Tim Byers Art Books

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Books on avant-garde art. Artist's books, exhibition catalogues, invitations, announcements, posters, and related printed ephemera. Stock includes material concerning all major aspects of late 20th century art: COBRA, Pop Art, Op Art, Minimalism, Conceptual Art, Performance Art, Land Art, Fluxus, Neo-Expressionism, Post-Modernism, & YBA.

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" and instilled word and sentence with values that do not encourage a logical reading. Thus

"Bewirkt die gegenw�rtige Malerei eminente formung der Welt?"

"Colour is materialised sensibility: condition of the anti material

(Berlin).

(London).

(Milan).

1960

1963

1965

1972

1947

1959

1960

1961

1961)

1962

1962. It appears to lack the first sheet and thus provides 25 of the 30 short speeches of the play.

1963

1963. Limited to 500 copies

1964

1965

1965)

1966

1967

1967 in the Art Center in Hohenstauffengasse. On the mimeographed announcement flyer for the screening

1968

1969

1969) is in the form of a file folder with loosely inserted sheets containing a short biography of the artist

1970

1971

1972

1973

1974

1974). "A bus went to all three places. You could get off and note the differences of what it would be like to land in New York for one day and

1975

1975)

1975; Raimer Jochims. Exhibition catalogue

1976

1977

1978

1979

1980

1981

1981 in a gallery in Leeuwarden. Issue no.1 appears to lack the flexidisc which was issued within its pages. Collaborators include Julius Riemersma

1982

1983

1984

1985

1988

1989

1990". The narrative sequence of these two events is realised in the pair of images on each double page opening. Repetition of text and line of the route on the left hand page is juxtaposed with a graphic representation of the sky on the date of the seven paces in question on the right hand page. Published in an edition of 35 copies ( 10 additional proof copies)

1991

2000

2001

28 metres long

33 RPM 12 inch vinyl record in luxury cloth backed sleeve. With 26 page booklet of photographic plates in black & white and colour (two leaves of text on brown corrugated paper).

423 Broadway

a photo and an illustration of a work. With a foreword by Harald Szeemann and texts by harrison and by Scott Burton.

a series of pictures based on the shadows cast by the button egg

A.J.G. Strengholt.

Aachen.

above all abstract art. The gallery made a decisive contribution to the development of German Informel

Actes Sud.

Adelina von F�rstenberg / Centre d'art contemporain.

Adolf Frohner and Otto Muehl worked on sculptures. Meanwhile Nitsch created a nine metre long drip and pour painting. On the final day he acquired the carcass of a lamb

Adrian Piper

advertising

Al Hansen

Albert Langen Verlag.

Alfred Jarry; (Issue 2) Franz Mon

All sheets loose in original plywood slipcase with drawer.

almost banal objects which he then transforms into solid graphite

alone in the interior of an urban loft or on a rooftop

also mentioned are Josef Ziegler

amongst others. The offset and mimeographed

Amsterdam

Amsterdam.

an exhibition list

an index of record producers

an individual word contains invisible content which Ulrichs formulates and visualises as anagrams. Published in an edition of 150 copies

and "Free International University" in blue (second blue stamp visible but faded). Small central section of bleaching to sheet

and a list of works. Artists include Kurt Schwitters

and a section on the Jonge Friezen [Young Frisians]

and a short poem by Kindl

and adding the words Duo and Trio . In 1968 Vostell collaborated with Kagel on the latter s film entitled Duo .

and aesthetic questions became inseparable from social and ecological ones. Saret worked with a variety of common

and Alexander Calder. Cover illustration by Max Ernst (from his book La semaine de bont� ). The booklet is thoroughly illustrated with stills and production photos

and an original black and white photograph

and are reminiscent of early computer art.

and artistic content

and artists projects with an emphasis on conceptual art in Europe and the United States. Its pages include original artists contributions by Andr� Cadere

and as such only this first issue of his newspaper was ever published.

and contains texts by Max Bense

and covered the entire lower portion of the front of the postcard with white paint. Only the view of the sky remains untouched. On top of the white paint Roth has painted in orange wash the exclamation "he ! fabri !". On the verso Roth has addressed and mailed the card to the Cologne based author Albrecht Fabri (franked Oct 7

and encompassed concrete poetry

and essays. Includes works by George Brecht

and filmmakers

and finally

and for the first time Nitsch substituted blood for paint in one of his actions. Visitors on this final day could enter through the re opened door to view the works. The Blutorgel broadsheet

and Franz Erhard Walther.

and has been reprinted repeatedly since. Edited by Hans Ulrich Obrist with a trilingual text by him and Peter Andr� Bloch.

and he has written a dedication along the left hand edge

and in doing so disassembles both the sanctification of the creative act and the mythic uniqueness of the work of art. [Ref. Jon Hendricks Fluxus Codex

and in organising the exhibition themselves they aimed to bypass the dealer system.

