Spirit Mediumship in Thailand: A Performance Theory Approach. Este artículo no está disponible.
Idioma: inglés
Editorial: LAP LAMBERT Academic Publishing, 2016
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- Nuevo

Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Vendedor de IberLibro desde 6 de enero de 2003
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EUR 97,71
Descripción del artículo del vendedor
212 pages. 8.66x5.91x0.48 inches. In Stock.
N° de ref. del artículo __3659942294
- Título
- Spirit Mediumship in Thailand: A Performance Theory Approach
- Autor
- Pim de Jong
- Editorial
- LAP LAMBERT Academic Publishing
- Año de publicación
- 2016
- Estado
- Brand New
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 3659942294
- ISBN 13
- 9783659942297
- Peso del artículo
- 0,36 kilogramos
Human behavior in everyday life as in a great theater where everybody is an actor. Some men and women act as gods or goddesses to take on the role of messengers and pass on the words of gods or goddesses to human. As long as scientific method is unable to substantiate the reality of soul and spirit, I still contemplate spirit mediumship from the viewpoint of performance through the human body, which is full of colour and action and depends on the interaction between the possession practitioner and others around them. Their performance as gods has consequences for them. Through the eyes of the ethnologist, all the movement performers and their audiences have to be observed and discussed both when they were performing on stage and also after the performance is over. Therefore here, besides the discussion about the theories which help to explain the strategy of presentation through the body in social space and at the same time they are within a social construction. The theories which support the analysis of the consequences of performance as an aspect of social prestige, power, ethnicity, and gender will also be presented. This book should be especially useful to Anthropology.
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Reseña del editor
Human behavior in everyday life as in a great theater where everybody is an actor. Some men and women act as gods or goddesses to take on the role of messengers and pass on the words of gods or goddesses to human. As long as scientific method is unable to substantiate the reality of soul and spirit, I still contemplate spirit mediumship from the viewpoint of performance through the human body, which is full of colour and action and depends on the interaction between the possession practitioner and others around them. Their performance as gods has consequences for them. Through the eyes of the ethnologist, all the movement performers and their audiences have to be observed and discussed both when they were performing on stage and also after the performance is over. Therefore here, besides the discussion about the theories which help to explain the strategy of presentation through the body in social space and at the same time they are within a social construction. The theories which support the analysis of the consequences of performance as an aspect of social prestige, power, ethnicity, and gender will also be presented. This book should be especially useful to Anthropology.
“Acerca de” puede pertenecer a otra edición de este título.