Sound Recording Practice. Este artículo no está disponible.
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Idioma: inglés
Editorial: Oxford University Press, 1995
- Tapa dura
- Usado

Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
Vendedor de 5 estrellas
Vendedor de IberLibro desde 16 de marzo de 2007
No disponible
Tapa dura
Condición: Usado - Bueno
EUR 64,11
Descripción del artículo del vendedor
The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
N° de ref. del artículo GOR003471990
- Título
- Sound Recording Practice
- Editorial
- Oxford University Press
- Año de publicación
- 1995
- Estado
- Very Good
- Encuadernación
- Hardback
- Idioma
- inglés
- ISBN 10
- 0198163819
- ISBN 13
- 9780198163817
- Edición
- 4ª Edición
- Peso del artículo
- 1238 gramos
Published for the Association of Professional Recording Services and revised and updated for this edition, this book explains the process of professional sound recording. It details the technical equipment used, from microphones and mixers through to recording apparatus, as well as the manufacturing of CDs and cassettes. The techniques used in studios for recording speech and music of all kinds are also described in detail. This text is relevant to those working in the fields of sound recording, broadcasting, and film as well as students and home recordists. It should also be suitable for use as a manual for courses in telecommunications, broadcasting, or music combined with technology, such as the BMus (Tonmeister) course at the University of Surrey.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
Published for the Association of Professional Recording Services and revised and updated for this edition, this book explains the process of professional sound recording. It details the technical equipment used, from microphones and mixers through to recording apparatus, as well as the manufacturing of CDs and cassettes. The techniques used in studios for recording speech and music of all kinds are also described in detail. This text is relevant to those working in the fields of sound recording, broadcasting, and film as well as students and home recordists. It should also be suitable for use as a manual for courses in telecommunications, broadcasting, or music combined with technology, such as the BMus (Tonmeister) course at the University of Surrey.
“Acerca de” puede pertenecer a otra edición de este título.