The Sixth Reader Consisting of Extracts in Prose and Verse, With Biographical and Critical Notices of the Authors For the Use of Advanced Classes in Public and Private Schools Classic Reprint

Excerpt from The Sixth Reader: Consisting of Extracts in Prose and Verse, With Biographical and Critical Notices of the Authors; For the Use of Advanced Classes in Public and Private Schools

The sixth reader corresponds to the first class reader in the compiler's former series, and, like that, is ln tended for the most advanced classes in our public and private Schools. The main object of all reading books is to teach the art of reading, and this has been constantly borne in mind in preparing this compilation. With this view, a wide range of Selections has been made, so that the pupils using it may be trained to give proper force and due expression to every form of style, whether grave or gay, humorous or pathetic, elevated or familiar, declamatory or simple. The pieces, as a general rule, are of moderate length, and care has been taken to admit nothing which young persons would be likely to pronounce dull or tame. Several of\ the most approved pieces in the First Class Reader have been retained, but a large proportion of the con tents is new. As compared with the former work, it will be seen that there is a greater number of declamatory and animated pieces; and this change has been advisedly made.

As far as was consistent with the end of preparing a good reading book, the compiler has endeavored to make his young readers acquainted with the treasures of English and American literature, and thus to aid them in forming a good literary taste. No one who recalls his own youth need be told how lasting are the impressions made by the pieces habitually read in the school room, and how they shape and color the mind through life. With this view much care has been given to the introductory notices, biographical, critical, and explanatory, prefixed to most of the selections.

The compiler has taken several pieces which have long been familiar to all persons acquainted with English literature, and which may to some extent be pronounced hackneyed; such as Col lins's Ode to the Passions and Gray's Elegy. But the perma nent popularity of such pieces is due to their intrinsic merit, and it seemed to the compiler that they ought not to be displaced to make room for productions which, it is true, are now commended by the gloss of novelty, but will not be likely to wear so well as those on which time has set its lasting seal of approval. Several pieces will also be found here which were first made generally known in Pierpont's American First Class Book, an admirable work, which, in many respects, has never been surpassed by any of the many similar compilations which have since appeared. In doing this the compiler has been guided not only by his own judgment but by the express wishes of several teachers who were desirous that selections should be retained which have so long borne the sharp test of daily use.

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