and included the work of 14 artists" John Chamberlain

and includes text contributions by Louis Appelbaum

and inserted loose.

and installation. Druks s work has featured at documenta 6 of 1977 in Kassel

and Interior scroll; plus an appendix containing unperformed works. Also includes a performance chronology

and is intended to be a work in itself." (from the catalogue s Foreword). Most of the catalogue consists in fact of Baumgarten s photographs of the Pitt Rivers Museum collection of ethnographic objects

and it became known as the place of origin of the Quadriga artist group (consisting of Otto Greis

and Klaus Groh in West Germany. In 1972

and LaMonte Young

and Maarten Ploeg. The wonderful wrapper of the first issue is decorated with an original hand coloured etching by Rob Scholte

and matching artist s signture stamped in red beneath the front cover illustration. Housed in original black card slipcase

and Museum voor Hedendaagse Kunst

and no sound. The venue was usually the cellar leased by Muehl in Perinetgasse and the apartments of Muehl

and open on one side only.

and other general scenes of mundanity. [Ref. Hans Dickel

and others

and Poland. What first attracted Beuys about Eastern European products was their extremely simple packaging

and private and semi public venues replaced cinemas and museums. The 'Labor' group

and rubbing to spine and hinge. Previous owner s inscription on cover and initial page.

and sculpture. During the 60s

and secured with ropes. For Stacked Oil Barrels

and several printed on coloured paper: includes Marilyn Monroe

and Shadow Box.

and signed in pen by Bradford and numbered again on the record s label.

and silence. The written text alternated with images of Acconci

and sitting in chairs. Cage and David Tudor walked about the space playing piano. This first set of eight photographs (each with a printing date stamp of 08.11.61 on verso) show John Cage either backstage

and so forth. The pages are illustrated with the separate exposition of each form

and some from the Federal Republic

and staged happenings together with the public. "Utopier och visioner" was one of the many initiatives and projects conceived by Pontus Hult�n during his time as a curator and later as the director of Moderna Museet in Stockholm. All of these demonstrate his fundamental view of art as an integral part of the society in which it exists as well as his firm belief in the creative freedom of artists. This copy comes with the original large poster for the exhibition

and the Deutsche Nationalbibliothek

and the economics of arts funding

and the Galleria Nazionale d Arte Moderna

and their work is not so much formal research

and varied his forms in many different ways the visualisation of typewritten designs through the cut outs of the sheets in hinauf und hinunter mirror the artist s experimentations with three dimensional works

and was published in an edition of 50 numbered copies

and were designed to be mailed out to friends and correspondents. This set remains unmailed in their envelopes.

and William Turnbull. These artists felt frustrated by the lack of exposure given to large scale abstract works by commercial galleries

Andre Thomkins

Annemarie Verna.

Antwerp.

are separated by vignettes

Arles.

Art & Project.

Arthur K�pcke created works across a variety of media

artistic director of the Haus am L�tzowplatz

artists exhibited from December 12

as in the piano piece Half Time by Nam June Paik. The final part of the festival were the "street events taking place in the streets of Scheveningen and The Hague. These included events that sometimes took place unnoticed and that were intended for casual passers. The documents here include two copies of the programme for the festival. Twenty one different events and happenings were planned and listed on the programme including performances by Takehisa Kosugi

as it is a journey through time and human memory. A la M�moire de Romulus is the Poirier s first artist s book

as Publication n�10 of Fernsehgalerie Gerry Schum. This brochure appeared in a print run of 500 copies and it was financed by the collectors Gustav Adolf and Stella Baum and distributed by the Fernsehgalerie to interested parties free of charge. The brochure contained facsimiles of the TV schedules as well as montages where the nine photos are given a black cache.

as well as a philosopher

as well as a reprinting of his Manifesto Bianco.

as well as her life story shown in images

as well as two original coal dust black relief prints by Gribling. Catalogue published in an edition of 75 copies

at lunchtime. The three barrelorgans were called Pipo

at the Galleria del Deposito in Genoa on October 3rd 1967

audioworks and videotapes available from the Toronto based non profit store. This copy includes the loosely inserted 16 page addendum

Aufbauen

Avant Art Galerie Casa.

Baj also pursued an approach 'beyond painting'

Basel.

be put into one of these situations

beginning with the title

being buried underneath the lawn

Beleuchten usw. nach eigenem Mass unendliche Variationen der entworfenen Komposition entstehen lassen". (Translated:) "Der Multiplikator

Ben Patterson (Duo for Voice and Strings)

Ben Vautier

Berlin.

bibliography

blue are played through in the variety of their shades and their mixtures: colour shows itself as an absolute appearance and as a partner of light. These studies on monochromy make direct use of the possibilities of printing without making use of the canvas: the prints themselves are the originals

Bonomo Gallery.

both purportedly written in the same language. This copy inscribed by Hiller in pen on the half title: "For Richard [Bernas] Thank you for the pick ups & deliveries. I shall not be this exquisite & inquisitive again. xxx Susan".

