Librería:
Your Online Bookstore, Houston, TX, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Vendedor de AbeBooks desde 6 de julio de 2010
N° de ref. del artículo 0892074906-3-36773350
In 1943, Frank Lloyd Wright received a letter from Hilla Rebay, the art advisor to Solomon R. Guggenheim, asking the architect to design a new building to house Guggenheim’s four-year-old Museum of Non-Objective Painting. The project evolved into a complex struggle pitting the architect against his clients, city officials, the art world and public opinion, but the resultant achievement testifies to both Wright’s architectural genius and the adventurous spirit of its founders. The Guggenheim Museum is an embodiment of Wright’s attempts to render the inherent plasticity of organic forms in architecture. His inverted ziggurat dispensed with the conventional approach to museum design, which led visitors through a series of interconnected rooms and forced them to retrace their steps when exiting. Instead, Wright whisked people to the top of the building via elevator, and led them downward at a leisurely pace on the gentle slope of a continuous ramp. The galleries were divided like the segments of an orange, into self-contained yet interdependent sections. The open rotunda afforded viewers the unique possibility of seeing several bays of work on different levels simultaneously. The spiral design recalled a nautilus shell, with continuous spaces flowing freely one into another. Solomon R. Guggenheim Museum: An Architectural Appreciation celebrates Wright’s crowning achievement with reflections by prominent architects, historians and critics. Paired alongside a half-century of photographs, they convey how, as Paul Goldberger has said, “almost every museum of our time is a child of the Guggenheim.”
Reseña del editor: In 1943, Frank Lloyd Wright received a letter from Hilla Rebay, the art advisor to Solomon R. Guggenheim, asking the architect to design a new building to house Guggenheim's four-year-old Museum of Non-Objective Painting. The project evolved into a complex struggle pitting the architect against his clients, city officials, the art world and public opinion, but the resultant achievement testifies to both Wright's architectural genius and the adventurous spirit of its founders. The Guggenheim Museum is an embodiment of Wright's attempts to render the inherent plasticity of organic forms in architecture. His inverted ziggurat dispensed with the conventional approach to museum design, which led visitors through a series of interconnected rooms and forced them to retrace their steps when exiting. Instead, Wright whisked people to the top of the building via elevator, and led them downward at a leisurely pace on the gentle slope of a continuous ramp. The galleries were divided like the segments of an orange, into self-contained yet interdependent sections. The open rotunda afforded viewers the unique possibility of seeing several bays of work on different levels simultaneously. The spiral design recalled a nautilus shell, with continuous spaces flowing freely one into another. Solomon R. Guggenheim Museum: An Architectural Appreciation celebrates Wright's crowning achievement with reflections by prominent architects, historians and critics. Paired alongside a half-century of photographs, they convey how, as Paul Goldberger has said, "almost every museum of our time is a child of the Guggenheim."
Título: Solomon R. Guggenheim Museum: An ...
Editorial: Guggenheim Museum Publications
Año de publicación: 2013
Encuadernación: Hardcover
Condición: Good
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. Nº de ref. del artículo: M0892074906Z2
Cantidad disponible: 20 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Nº de ref. del artículo: M0892074906Z3
Cantidad disponible: 6 disponibles
Librería: HPB-Diamond, Dallas, TX, Estados Unidos de America
hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_459122432
Cantidad disponible: 1 disponibles
Librería: Half Price Books Inc., Dallas, TX, Estados Unidos de America
hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_459634523
Cantidad disponible: 1 disponibles
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0892074906I4N01
Cantidad disponible: 1 disponibles
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Hardcover. Condición: New. In 1943, Frank Lloyd Wright received a letter from Hilla Rebay, the art advisor to Solomon R. Guggenheim, asking the architect to design a new building to house Guggenheim's four-year-old Museum of Non-Objective Painting. The project evolved into a complex struggle pitting the architect against his clients, city officials, the art world and public opinion, but the resultant achievement testifies to both Wright's architectural genius and the adventurous spirit of its founders. The Guggenheim Museum is an embodiment of Wright's attempts to render the inherent plasticity of organic forms in architecture. His inverted ziggurat dispensed with the conventional approach to museum design, which led visitors through a series of interconnected rooms and forced them to retrace their steps when exiting. Instead, Wright whisked people to the top of the building via elevator, and led them downward at a leisurely pace on the gentle slope of a continuous ramp. The galleries were divided like the segments of an orange, into self-contained yet interdependent sections. The open rotunda afforded viewers the unique possibility of seeing several bays of work on different levels simultaneously. The spiral design recalled a nautilus shell, with continuous spaces flowing freely one into another. 'Solomon R. Guggenheim Museum: An Architectural Appreciation' celebrates Wright's crowning achievement with reflections by prominent architects, historians and critics. Paired alongside a half-century of photographs, they convey how, as Paul Goldberger has said, 'almost every museum of our time is a child of the Guggenheim.'. Nº de ref. del artículo: 124102
Cantidad disponible: 1 disponibles
Librería: BWS BKS, Ferndale, NY, Estados Unidos de America
Hardcover. Nº de ref. del artículo: 105559
Cantidad disponible: 2 disponibles