Trade Softcover, Near Fine Condition, This is Part One of The Series "The Basics", Cut on FEP, Light Crease top of cover is not noticeable, Maker Media, Inc., 2015, San Francisco, 218 pg.

N� de ref. del art�culo 302114125

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Detalles bibliogr�ficos

T�tulo

Getting Started With Processing: A Hands-on Introduction to Making Interactive Graphics

Editor

Maker Media Inc

Fecha de publicaci�n

2015

Idioma

Ingl�s

ISBN 10

1457187086

ISBN 13

9781457187087

Encuadernaci�n

Soft cover

Edici�n

2nd Edition

Estado

Near Fine

Estado de la sobrecubierta

No Jacket

Cat�logos de vendedores

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Sinopsis

Processing opened up the world of programming to artists, designers, educators, and beginners. This short book gently introduces the core concepts of computer programming and working with Processing. Written by the co-founders of the Processing project, Reas and Fry, Getting Started with Processing shows you how easy it is to make software and systems with interactive graphics. If you're an artist looking to develop interactive graphics programs or a programmer on your way to becoming an artist, this book will take you where you want to go. Updated with new material on graphics manipulation, data, and for the latest version of Processing.

Acerca del autor

Casey Reas is a professor in the Department of Design Media Arts at UCLA and a graduate of the MIT Media Laboratory. Reas' software has been featured in numerous solo and group exhibitions at museums and galleries in the United States, Europe, and Asia. With Ben Fry, he co-founded Processing in 2001. He is the co-author of "Processing: A Programming Handbook for Visual Designers and Artists" (2007) and "Form+Code in Design, Art, and Architecture" (2010). His work is archived at http: //www.reas.comwww.reas.com.Ben Fry has a doctorate from the MIT Media Laboratory and was the 2006-2007 Nierenberg Chair of Design for the Carnegie Mellon School of Design. He worked with Casey Reas to develop Processing, which won a Golden Nica from the Prix Ars Electronica in 2005. Ben's work has received a New Media Fellowship from the Rockefeller Foundation, and been shown at the Museum of Modern Art, Ars Electronica, the 2002 Whitney Biennial, and the 2003 Cooper Hewitt Design Triennial.

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