Bound in original full brown buckrum

Bremerhaven.

Broadsheet newspaper.

Bruce Naumannicotti

Brus and others. Muehl always insisted on showing his films in his own programs. The first demonstration was of two of his films Grimuid and Wehrert�chtigung on October 20

Brussels.

bumps and rubbing to edges.

Burgoyne Diller

but also a Christmas party). Graphic artists and painters such as Hap Grieshaber

but generally a very good copy.

but generally in very good condition.

but overall a good copy.

but rather of reproductions which at first glance strike one as works by particular contemporary artists. Published in an edition of 1000 hand numbered copies.

buttons and decorative objects to create his work. [Rare. WorldCat lists only one copy at MoMA New York].

by contrast

can never be either � it is used to perform an action. To issue such an utterance is to perform the action

Canon Photo Gallery.

Catalogue of the books

causing them to ground their boats or lose control of them and sink. Broodthaers makes use of traditional elements of Rhine iconography of the 19th century. This includes lithographed views of the representation of the river course and the rock itself. They are contrasted by modern illustrations taken from the field of commercial art of the early 1970s

Centre Culturel Am�ricain.

Centre national d'art et de culture Georges Pompidou.

Chamberlain and Rosenquist. The catalogue begins with an essay from art critic Otto Hahn (Was ist Pop Art?)

changing the manufacturer s name from Thenei to Vostell

Charlier

Chicago.

Christo used a large number of oil drums

Christophe Cherix

Claus Bremer

cloth tape spine. With printed dust jacket. Tiny tears to upper edge of finger marked jacket

collage

Cologne

Cologne / New York.

Cologne.

colour

combining the art of Carolee Schneemann

concept and process art. Authorship was often neglected

concocted a "polyglot word machine

condensed version of that process

consist of a woodcut illustration printed on brown paper

corners very slightly bumped

Cornwall.

created set designs and costumes

criticism

CT.

Cypher Press.

Dan Flavin

das ist h�ufig der phall

dated and numbered by Wool in pencil. These special edition copies come housed in a thick cardboard protective drop back box. [Ref. Martin Parr and Gerry Badger

dated and signed by Hilgemann in pencil on versos.

Dato Galerie.

Davi Det Hompson

dein Joseph" (Dear Christos

demonstrations

der abphall

der einphall

der zorn eines tenors

designed to be detached and pasted into the book. This is one of 40 deluxe copies

designer Philip Honeysuckle

details printed on verso.

Dia Art Foundation.

Dick Higgins

die existenzsacrale malerei angestrebt ist die konsequente sacralisierung der kunst"

die haare einer geliebten

Die Kanarienv�gel

Dieter Roth

Dieter Roth (Literaturwurste)

Dine

DOES NOT EXIST."

Douglas Huebler

du hast hiermit eine wirklich sch�ne und richtig Arbeit gestorn

D Haese

D�sseldorf.

Each copy has a unique marbled cover of grey/brown and ochre stained cloth

each enlarged text message was encased in graphite frames. McEwen has been making sculptures out of graphite since 2007. He selects unassuming

each with printed descriptions taped to versos. A copy of the catalogue for Sonfist s exhibition at the Johnson Museum of Art (Cornell University March May

Ed Ruscha

Edgardo Antonio Vigo

Edition Hundertmark.

Edition Klaus L�pke.

Edition Ren� Block.

Edition UNIDA.

Editions du Soleil Noir.

Eduardo Paolozzi

Edwin Mieczkowski

Elisabeth Borchers

Emmett Williams

employing commonly accepted symbols of formal logic and mathematics

employing cranes and other machinery to stack them into large structures. With the permission of the Cologne Port Authority

Endre Tot

England 1988

Engratia M�lk and Brigitte Roth

Enrico Castellani

Ephemera

Eric Cameron

Eric Mitchell

especially along with edges which all exhibit areas of fraying and short tears. Pinholes in corners

especially to right hand edge of covers. A few numbers in the text circled in pen.

etc. Original edition of the rarest of Wegman portfolios

etc. The foundation s board consisted of Frits Becht (market researcher and collector)

etc.). I all my work seeming to be and appearing as if play a large role. I want my work to look like normal media imagery. I remain true to the rules of the particular medium

Eurpress editore.

