13.5 cm x 21.5 cm. Original softcover. Excellent condition with only very minor signs of external wear. Clean inside with solid binding. Bookmark enclosed. "The theatre's greatest contemporary director tells the story of his life. Peter Brook is the modern stage's greatest inventor. For over fifty years he has held audiences spellbound with his critically acclaimed productions. Now he has finally written an account of his life. Born in 1925 in London, at twenty-one Brook became the enfant terrible of British theatre directing major post-war productions of Shakespeare at Stratford-upon-Avon, opera at Covent Garden and new plays in London's West End. He even made films. In 1964 he produced Peter Weiss's Marat/Sade for the RSC and his whole approach to theatre became radicalised. Throughout the 1970s and 1980s Brook began exploring the roots of non-Western theatre which once again changed his view of what theatre could be for actors and audiences. His journey took him to Paris where he founded a company at the Bouffes du Nord theatre where he still works today. Brook's biography charts all the stages of his aesthetic and spiritual journey, and touches on all parts of a career that has been widely reported but never previously talked about from his personal perspective. "First there was the master conjurer adept at musicals, farces, opera and Shakespeare. Then there was the philosopher-king. . . who has devoted his energies to a quest for a theatre that was simple in form and rich in meaning" (Michael Billington) ". (Amazon). Sprache: english.

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Detalles bibliogr�ficos

T�tulo

Threads of Time A Memoir. Autobiography of Peter Brook.

Editor

London, Methuen Publishing Limited.

Fecha de publicaci�n

1999

Idioma

Ingl�s

ISBN 10

0413733009

ISBN 13

9780413733009

Encuadernaci�n

Encuadernaci�n de tapa blanda

Peso

1200 gramos

Cat�logos de vendedores

Varia

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Sinopsis

The theatre's greatest contemporary director tells the story of his life Peter Brook is the modern stage's greatest inventor. For over fifty years he has held audiences spellbound with his critically acclaimed productions. Now he has finally written an account of his life. Born in 1925 in London, at twenty-one Brook became the enfant terrible of British theatre directing major post-war productions of Shakespeare at Stratford-upon-Avon, opera at Covent Garden and new plays in London's West End. He even made films. In 1964 he produced Peter Weiss's Marat/Sade for the RSC and his whole approach to theatre became radicalised. Throughout the 1970s and 1980s Brook began exploring the roots of non-Western theatre which once again changed his view of what theatre could be for actors and audiences. His journey took him to Paris where he founded a company at the Bouffes du Nord theatre where he still works today. Brook's biography charts all the stages of his aesthetic and spiritual journey, and touches on all parts of a career that has been widely reported but never previously talked about from his personal perspective." First there was the master conjurer adept at musicals, farces, opera and Shakespeare. Then there was the philosopher-king...who has devoted his energies to a quest for a theatre that was simple in form and rich in meaning" (Michael Billington)

Acerca del autor

Peter Brook (b. 1925) is a British theatre director, noted for his strikingly original productions. The child of Russian emigr�s, Brook made his debut at the age of 18 with a production of Marlowe's Dr Faustus. In 1945 Brook was invited to direct Paul Scofield in King John at the Birmingham Repertory Theatre, following this with a celebrated production of Love's Labours Lost (1946) at Stratford-upon-Avon (again with Scofield). Further successes included Anouilh's Ring Round the Moon (1950), Otway's Venice Preserv'd (1953), Hamlet (1955), The Power and the Glory (1956), and The Family Reunion (1956). Brook was made a codirector of the newly formed Royal Shakespeare Company in 1962, directing later that year a highly acclaimed production of King Lear (with Scofield once again). Other successes with the RSC included Peter Weiss's Marat/Sade (1964), Seneca's Oedipus (1968), and a famous production of A Midsummer Night's Dream (1970), featuring an all-white set and the use of circus skills. In 1970 Brook founded, with Jean-Louis Barrault, the International Centre for Theatre Research, a company of international performers with whom he toured extensively. Since 1974 the Centre has been based at the Bouffes du Nord in Paris. Brook's subsequent productions have included a nine-hour adaptation of the Indian epic The Mahabharata (1985), a pared down version of Carmen (1989), and Qui est la? (1995), a reworking of Hamlet. In 2004 Brook presented Tierno Bokar, a meditation on the life and teachings of the title character, a Sufi mystic in French colonial Africa.

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Buying and Selling of rare and out-of-print Books & Manuscripts, Pamphlets & Ephemera. We are building special collections, small and extensive libraries for every budget. Professional Booksearch & Library Completion Service / Consultants for building Libraries & Meaningful Collections /

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