same thoughts as had been theirs before the outbreak of 1789.
The conditions of this strange period of repression, we find pictured in the autobiographies of Friedrich Froebel and Heinrich Heine. Froebel was the founder of much of our modern method of education. He was a wild, rambling genius who found it no easy task to accommodate himself to the restrictions of the day and grumbled much at them - as the reader may gather for himself.
Heine was a poet. He is. Commonly included among Ger many's greatest poets, though indeed he lived but little in Germany. As soon as practical, he escaped from the grinding repression of his native land and established himself in Paris. He became almost a citizen of the world, a man without a country. A cynic, many people have called him; but there is a depth of sorrow in his satiric epigrams that hints that all his cynicism is only grief at the weakness and unworthiness he finds around him, a secret hope that man might yet prove worthy of a better fate than that of bowing down to German princelings. Heine's narrative is at once beautiful and witty and most sad, a triumph of poetic autobiography.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
Marie Therese kept no journal of those later years after 1815, when the remnants of her family had been restored to power, her uncle being king as Louis XVIII and she herself married to a royal prince. But other writers have told us that she never forgot - as alas how could she forget - that even in extreme old age, as late as 1850, she still lived in the horror of the past, still trembled at the memory of those childhood days, of which she tells with such simple and convincing childishness.
Of German biographies of this period we have two noted ones. They show us much of the internal conditions of Ger many in that Metternich's Age of reaction which followed after 1815. The German peasants and city folk had fought heroically and freed their country from Napoleon; but they won no personal freedom as a reward. All power went back again to the old nobility and the old petty German princes, one of whom declared that they had turned back the clock, and made his people resume the same costumes, the same occupations, and even, so far as he could manage - it, the same thoughts as had been theirs before the outbreak of 1789.
The conditions of this strange period of repression, we find pictured in the autobiographies of Friedrich Froebel and Heinrich Heine. Froebel was the founder of much of our modern method of education. He was a wild, rambling genius who found it no easy task to accommodate himself to the restrictions of the day and grumbled much at them - as the reader may gather for himself.
Heine was a poet. He is. Commonly included among Ger many's greatest poets, though indeed he lived but little in Germany. As soon as practical, he escaped from the grinding repression of his native land and established himself in Paris. He became almost a citizen of the world, a man without a country. A cynic, many people have called him; but there is a depth of sorrow in his satiric epigrams that hints that all his cynicism is only grief at the weakness and unworthiness he finds around him, a secret hope that man might yet prove worthy of a better fate than that of bowing down to German princelings. Heine's narrative is at once beautiful and witty and most sad, a triumph of poetic autobiography.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Acerca de” puede pertenecer a otra edición de este título.
Forgotten Books
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Vendedor de AbeBooks desde 2 de junio de 2021
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Forgotten Books’ Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the quality of the aged text.
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Este libro es una reproducción de una importante obra histórica. Forgotten Books utiliza tecnología de punta para reconstruir digitalmente la obra, preservando el formato original mientras repara las imperfecciones presentes en la copia envejecida. En casos raros, una imperfección en el original, como una imperfección o una página faltante, puede replicarse en nuestra edición. Sin embargo, reparamos con éxito la gran mayoría de las imperfecciones; cualquier imperfección que permanezca se deja intencionalmente para preservar el estado de tales obras históricas.
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