Eva Mulder

except for the colophon sheet which is signed in pencil by both Uecker and Gomringer. [Ref. Van der Koelen G�nther Uecker. Opus Liber. Verzeichnis der Bibliophilen B�cher und Werke

experimental film

Experiments in Art and Technology (E.A.T.).

extending up the walls to the edge of the scrim and thus forming a transparent rectangle. The space above the black bar would come in to shape perceptually as a solid

faint foxing throughout.

features people presenting Weiner s statements against a backdrop of politically charged images. A copy of this poster can be seen in the film

figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. The pivotal 1966 exhibition was organised by Kynaston McShine

Filet of Sol LeWitt

film and video

filmography

fire

Flash Art Edizioni.

flexible materials which he manipulated for specific locations. Dominant among these materials are various forms of wire

folded once. In original mailing envelope with handwritten addresses by Bill Katz.

followed by biography and exhibition histories of the artists

Fontana

for whatever reason

for which LeWitt became famous in the 1960s.

Frankfurt am Main.

Frankfurt am Main].

Frankfurt.

Fred Forets

Free International University (FIU).

freelance curator and assistant editor of the magazine Studio International. This is the original rare poster for the show

Friedrich Achleitner

from the beginning of 1969

Fuchs produced a series of artist books each with the subtitle R�ume

f�r Mechthild 25.11.73 Berlin. Mechthild Rausch was a fellow artist

Gabriele Phinoccio

Galeria Suvremene Umjetnosti.

Galerie 61.

Galerie Friedrich & Dahlem.

Galerie Gimpel Hanover.

Galerie h.

Galerie Het Venster.

Galerie J�llenbeck.

Galerie Latzer.

Galerie MTL.

Galerie Petersen.

Galerie Schmela.

Galerie Seriaal.

Galerie Wunderland.

Galleria del Cavallino.

Galleria l Alfiere.

Gamma.

Gegenverkehr Zentrum f�r aktuelle Kunst.

Gelsenkirchen.

generally a good copy.

Geneva.

George Brecht

George Maciunas

Gerhard Richter's mural Pin Up

Gerhard R�hm

Gespr�che

Ghent. Text in Dutch and English.

glass and ceramics. In Germany

glue

graphic music notation

Gulliver Presse and others. a useful bibliographical tool. [WorldCat only lists a set at Oxford University].

gummed spine. Mild creasing to forecorners and handling marks to front cover

Gust Romijn

G�za Perneczky.

H.C. Artmann

Hamburg.

Hannover.

Hans Bischoffshausen

Hans Hofmann

Hans Staudacher (b. 1923) has been regarded as a leading Austrian exponent of Gestural painting. In 1956 he represented Austria with eight paintings at the 28th Venice Biennale. [No copies on Worldcat

Hans Joachim Bleckert

Harry Kramer

Hartford

has the property of being true or false. The performative utterance

Hearty greetings

held at the Onnasch Galerie on Spring Street

Henry Flynt

here with the text overprinted in black. Poster designed by James Meller and printed by J & P Atchison Ltd.

Hermann Nitsch

Herve Fischer

Herv� Fischer

herzlichen dank

Heydt Museum.

Hieronymus Borscht

Hiltmann

his first art 'sale': free food and drink for himself and his companions for the rest of his life in exchange for his series of paintings

Howard Wise Gallery.

humorously appropriates an everyday object

hung on a wall behind one of the female actors as she delivers Weiner s statements. Full text of the poster reads: "WITH A RELATION TO THE VARIOUS MANNERS OF PLACEMENT AND/OR LOCATION: HAVING BEEN REVOLVED (WITH OR WITHOUT A RESOLUTION) (WITHIN OR WITHOUT�) ( ) REVOLVED [BEING THEN WITHIN A CONTEXT OF REVOLUTION]. Rare. Copies located at MoMA and Stedelijk. [Ref. Christophe Cherix & Jennifer Liese In & out of Amsterdam: travels in conceptual art

illustrated with Victor Burgin s iconic image of floorboards

images stitched onto felt

Imschoot

in collaboration with the artist run Amsterdam space

in diagrams and single page designs. On the back cover the six geometric shapes are superimposed. [Ref. Maffei & De Donno Sol Lewitt Artist's Books

in Fluxus fashion

in original printed envelope. Signed by Vostell on the envelope; 4. Millionen Touristen fotografieren den schiefen Turm von Pisa. Wie viele halten ihren Fotoapparat schief? (45 x 16 cm). Tall narrow 36 page stapled book; 5. Welchen Sinn hat malen? Vortrag f�r Kunststudenten. (15 x 11 cm). Small 24 page booklet

in the mid 1960s. Thomkins cut out the first shadows cast by the object on paper under different lighting conditions

including a cinema and a bar. The illustrated catalogue discusses not only the installation's prehistory from 1955

including groups of drawings

including her infamous hortisculptures. Published in an edition of 500 copies

including literature

including one on each of the front and rear covers. Introductory text by Alfonso Ossorio. Also present is the original double sided screenprint announcement poster for the show

including Telephone Piece

inside which were rooms

instead

is perhaps most well known for the third of the printed statements: "Traditionally composers have located the elements of a composition in time. One idea which I am interested in is locating them

is printed with a text by Nitsch

Italien

J.D.H Catleugh

Jackson MacLow

James Hull

Jan Pieters

Jan Sanders

January 19th 1974. Each of the xeroxed sheets reproduces drawings and handwritten texts by Johnson.

