PAPERBACK 1984. 21.5x13.5cm. 128 pages. Black & white photos. Flat spine. TANNED PAGES. Flat pages. Clean & tight. Flat covers. No inscriptions. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref Dsp6.

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Detalles bibliogr�ficos

T�tulo: Siegfried: English National Opera Guide 28 (English National Opera Guides)
Editor: John Calder, London
Fecha de publicaci�n: 1984
Idioma: Ingl�s
ISBN 10: 0714540404
ISBN 13: 9780714540405
Encuadernaci�n: Soft cover
Estado: Very Good

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Sinopsis

English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. Wagner wanted Siegfried, the third music drama in The Ring of the Nibelung, to be the most popular of the cycle. Despite its many beautiful and dramatic scenes and its vital part in the drama, it has not fulfilled its composer's aspiration: Professor Ulrich Weisstein examines why. Professor Anthony Newcomb contributes a detailed analysis of Wagner's use of leitmotifs, identifying the different purposes they fulfill. Derrick Puffett takes up the extraordinary fact that Wagner composed Tristan and Isolde and The Mastersingers of Nuremberg in the eight-year hiatus between his beginning and completion of Siegfried's second act; Puffett explores the subsequent changes in Wagner's musical imagination that enabled the composer to complete his enormous task. The thematic guide compliments those found in the other Opera Guides to The Ring Cycle.

Rese�a del editor

English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. Wagner wanted Siegfried, the third music drama in "The Ring of the Nibelung," to be the most popular of the cycle. Despite its many beautiful and dramatic scenes and its vital part in the drama, it has not fulfilled its composer's aspiration: Professor Ulrich Weisstein examines why. Professor Anthony Newcomb contributes a detailed analysis of Wagner's use of leitmotifs, identifying the different purposes they fulfill. Derrick Puffett takes up the extraordinary fact that Wagner composed "Tristan and Isolde" and "The Mastersingers of Nuremberg" in the eight-year hiatus between his beginning and completion of Siegfried's second act; Puffett explores the subsequent changes in Wagner's musical imagination that enabled the composer to complete his enormous task. The thematic guide compliments those found in the other Opera Guides to "The Ring Cycle."

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