Shadows, doubles, and the ghosts of past and future lovers haunt these elegantly structured and often hallucinatory stories. The language is hypnotic, deadpan, intense; the sentences jewel-hard and sublime.
Things to Make and Break marks the debut of a stylish, exuberant new voice in modern fiction. Tan s excellent debut follows loners and outcasts, and contains several metaphorical car crashes, one fake one and one actual, brutal, skid off the road. Born in Indonesia, Tan has lived in Hong Kong and the US and is now based in the UK. These 11 stories range over those territories, focusing both on obvious drama (murder, crucifixion, wild drug use) and the seemingly less consequential (a conversation between a rich child and her maid, an argument between two Iron Maiden-loving teenagers) ... There s plenty of darkness and a sprinkling of magic, and these strange, flinty, cigarette-stained narratives speed by, offering lots of surface tension and compelling deeper passions.
- James Smart,
Guardian That May-Lan Tan was shortlisted for the Literary Review s Bad Sex in Fiction Award is surprising. She does not write badly about sex she writes very well about bad sex, which is not the same thing. And not only bad sex it s sometimes disturbing, sometimes funny, always refreshingly explicit and, in one episode, spell-bindingly weird and transgressive. And she writes in character, often with quite dazzling ventriloquial skill ... Tan is a cinematic writer in the same way some directors are literary think of David Lynch at his most guignol.
- David Collard, Times Literary Supplement
Tan focuses on characters contorting themselves, sometimes physically, sometimes emotionally, sometimes both. In cases where the structures are more traditional, the arrangements are still varied: she ll make use of fractured chronology, or of omissions of certain events that prove crucial. As reader, you may find gaps that call out to be bridged, with the reasons for those spaces left for you to figure out ... She also does things that have no business working, yet do. Candy Glass is written in a style that blends first-person narration with elements of the screenplay format. Written out, this doesn t inspire confidence; on the page, though, it works perfectly ... In May-Lan Tan s fiction, even the familiar becomes fresh, and even the most unsympathetic receive empathy. The thirteen stories found in these two books (Things to Make and Break and the chapbook Girly) are a fantastic introduction to a writer in the process of teaching us new ways of reading .
--Tobias Carroll, Volume 1, Brooklyn