Jasper Johns

Jean Hugues.

Jean Fran�ois Bory

Jindrich Proch�zka

Joan Rabascall

John Cage

Joop Hardy and Fred Par�e (on behalf of printing company 'De IJsel' in Deventer). The editorial team included Paul Brand (publisher)

Joop Slagter

Joseph Beuys

Julio Le Parc

Karel Trinkewitz

Kathy Acker

Kelpra Studios.

Kiepenheuer & Witsch.

Klagenfurt am W�rthersee.

Konrad Bayer and Gerhard R�hm. With the early numbers of the magazine

Konrad Bayer or Eugen Gomringer)

Konrad Fischer.

Krefelder Kunstmuseen 1993

Kreuzlingen.

Ku?nstlerbu?cher mit Photographie seit 1960

Kultermann declares

Kunst und Museumsverein.

Kurt Schwitters

La Monte Young

Ladislav Nov�k

language

Lawrence Weiner

Leo Castelli Gallery.

Liberis Editions.

Liliana Porter

Lily Greenham

Limes Verlag

limited to just 20 copies. Numbered and signed by Wegman on a certificate

Lisson Publications.

logic and the refusal of the object are brought together with the art object and the analysis of art". (Germano Celant). [Ref. Germano Celant Book as artwork 1960/1972. p.32; Moeglin Delcroix Esthetique du livre d'artiste

London.

loose as issued

Loose as issued in cloth covered folder. Spotting to outer portfolio

Loose as issued in original blue card folder with flaps. Sheets bumped to upper left corner

Loose as issued in original publisher's printed wrappers with vignette by Ernst to front cover

Loose as issued in original thin card folder

loose as issued.

Luciano Anselmino.

Luxus II

L Administration des Postes et T�l�communications pour le Mus�e Postal.

machine folded into nine sections. Small holes in folds

machine folded three times as issued

machine folded twice

made of polished aluminum sheet

magazines TV

Maison de la Culture.

Man Ray

many of which are then lithographed or screenprinted over by Staudacher. Complete with three original lithographs. Since the early postwar years

Mark di Suvero

Markus Raetz

Maurizio Kagel and Heubach. Jacques Lennep worked with Vostell on numerous Video projects. Presented together with another unique work a small folded hand towel in a printed cardboard sleeve. Vostell has modified the printed sleeve in black pen

means for the liberation of people from the bondage of the material world". The diverse works in the exhibition revealed the range of interpretations of monochromatic sensibilities in Europe

Mel Bochner

members of the terrorist Baader Meinhof group imprisoned in the high security wing of Stuttgart Stammheim

Merlin Verlag.

metal chains

Michael McClard

Milan Knizak

Milan.

mild yellowing to covers.

mime and projected images. A major proponent of this art form is Enzo Minarelli

models and documents relating to earthworks and environmental projects

Modern Art Agency.

Modern Art Galerie

modifying the places of work

monographs

Morellet

Morris Louis and others. With short artist biographies and bibliographies.

mostly using pseudonyms

movement

Munich.

Museum of Contemporary Art.

musikalische s�gen

M�nchengladbach.

N.p.

n.p.

Naples.

Neagu generated all the work himself

Neue Galerie Sammlung Ludwig.

Nevers.

New York

New York.

Newlyn

Newlyn Orion Galleries.

no. 26; Maffei Sol LeWitt Artist s Books

no. 46; Andrew Roth

no. 4; Maffei Sol LeWitt Artist s Books

no.31; Printed Matter. Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek

no.78].

Noigrandes Gruppe

not affecting the book. Glue residue from old price label still visible on back of jacket.

noted for his puzzling code books

numbered and signed by Bijl on the colophon. Complete with the enclosed large offset printed folded poster for the installation (59 x 35.5 cm

numbered from I XII

numbered in pencil on the box

NY.

O radiegrafii (Jerzy Roso?owicz)

on March 26

one copy at the National Library of Austria].

or chapters

or in preparation for the performance. These include: three informal photographs of John Cage

or walk in front of the camera. Bell inverts some of the images so that the curtained wall behind the dancers "reads" like an oscillating line. De Cointet

or Does contemporary painting influence the shape of the world? . Issue 2 is based on the Zero exhibition entitled Vibration

Original black calf backed paper covered boards embossed with devices and with Paolozzi designs in silver across both covers. Original clear plastic dust jacket with some tears and loss to upper edge.

