Our Stage and Its Critics Classic Reprint
Idioma: inglés
Editorial: Forgotten Books, 2018
- Tapa blanda
- Nuevo
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
Vendedor de AbeBooks desde el 7 de abril de 2005
Condición: Nuevo
EUR 32,25
Cantidad disponible: 15 disponibles
Añadir al carritoDescripción del artículo del vendedor
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N° de ref. del artículo LW-9781331077732
- Título
- Our Stage and Its Critics Classic Reprint
- Autor
- Edward Fordham Spence
- Editorial
- Forgotten Books
- Año de publicación
- 2018
- Estado
- New
- Encuadernación
- PAP
- Idioma
- inglés
- ISBN 10
- 1331077737
- ISBN 13
- 9781331077732
- Peso del artículo
- 547 gramos
This book surveys the theatre world with clear, practical insight. It discusses why audiences respond to certain actors, how foreign performances compare with English ones, and what makes stage management, direction, and criticism influential in shaping a play’s impact.
- Learn how critics influence our understanding of acting and the pressures on performers.
- Explore comparisons between English and continental styles, and what audiences expect in realism.
- See examples from notable productions and the roles of managers, directors, and interpreters.
- Understand why some performances captivate audiences even when their methods are debated.
Ideal for readers of theatre history, drama students, and anyone curious about how stage choices connect with public taste and critical debate.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
Hilst reading the proof-sheets of these articles Ihave been oppressed by the thought that they give a gloomy idea about the state of our Stage. Yet I am naturally sanguine. Indeed, no one taking a deep interest in our drama could have written for a score or so of years about it unless of a naturally sanguine temperament. There has been great progress during my time, yet we still are far from possessing a modern national drama creditable to us. Some imagine that the British have no inborn genius for writing drama, or acting it, and look upon those dramatists and players whose greatness cannot be denied as mere exceptions to a rule. Without alleging that at the moment we have a Shakespeare, a Garrick or a Siddons, I assert confidently that we own dramatists and players able, if rightly used, to make our theatre worthy of our country and also that the misuse of them is appalling. For very many years the history of the English stage has been chiefly a record of waste, of gross commercialism and of honest efforts ruined by adherence to mischievous traditions the Scottish and Irish stage have been mere reflections of our own. At the moment Ireland is making a brave and remarkably successful effort at emancipation, and during the last few years has laid the foundations of a National Theatre and built a good deal upon them. Scotland lags a little, yet the energy and enthusiasm of Mr Alfred Wareing and the citizens of Glasgow have enabled them to create an institution not unlikely to serve as the home of a real Scots drama. They offer to the native playwright an opportunity of showing that a national drama - not a drama merely echoing the drama of other lands - lies inherent in the race. Who knows that they may not induce that wayward man of genius, J. M. Barrie, to become the parent of Scots drama by honestly and sincerely using his rare gifts as dramatist in an effort to express the pathos and the humour, the courage and the shyness, the shrewdness and the imagination, and also the less agreeable qualities and characteristics of our brothers across the border.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Acerca de” puede pertenecer a otra edición de este título.
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