White pictorial paper over boards, color pictorial dj.; 188 pp.; Profusely illustrated in color. Heavy at nearly 5 pounds. May require extra postage. Includes an essay by Stephan Schmidt-Wulffen, as well as a conversation with Shore by Lynne Tilman. "Originally published in 1982, Stephen Shore's legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition over the past forty years. Uncommon Places: The Complete Works, published by Aperture in 2004, presents a definitive collection of the landmark series, and in the span of a decade, has become a contemporary classic. Now, for this lushly produced reissue, the artist has added twenty rediscovered images and a statement explaining what it means to expand a series now many decades old. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore in these images retains precise internal systems of gestures in composition and light, through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to his signature landscapes with which Uncommon Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits."--Publisher's description.

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Detalles bibliogr�ficos

T�tulo

Stephen Shore: Uncommon Places: The Complete Works

Editor

Aperture, New York, New York

Fecha de publicaci�n

2004

Idioma

Ingl�s

ISBN 10

1931788340

ISBN 13

9781931788342

Encuadernaci�n

Hardcover

Edici�n

An expanded version of the 1982 edition.

Estado

VG/VG

Cat�logos de vendedores

Photography

Acerca de

Sinopsis

Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book Uncommon Places has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. Uncommon Places--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.

Uncommon Places: The Complete Works presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.

Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.
Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them. Uncommon Places: The Complete Works provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.

Acerca de los autores

At the age of 24, Stephen Shore became the first living photographer to have a one-man show at the Metropolitan Museum of Art, New York. Among his numerous other one-man shows, Shore has exhibited at the Museum of Modern Art, New York, the Art Institute of Chicago, and the Kunsthalle D�sseldorf. He has received several awards for his photography including two National Endowment for the Arts Grants and a Guggenheim Foundation Grant. He has been the Chair of the photography department at Bard College in Annandale-on-Hudson, N.Y. since 1982.

Stephan Schmidt-Wulffen is a visiting scholar at the Center for Curatorial Studies at Bard College in Annandale-on-Hudson, New York.

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