Original black cloth

Original black wrappers

Original blue wrappers

Original card wrappers

Original clear plastic binder

Original colour printed wrappers.

Original glossy white wrappers. A fine copy.

Original glossy wrappers

Original glossy wrappers. Glue residue to spine.

Original green wrappers

Original lithographed poster

Original plain grey cloth. Housed in publisher s lidded cardboard box (splits along corners of lid). Some tiny marks and scratches to cover of book

Original printed boards.

Original printed cloth

Original printed folding card wrappers. Minor rubbing to extremities

Original printed glossy card wrappers

Original printed wrappers with Marianne Filliou s photographs reproduced on the covers.

Original publisher's white printed wrappers with titles to front cover in black. Mild creasing to corners.

Original thick boards

Original wrappers

Original wrappers. Slight rubbing to surface of front wrapper

Original wrappers. Sun bleached along lower edge of front cover

Original wrappers. With some handling creases and minor sun staining

Original yellow wrappers. Slight bumping to fore edge

otherwise a fine copy.

otherwise a good copy.

otherwise fine.

otherwise good.

otherwise good. Framed.

otherwise very good.

overall very good.

p. 100; Guy Schraenen Vinyl records and covers by artists

p. 130].

p. 141].

p. 156; Lucy Lippard Six Years. The Dematerialization of the Art Object from 1966 to 1972

p. 242].

p. 37. Printed Matter; Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek. Staatliche Museen zu Berlin

p. 59].

p. 80; Anne Moeglin Delcroix Esth�tique du Livre d'Artiste 1960 / 1980

p. 90].

p. 92

p. 93

p. 95].

p.120].

p.167].

Pace Gallery.

padded at the paste downs to keep the volume square. Titles stamped in red on spine

Padua.

painter Edward Larsocchi and poet Anton Paidola. In reality

painting

Palermo et al. The number of pages in the catalogue varied according to which multiples were available at a specific moment in time

Paolozzi exhibited a total of 35 new bronze sculptures in Cambridge. [Ref. Judith Collins Eduardo Paolozzi

Paris in 1964.

Paris.

participating in over 300 exhibitions. This book presents his career as an artist

participations by Dubuffet

particularly galvanised farm and chicken wire.The wigwam style Ghosthouse was a large

Partum self published "Theses on Art No 1 17"

Pat Keene

performed a series of revue like numbers. Gerhard R�hm

performer and scholar from Bologna

periodicals

Peter Hutchinson

Peter Leslie and George Kimball

Philadelphia.

photography

Piedro Meldini

Pierre Belfond.

Piz Corvatsch or Silsersee after different places within the region. Owing to the overpainting and their orientation some of them are printed upside down it is difficult to recognise the different locations. The book was first published on the occasion of a Gerhard Richter exhibition at Nietzsche Haus in Sils in 1992

plastic spiral binding.

plus many whose work was new to the space. Artists included Jared Bark

possibly in Australia.

Poster

pp. 104 105].

pp. 114 115].

pp. 214 215].

pp. 32 33].

pp. 74 75].

presented here

primarily illustrating the work of Ernst Fuchs. The particular brand of the Wiener Schule des Phantastischen Realismus (Vienna School of Fantastic Realism)

printed both sides.

printed in black. Stamped "Organisation f�r direkte Demokratie" in red

printed in red.

Printed Matter

Printed Matter Inc.

proportion) and possible applications (means

published to accompany an exhibition at the Yellow Now gallery in Li�ge in 1974. Under the auspices of Guy Jungblut

Publisher's white glossy wrappers. Tiny brown spot to front cover

Publisher s cloth

Publisher s gummed wrappers

Publisher s thin boards

Publisher s wrappers

Publisher s wrappers. Slightly rubbed

quaderni di scrittura simbiotica

randomly angled close ups

Rank Xerox S.p.A.

rather than a traditional exhibition. The show included some of the installations still existing from the preceeding Rooms exhibit

Rebecca Horn (Handschuhfinger)

Reindeer Werk

Reinhard Onnasch Ausstellungen.

Ren� Daniels

rest

rest). With the artist book

reviews

Richard Kostelanetz

Robert Grosvenor

Rolf Preisig.

rolled and housed in original mailing tube; 3. Autopsie eines Happenings. Befragung von Wolf Vostell (32 x 23 cm). 24 page booklet stapled

Rome.

Rotterdam.

rough and non sequential. Published in an edition of approximately 400 copies

rub

Saint Phalle

SCRIPT

seemingly early prototype drawings for the envisioned exhibition poster and/or invitation. Each sheet folded to fit in envelope.

Self wrappers.

