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This book chronicles the career of Belgian photographer John Vink, who began contributing to Libération in 1985. His personal project Water in the Sahel won the Eugene Smith Prize in 1986, showcasing his commitment to capturing the human experience in difficult environments. As a founding member of Agence VU, Vink documented refugee camps globally. It allowed him to become a full member at Magnum Photos in 1997, which he would remain until 2017. His Peuples d’En Haut series highlights the resilience and cultural identity of mountain communities, such as the Mam in Guatemala and the Hmong in Laos. After years of travel, Vink settled in Cambodia in 2000, allowing him to engage more deeply with a single culture. Now based in Brussels, he continues to inspire through his powerful visual storytelling that explores themes of identity and humanity. With a text contribution by Rik Van Puymbroeck.

John Vink (Brussels, 3 February 1948) is a Belgian photographer. Vink studied photography at La Cambre. He started working as an independent photographer and freelance journalist in 1971. Winning the prestigious W. Eugene Smith Grant in Humanistic photography in 1986 brought him to international attention. In 1993, Vink was nominated as a member of Magnum Photos and became a full member in 1997. In 2017, he withdrew as a member of this photography collective.