T�tulo: Second Catalogue of the Collection of Ancient and Modern Works of Art, Given or Loaned to the Trustees of the Museum of Fine Arts, at Boston Now on Gallery of the Athenum Classic Reprint
Editor: Forgotten Books
Fecha de publicaci�n: 2018
Idioma: Ingl�s
ISBN 10: 0332375366
ISBN 13: 9780332375366
Encuadernaci�n: HRD
Estado: New
Peso: 312 gramos

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Sinopsis

Excerpt from Second Catalogue of the Collection of Ancient and Modern Works of Art, Given or Loaned to the Trustees of the Museum of Fine Arts, at Boston: Now on Exhibition in the Picture Gallery of the Athen�um

They are what are technically called tapestries de haute lisse, i. E., wrought on the upright or vertical frame which was substituted for the Saracenic low or horizontal frame (called basse lisse by the Flemish and French artisans, in the XIV century.

The question as to how far such textile fabrics are the work of the hand is so often asked that an answer in this place may not be unacceptable. We quote from Dr. Rock's descriptive catalogue: Tapestry is neither real weaving nor true em broidery, but unites in its working these two principles into one. It is not embroidery, though so very like it, for tapes try is not worked upon what is really a web, having both warp and woof, but upon a series of closely-set fine strings. Though wrought in a loom and upon a warp stretched along a frame it has no woof thrown across those threads with a shuttle or any like appliance, but its web is done with many short threads, all variously colored, and put in by a kind of needle. With the upright as with the ﬂat frame, 'the workman went the same road to his labors; but in either of these ways he had to grope in the dark a great deal on his path. In both he was obliged to put in the threads On the back or wrong side of the piece, following the sketch as best he could behind the strings or warp. As the face was downward in the ﬂat frame he had no means of looking at it to correct a fault. In the upright frame he might go in front, and with his own doings in Open view on one hand and the original design full before him on the other, he could mend as he went ou, step by step, the smallest mistake, were it but a single thread.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Rese�a del editor

Excerpt from Second Catalogue of the Collection of Ancient and Modern Works of Art, Given or Loaned to the Trustees of the Museum of Fine Arts, at Boston: Now on Exhibition in the Picture Gallery of the Athen�um

They are what are technically called tapestries de haute lisse, i. E., wrought on the upright or vertical frame which was substituted for the Saracenic low or horizontal frame (called basse lisse by the Flemish and French artisans, in the XIV century.

The question as to how far such textile fabrics are the work of the hand is so often asked that an answer in this place may not be unacceptable. We quote from Dr. Rock's descriptive catalogue: Tapestry is neither real weaving nor true em broidery, but unites in its working these two principles into one. It is not embroidery, though so very like it, for tapes try is not worked upon what is really a web, having both warp and woof, but upon a series of closely-set fine strings. Though wrought in a loom and upon a warp stretched along a frame it has no woof thrown across those threads with a shuttle or any like appliance, but its web is done with many short threads, all variously colored, and put in by a kind of needle. With the upright as with the flat frame, 'the workman went the same road to his labors; but in either of these ways he had to grope in the dark a great deal on his path. In both he was obliged to put in the threads On the back or wrong side of the piece, following the sketch as best he could behind the strings or warp. As the face was downward in the flat frame he had no means of looking at it to correct a fault. In the upright frame he might go in front, and with his own doings in Open view on one hand and the original design full before him on the other, he could mend as he went ou, step by step, the smallest mistake, were it but a single thread.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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