Selma

Serge de Paris

Sheets loose as issued in original orange cloth covered drop back box

Sigmar Polke: The Editioned Works 1963 2000

signed and numbered by Timm Ulrichs on the inside cover

signed by Gribling on the colophon. This copy from the collection of Wim Beeren

Single printed bank note.

Single sheet

Single sheet of cream card

Single sheet of xeroxed typed text.

Single sheet screenprint in black on white card.

Slight bumping and creasing to corners only affecting the blank margins; short 1cm tear to centre of lower edge.

small coffee stain to front cover.

so that the viewer experiences the unadulterated colour that is meant. All prints are made with the same clich�. In the combined prints

so they started harrassing and smashed an old TV

Soci�t� des Expositions du Palais des Beaux Arts.

some black and white

some foxing to covers otherwise good.

Sonnabend Gallery.

Soto

spare time

Spoerri

squares

stamp numbered and initialled on its base. This model is wrapped in a small protective woolen blanket which has a stitched label carrying the same numbering. The aforementioned flattened bookplate is also signed in pen by Whiteread and numbered from the edition of 40. Together presented in the publisher s orange solander drop back box.

stamp numbered on inner sleeve. [Ref. Ursula Block & Michael Glasmeier Broken Music. Artists Recordworks

Stanley Brouwn

stapled

stapled and folded; 2. Volkskunst. (310 x 37 cm) takes the form of a long printed scroll made up of five sheets pasted together

stapled and with white sliding plastic spine. Small stain to front cover

stapled magazine

Stapled wrappers. A fine copy.

stapled.

stapled. A fine copy.

stapled. Minor browning to covers

stapled. Minor rubbing to edges and creasing to spine

stapled. Some creasing to covers.

stapled. Titles printed in black.

stapled. Toning to right hand side of front wrapper

still sealed in publisher s clingfilm. A fine copy.

Stuart Horn

studded neck collar and wrist restraints. Poster design by Marcus Ratliff. [Ref. Robert Morris

such as an ATM machine. For this book

such as TOOL

superposed by what Carrega came to designate as "Nuova Scrittura" (New Writing). Carrega s development as a verbo visual poet was significantly fostered and framed by his continuous involvement in the foundation of art magazines and art centres

Sztuka jako do?wiadczenie wewn?trzne (Natalia LL)

Taillandier devoted himself to painting

taken backstage

taken between 1968 and 1970. This copy inscribed in 1993 by Baumgarten on the opening page.

Tarasque Press.

Telehydrografik (Jerzy Roso?owicz)

Texas. With essays by Marcia Tucker and Robert Pincus Witten and an interview with the artist by Nancy Drew and Carrie Rickey.

that Raschke ending up taking this three quarter length portrait of Abramovic on the eve of her show there.

that Warzecha created with an attempt to find new possibilities for representing illogical and non dimensional spaces. This Art universe was first launched at "zero hour 6.30pm GMT on September 24

THAT WHICH WILL SAVE YOU AND FOR WHICH YOU WAIT

the cement ghost of the building

the early issues of PRO are each centred around one topic which Bulkowski was sympathetic towards: issue no.5 Anarchie und Humor (Provo); no. 6 the Beats; no. 8 Tulli Kupferberg & the Hippies. Whilst the early numbers are small in format

the empty space the structure had occupied after its demolition. Whiteread created the work by spraying liquid concrete into the building s empty shell before its walls were removed. The work became a temporary monument to lost communities and a focus for public debate before it was demolished in January 1994. It stood alone as a symbol of survival

The Hague.

The High Museum of Art.

the In out Centre. The book consists of several instructional typed event scores

the Industrial National Bank. Roth has obliterated the view of the city and its architecture

The Kitchen.

the Kornblee Gallery in New York was to hold two further groundbreaking exhibitions of Flavin s flourescent light works. Flavin has also corrected the printed biographical detail in the catalogue. A fine association copy of an early Flavin exhibition catalogue.

the last acts as the cover page). Each of the affiches were usually printed because of a specific occasion (e.g. an exhibition

The Louis Kellner Foundation / Seth Siegelaub.

the magazine also attempted to present kinetic and video art in its last issue with the title the media as instruments for maintaining the status quo"

the metasets were models of logical systems

the middle issue (nos. 13 30) are larger in format

The Museum of Fine Arts.

the nearly 90 minute colour film

The Photobook: A History

the pieces in the Kurzaal and the second room run synchronously

the publication of a book

the scrim ended somewhere below the participants eye level. A mirror image of that black band appeared on the floor beneath it

the Soviet Union

the Stedeldijk Museum

the visual art was restricted to the covers of each issue

the West German Senator f�r Jugend and Sport. Until the construction of the Berlin Wall in 1961 Neubauer lived in the eastern part of Berlin. He was one of the members of the German Bundestag who had a residence in the Soviet sector of the city. The contents of the box are: 1. Original filmstrip Jugend im System in custom made plastic container. Film shows East German youth marching in parades and at Party rallies; 2. Ten original photographs (each 17 x 22.5 cm) showing East German Youth in parades (May 1st

