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N° de ref. del artículo 3148723-n
This collection brings together a group of distinguished and original theater historians engaged in rethinking the nature of early modern theater history as a discipline. Whether focusing on the relation between scripts and performance practice, the structure of theatrical companies, the social dimensions of drama, or the archaeology of the stage, all are concerned with basic questions of evidence and interpretation, and offer significant, and often startling, revisions of our view of the early modern theater.
Acerca del autor: Peter Holland is the McMeel Family Professor of Shakespeare Studies in the Department of Film, Television and Theater in the University of Notre Dame, USA. Among his books are The Ornament of Action (1979) and English Shakespeares: Shakespeare on the English Stage in the 1990s (1997). He is the editor of Shakespeare Survey and General Editor (with Stanley Wells) of Oxford Shakespeare Topics. Stephen Orgel is the Jackson Eli Reynolds Professor in the Humanities at Stanford University. His most recent books are Imagining Shakespeare (Palgrave Macmillan, 2003), The Authentic Shakespeare (2002) and Impersonations: The Performance of Gender in Shakespeare's England (1996). His many editions include The Tempest and The Winter's Tale in The Oxford Shakespeare, and Macbeth, King Lear, Pericles, The Taming of the Shrew and The Sonnets in the New Pelican Shakespeare, of which he and A.R. Braunmuller are General Editors.
Título: From Script To Stage In Early Modern England
Editorial: Palgrave Macmillan
Año de publicación: 2004
Encuadernación: Encuadernación de tapa dura
Condición: New