Splendor, Myth, and Vision: Nudes from the Prado. Este artículo no está disponible.
Loughman, Thomas J. [Editor]; Morris, Kathleen M. [Editor]; Yeager-Crasselt, Lara [Editor]; Burke, Jill [Contributor]; Portús, Javier [Contributor];
Idioma: inglés
Editorial: Clark Art Institute, 2016
- Tapa dura
- Usado

Librería: Lost Time Books, Brattleboro, VT, Estados Unidos de AmericaLost Time Books
Vendedor de 5 estrellas
Vendedor de IberLibro desde 11 de junio de 2019
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Condición: Usado - Muy bueno
EUR 13,85
Descripción del artículo del vendedor
4to hardcover in dust jacket. NF/VG. Light shelf wear to jacket. Book is in excellent condition with minimal wear. Interior is pristine. No writing or markings of any kind.
N° de ref. del artículo 071226-18
- Título
- Splendor, Myth, and Vision: Nudes from the Prado
- Autor
- Loughman, Thomas J. [Editor]; Morris, Kathleen M. [Editor]; Yeager-Crasselt, Lara [Editor]; Burke, Jill [Contributor]; Portús, Javier [Contributor];
- Editorial
- Clark Art Institute
- Año de publicación
- 2016
- Estado
- Near Fine
- Sobrecubierta
- Very Good
- Encuadernación
- hardcover
- Idioma
- inglés
- ISBN 10
- 0300218745
- ISBN 13
- 9780300218749
- Peso del artículo
- 49 onzas
- Dimensiones
- 12x8x1
Handsomely designed and produced, this stunning book highlights sensual paintings from the Spanish royal collections of the Museo Nacional del Prado, Madrid. Many of the featured artists were court painters under sovereigns whose tastes influenced the art world of the 16th and 17th centuries. This superb selection of twenty-eight paintings includes works by Jan Breughel, Guercino, Peter Paul Rubens, Titian, and Diego Velázquez. Included is Titian’s Reclining Venus with Cupid and a Musician, probably painted by the artist for Charles V, and several works by Rubens, who painted a considerable number of works for the Spanish court. Informative catalogue entries accompany an essay by Javier Portús on the Spanish royal taste in collecting and the role of painting within European politics of the day and a contemporary response to understanding the nude in Renaissance and Baroque painting by Jill Burke.
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Acerca del autor
Thomas J. Loughman is associate director of program and planning, Kathleen M. Morris is Sylvia and Leonard Marx Director of Collections and Exhibitions and curator of decorative arts, and Lara Yeager-Crasselt is interim curator of paintings and sculpture, all at the Clark Art Institute.
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