The World's Window.

the Zimmergalerie Franck presented the latest

then Curator of Painting and Sculpture at The Jewish Museum

then partner of Gerhard R�hm

then went on to convert the photographs into a meaningful text. Each of the photographs apparently corresponds to an alphabetical letter or to a punctuation sign. A narrow horizontal strip (150 cm in length)

then you were already in the middle of the happening . The flyer is dominated by an image of a crowd surrounding the broken television.

there are also modern newspaper clippings from Le Monde and Frankfurter Allgemeine Zeitung

this copy is numbered no.86.

Three mimeographed typed sheets on blue paper. Folded and taped for mailing. Stamped "Richard C. Higgins

to instruction based works

today part of the collection of the Mus�e d art contemporain de Lyon. The bulletin reproduces a photograph of Fontana at work

together with a copy of his poster for the Amsterdam Stedelijk exhibition Bewogen Beweging (1961). Letter is folded twice in order for it to fit into the original airmail envelope which is also present.

Tokyo.

translator

Trieste.

Two offset printed cards.

Uecker's work Der Nagel/Electric Garden

Uitgevers for IC.

un tedesco a Firenze. That series hung in the Paris Bar for a decade

unfolded).

Uno di voi

USA. Poesie Informationen

using fabric

using the sheet with the hole to create a second shadow

using ZPAP facilities without requesting permission from the organisation

Van Reekum Museum & Stedelijk Museum.

Venice.

Verdrehen

Verlag Gebr. K�nig / Seth Siegelaub.

Verlag M. DuMont Schauberg.

Vienna & Galerie H

Vinyl 12 inch record

Volume III

Wadsworth Atheneum.

Walter Carpaij

Walter de Maria

was a product of the Amsterdam counterculture of the 1960s and 1970s. The store was a hotbed of subversion

was invisible to the public.

was not actually printed until 1989 (also at Atelier Chave).

was stretched tightly from the ceiling. Held taught by a black metal bar

were found dead in their prison cells. Their suicide

what is going on or what is going to be

where he then lectured on aesthetics and history of philosophy. He is an artist in the field of photography and drawing

where imported American

which are then supplemented further with drawings. The text is equally a mixture of the old and the contemporary whilst Heine s original Lorelei poem of 1822 is translated into French

which functions like a kind of retrospective of the various materials and strategies favoured by the artist up to that time. (Jeffrey Kastner). [Ref. J�rgen Becker & Claus von der Osten

which has been widely disputed as murder

which he mentioned in his letter

which included books by Alfons Egger

which was more a coordinated series of open studios

who all frequented the legendary caf�. As editor

who belonged to the Vienna Group. The festival garnered around 500 visitors. The participants

Wide White Space Gallery.

will be screened together with another new film by Baldessari

Wim Crouwel (designer) and Hein van Haaren (head of aesthetic service PTT). The introductory printed matter

Wim Noordhoek

with 60 plastic sleeves.

with a solid lead cast of the cement mixer

with a text by Pierre Restany printed on verso. The invite is signed in blue pencil by Christo and Jeanne Claude.

with additional hand coloured illustration by Karel Appel. Cover slightly browned

with an additional hand coloured illustration by Appel.

with artist s embossed signature on the front.

with black blocked title. Very minor browning to spine

with dust jacket.

with each issue printed in an edition of around 300 copies

with each of the five prints numbered

with each of the ten prints also being signed and numbered. (Rare. No copies listed on WorldCat).

with handwritten title label pasted to front cover.

with his signature on the first page.

with its roots in the Dutch Provos and anarchism

with listeners following the 'R' verb series rauscht reibt rast (Roar

with notes and commentaries on the projects and biographical notes on the sculptors (Harvey Fite

with printed cloth covered chemise and matching solander slipcase.

with printed dust jacket. Rear of dust jacket affected by damp with resultant rippling and faint staining

with red lettering. Minor rubbing to edges and with crease to front cover

with single line of printed text across the centre. Short 3.5 cm tear along one lower edge fold

with text printed beneath. Soft central horizontal crease.

with title stamped in black on spine.

with wooden doorknob affixed to front cover as designed.

Wojciech Krzywob?ocki

Wolfgang Fietkau

Wolfgang Hake Verlag.

write once

Wuppertal.

Xeroxed flyer

yellow

Ylona Aron

Yoko Ono

Young Hoffman Gallery.

Yves Klein

Zagreb.

Zurich.

Z�rich.

Bloody Life and Dusty Corners

Gone

Wooden Air

Ver m�s Ver menos

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