On a farm in the North East of England a family gathers. Five brothers and four generations feature in an epic play about hope, love, fear and the very end of time.

A Thousand Stars Explode in the Sky is a refreshingly subtle and compassionate vision of the world on the edge of apocalypse. Within a cosmological context, the focus is on a single family, their relations with each other and their unreconciled regrets, soon to become permanent. With an ensemble of strong, engaging characters, there are knotty, realistic family dynamics and a palimpsest of recent family history. The characters and dialogue are naturalistic but the serious themes are elucidated and alleviated with humour and quirky, surreal touches.

The play represents a unique collboration between three of the UK's pre-eminent stage writers. The ambition of the partnership is matched by the ambition of the play's sweeping scope. Whilst the three voices collide, they also ring out individually without sacrificing the piece's coherent wholeness, and the play represents a rare, fascinating study in stage collaboration.

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David Eldridge's theatre credits include: Market Boy (Olivier Theatre, National Theatre); Holy Warriors (Shakespeare's Globe); Miss Julie, The Lady from the Sea (Royal Exchange, Manchester); In Basildon, Incomplete and Random Acts of Kindness, Under the Blue Sky (Royal Court & West End); Something, Someone, Somewhere (Sixty-Six Books/Bush Theatre); MAD, Serving it Up (Bush); The Knot of the Heart (Almeida), Festen (Almeida, Lyric West End & Broadway); The Stock Da'wa, Falling (Hampstead); A Thousand Stars Explode in the Sky (with Robert Holman & Simon Stephens, Lyric Hammersmith); Babylone (Belgrade Coventry); John Gabriel Borkman, The Wild Duck, Summer Begins (Donmar Warehouse); A Week With Tony, Fighting for Breath (Finborough); Thanks Mum (Red Room); Dirty (Theatre Royal Stratford East); Cabbage for, Tea, Tea, Tea! (Platform 4 Exeter).
Television credits include: Killers, Our Hidden Lives, The Scandalous Lady W (BBC).
Radio credits include: Michael and Me: Stratford, Ilford, Romford and all Stations to Shenfield; Festen; The Picture Man; Like Minded People; The Secret Grief; John Gabriel Borkman; Jenny Lomas (BBC).
Under the Blue Sky won the Time Out Live Award 2001 for Best New Play in the West End and Festen the 2005 Theatregoers Choice Award for Best New Play. The Picture Man won the Prix Europa Best European Radio Drama 2008. Under the Blue Sky won the 2009 Theatregoers Choice Award for Best New Play. The Knot of the Heart won the 2012 Off West End Theatre Award for Best New Play.
In 2007 the University of Exeter conferred on David an Honorary Doctorate of Letters recognising his achievement as a playwright. He is a Lecturer in Creative Writing at Birkbeck College, University of London.

Robert Holman was born in 1952. He was awarded an Arts Council Writers' Bursary in 1974, and since then has spent periods as resident dramatist with the National Theatre and with the Royal Shakespeare Company in Stratford-Upon- Avon. His plays include The Natural Cause (Cockpit Theatre, 1974); Mud (Royal Court Theatre, 1974); Outside the Whale (Traverse Theatre, Edinburgh, 1976); German Skerries (Bush Theatre, 1977, for which he won the George Devine Award); Other Worlds (Royal Court Theatre, 1983); Today (Royal Shakespeare Company, 1984); The Overgrown Path (Royal Court Theatre, 1985); Making Noise Quietly (Bush Theatre, 1986); Across Oka (Royal Shakespeare, 1988); Rafts and Dreams (Royal Court Theatre Upstairs, 1990); Bad Weather (Royal Shakespeare Company, 1998); Holes in the Skin (Chichester Festival Theatre, 2003); and Jonah and Otto (Royal Exchange Theatre, Manchester, 2008). He has also written a novel, The Amish Landscape (1992). In 2010 he collaborated with David Eldridge and Simon Stephens on A Thousand Stars Explode in the Sky, which premiered at the Lyric, Hammersmith.

Simon Stephens began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include Bluebird (Royal Court Theatre, London, 1998, directed by Gordon Anderson); Herons (Royal Court Theatre, 2001); Port (Royal Exchange Theatre, Manchester, 2002); One Minute (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); Christmas (Bush Theatre, 2004); Country Music (Royal Court Theatre Upstairs, 2004); On the Shore of the Wide World (Royal Exchange Theatre and National Theatre, London, 2005); Motortown (Royal Court Theatre Downstairs, 2006); Pornography (Deutsches Schauspielhaus, Hanover, 2007; Edinburgh Festival/Birmingham Rep, 2008 and Tricycle Theatre, London, 2009); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre, 2008/Traverse Theatre, Edinburgh, 2009); Heaven (Traverse Theatre, 2009); Punk Rock (Lyric Hammersmith, London, and Royal Exchange Theatre, 2009); The Trial of Ubu (Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky (co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); Marine Parade (co-written with Mark Eitzel; Brighton International Festival, 2010); T5 (Traverse Theatre, 2010); Wastwater (Royal Court Theatre Downstairs, 2011); Morning (Lyric Hammersmith, 2012); an adaptation of A Doll's House (Young Vic, 2012); an adaptation of The Curious Incident of the Dog in the Night-Time (National Theatre, 2012); Blindsided (Royal Exchange, 2014); and Birdland (Royal Court, 2014). His radio plays include Five Letters Home to Elizabeth (BBC Radio 4, 2001) and Digging (BBC Radio 4, 2003). His screenwriting includes an adaptation of Motortown for Film4 (2009); the two-part serial Dive (with Dominic Savage) for Granada/BBC (2009); and a short film adaptation of Pornography for Channel 4's 'Coming Up' series (2009). Awards include the Pearson Award for Best New Play, 2001, for Port; Olivier Award for Best New Play for On the Shore of the Wide World, 2005; and for Motortown German critics in Theater Heute's annual poll voted him Best Foreign Playwright, 2007. His adaptation of <i>Curious Incident of the Dog in the Night-Time</i> won the 2015 Tony Award for Best Play.

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