Paperback. This exploration of class, feminism, and cultural identity (including issues of race, nation, colonialism, and economic imperialism) focuses on the work of four writers: the Mozambican Mia Couto, the Portuguese Jose Saramago, the Brazilian Clarice Lispector and the South African J. M. Coetzee. In the first section, the author discusses the political aspects of Coutos collection of short stories Contos do nascer da terra (Stories of the Birth of the Land) and Saramagos novel O ano da morte de Ricardo Reis (The Year of the Death of Ricardo Reis). The second section explores similar themes in Coetzees Life and Times of Michael K and Lispectors A hora da estrela (The Hour of the Star). Marques argues that these four writers are political in the sense that they bring to the forefront issues pertaining to the power of literature to represent, misrepresent, and debate matter related to different subaltern subjects: the postcolonial subject, the poor subject (the ""poor other""), and the female subject. She also discusses the ""ahuman other"" in the context of the subjectivity of the natural world, the dead, and the unborn, and shows how these aspects are present in all the different societies addressed and point to the mystical dimension that permeates most societies. With regard to Couto's work, this ""ahuman other"" is approached mostly through a discussion of the holistic, animist values and epistemologies that inform and guide Mozambican traditional societies, while in further analyses the notion is approached via discussions on phenomenology, elementality, and divinity following the philosophies of Levinas and Irigaray and mystical consciousness in Zen Buddhism and the psychology of Jung. This exploration of class, feminism, and cultural identity focuses on the work of four writers: Mia Couto, Jose Saramago, Clarice Lispector and J.M. Coetzee. It argues that these writers are political in the sense that they bring to the forefront issues pertaining to the power of literature to represent, misrepresent, and debate matter related to different subaltern subjects: the postcolonial subject, the poor subject, and the female subject. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Detalles bibliogr�ficos

T�tulo: Transnational Discourses on Class, Gender and Cultural Identity (Paperback)
Editor: Purdue University Press, West Lafayette
Fecha de publicaci�n: 2011
Idioma: Ingl�s
ISBN 10: 1557536058
ISBN 13: 9781557536051
Encuadernaci�n: Paperback
Estado: new

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Sinopsis

This exploration of class, feminism, and cultural identity (including issues of race, nation, colonialism, and economic imperialism) focuses on the work of four writers: the Mozambican Mia Couto, the Portuguese Jos� Saramago, the Brazilian Clarice Lispector and the South African J. M. Coetzee. In the first section, the author discusses the political aspects of Couto’s collection of short stories Contos do nascer da terra (Stories of the Birth of the Land) and Saramago’s novel O ano da morte de Ricardo Reis (The Year of the Death of Ricardo Reis). The second section explores similar themes in Coetzee’s Life and Times of Michael K and Lispector’s A hora da estrela (The Hour of the Star). Marques argues that these four writers are political in the sense that they bring to the forefront issues pertaining to the power of literature to represent, misrepresent, and debate matter related to different subaltern subjects: the postcolonial subject, the poor subject (the ""poor other""), and the female subject. She also discusses the ""ahuman other"" in the context of the subjectivity of the natural world, the dead, and the unborn, and shows how these aspects are present in all the different societies addressed and point to the mystical dimension that permeates most societies. With regard to Couto's work, this ""ahuman other"" is approached mostly through a discussion of the holistic, animist values and epistemologies that inform and guide Mozambican traditional societies, while in further analyses the notion is approached via discussions on phenomenology, elementality, and divinity following the philosophies of L�vinas and Irigaray and mystical consciousness in Zen Buddhism and the psychology of Jung.

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Irene Marques teaches African and Caribbean literature, comparative literature, and English literature at the Ontario College of Art and Design. Her publications include the edited volume The Works of Chin Ce (2007), and articles in journals such as African Identities, Research in African Literatures, and CLCWeb: Comparative Literature and Culture. She has also published two works of fiction, Wearing Glasses of Water, a collection of poetry (2007), and Habitando na Metáfora do Tempo Habitando na metáfora do tempo. Crónicas desejadas (2009).

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