Librería:
BookOutlet, Jefferson City, TN, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Honoris Librarius
Miembro de AbeBooks desde 1996
Paperback. Publisher overstock, may contain remainder mark on edge. N° de ref. del artículo 9783956795251B
Examinations of Francis Ponge's texts on Jean Fautrier's “Hostage Paintings,” Jack Whitten's Memorial Paintings, and Banksy's auction stunt Love is in the Bin.
This book contains three case studies on very different artists, analyzing their work through their respective historical contexts: the writer Francis Ponge (1899–1988) and his seminal text on Jean Fautrier's “Hostage Paintings” from 1943; visual artist Jack Whitten's (1939–2018) Memorial Paintings and Banksy's notorious auction stunt Love is in the Bin from 2018.
Examining all three artistic propositions from a value-theoretical point of view, Graw finds Ponge's text on Fautrier to be “doubly materialist” insofar as it (seemingly) reveals its own material conditions while simultaneously grasping the specific materiality of Fautrier's paintings; suggests that the indications of value in Whitten's painting to be more indirect; and reveals Banksy's value reflections to have a very different generational thrust.
Gaw shows that Ponge's text is full of value-reflexive insights but that Ponge himself is an ambivalent figure. She finds that the dedication of Whitten's paintings inscribes them in a system of exchange. And, finally, the deliberate aesthetic meagerness of Banksy's Love Is in the Bin points to an emptiness at the heart of value.
Institut für Kunstkritik series
Acerca del autor: Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule für bildende Künste–Städelschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst. In 2003, Graw and Daniel Birnbaum founded the Institut für Kunstkritik at the Städelschule.
Título: Three Cases of Value Reflection: Ponge, ...
Editorial: Sternberg Press
Año de publicación: 2021
Encuadernación: Paperback
Condición: New
Condición de la sobrecubierta: Sobrecubierta no Incluida
Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de America
paperback. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages. Nº de ref. del artículo: 432935
Cantidad disponible: Más de 20 disponibles
Librería: Big River Books, Powder Springs, GA, Estados Unidos de America
Condición: like_new. This book is in Like New condition. It is unused, but has a remainder mark on the edge of the pages. Otherwise it is a new book. Nº de ref. del artículo: BRV.3956795253.LN
Cantidad disponible: 17 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New. Nº de ref. del artículo: 40638882-n
Cantidad disponible: 2 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 40638882
Cantidad disponible: 2 disponibles
Librería: Art Data, London, Reino Unido
Paperback. Condición: Brand New. Paperback.Width: 12 cm. Height: 19cm. 64 pages. English text. Nº de ref. del artículo: 31122
Cantidad disponible: 16 disponibles
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Paperback. Condición: new. Paperback. Examinations of Francis Ponge's texts on Jean Fautrier's "Hostage Paintings," Jack Whitten's Memorial Paintings, and Banksy's auction stunt Love Is in the Bin.Examinations of Francis Ponge's texts on Jean Fautrier's "Hostage Paintings," Jack Whitten's Memorial Paintings, and Banksy's auction stunt Love is in the Bin.This book contains three case studies on very different artists, analyzing their work through their respective historical contexts- the writer Francis Ponge (1899-1988) and his seminal text on Jean Fautrier's "Hostage Paintings" from 1943; visual artist Jack Whitten's (1939-2018) Memorial Paintings and Banksy's notorious auction stunt Love is in the Bin from 2018.Examining all three artistic propositions from a value-theoretical point of view, Graw finds Ponge's text on Fautrier to be "doubly materialist" insofar as it (seemingly) reveals its own material conditions while simultaneously grasping the specific materiality of Fautrier's paintings; suggests that the indications of value in Whitten's painting to be more indirect; and reveals Banksy's value reflections to have a very different generational thrust.Gaw shows that Ponge's text is full of value-reflexive insights but that Ponge himself is an ambivalent figure. She finds that the dedication of Whitten's paintings inscribes them in a system of exchange. And, finally, the deliberate aesthetic meagerness of Banksy's Love Is in the Bin points to an emptiness at the heart of value.Institut f r Kunstkritik series Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9783956795251
Cantidad disponible: 1 disponibles
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
Paperback. Condición: New. Nº de ref. del artículo: LU-9783956795251
Cantidad disponible: 8 disponibles
Librería: INDOO, Avenel, NJ, Estados Unidos de America
Condición: As New. Unread copy in mint condition. Nº de ref. del artículo: RH9783956795251
Cantidad disponible: Más de 20 disponibles
Librería: INDOO, Avenel, NJ, Estados Unidos de America
Condición: New. Brand New. Nº de ref. del artículo: 9783956795251
Cantidad disponible: Más de 20 disponibles
Librería: Chiron Media, Wallingford, Reino Unido
Paperback. Condición: New. Nº de ref. del artículo: 6666-GRD-9783956795251
Cantidad disponible: 2 disponibles