Our Subversive Voice: The History and Politics of English Protest Songs, 1600?2020 (Mcgill-queen's Studies in Protest, Power, and Resistance). Este artículo no está disponible.
Idioma: inglés
Editorial: McGill-Queen's University Press, 2025
Serie: Libro 9 de 11 - McGill-Queen's Studies in Protest, Power, and Resistance
- Tapa dura
- Nuevo

Librería: Books Puddle, Woodside, NY, Estados Unidos de AmericaBooks Puddle
Vendedor de IberLibro desde 22 de noviembre de 2018
Condición: Nuevo
EUR 52,65
N° de ref. del artículo 26401698768
- Título
- Our Subversive Voice: The History and Politics of English Protest Songs, 1600?2020 (Mcgill-queen's Studies in Protest, Power, and Resistance)
- Autor
- Street, John; Cox Jensen, Oskar; Finlayson, Alan; McShane, Angela; Worley, Matthew
- Editorial
- McGill-Queen's University Press
- Año de publicación
- 2025
- Estado
- New
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 0228023726
- ISBN 13
- 9780228023722
- Serie
- Libro 9 de 11: McGill-Queen's Studies in Protest, Power, and Resistance
Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.
The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.
The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future.
“Sinopsis” puede pertenecer a otra edición de este título.
Acerca del autor
Oskar Cox Jensen is a NUAcT Fellow in music at Newcastle University.
Alan Finlayson is professor of political and social theory at the University of East Anglia.
Angela McShane is honorary reader in history at the University of Warwick.
Matthew Worley is professor of modern history at the University of Reading.
“Acerca de” puede pertenecer a otra edición de este título.