Saturation: Race, Art, and the Circulation of Value
Idioma: inglés
Editorial: MIT Press Ltd, 2020
- Tapa dura
- Usado
Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)
Vendedor de IberLibro desde 20 de diciembre de 2007
Condición: Usado - Aceptable
EUR 7,59
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Añadir al carritoDescripción del artículo del vendedor
Essays, conversations, and artist portfolios confront questions at the intersection of race, institutional life, and representation. Controversies involving race and the art world are often discussed in terms of diversity and representation-as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial representation but also issues of structural change and the redistribution of resources. In essays, conversations, discussions, and artist portfolios, contributors confront in new ways questions at the intersection of art, race, and representation. Thebook uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including "aboutness," which interprets artworks by racialized subjects as being "about" race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity. Copublished with the New Museum. …
N° de ref. del artículo CIN0262043688G
- Título
- Saturation: Race, Art, and the Circulation of Value
- Autor
- C Riley Snorton
- Editorial
- MIT Press Ltd
- Año de publicación
- 2020
- Estado
- Good
- Encuadernación
- Hardback
- Idioma
- inglés
- ISBN 10
- 0262043688
- ISBN 13
- 9780262043687
Controversies involving race and the art world are often discussed in terms of diversity and representation—as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial representation but also issues of structural change and the redistribution of resources. In essays, conversations, discussions, and artist portfolios, contributors confront in new ways questions at the intersection of art, race, and representation.
The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.
Copublished with the New Museum
“Sinopsis” puede pertenecer a otra edición de este título.
Acerca del autor
Hentyle Yapp is Assistant Professor of Art and Public Policy at New York University, where he is also an Affiliated Faculty Member in the Departments of Performance Studies and Comparative Literature, as well as the Center for Disability Studies and the Asian/Pacific/American Institute.
“Acerca de” puede pertenecer a otra edición de este título.
World of Books (was SecondSale)
Montgomery, IL, Estados Unidos de America
Vendedor de IberLibro desde 20 de diciembre de 2007
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Founded in 2002, World of Books is a leading online destination for buying and selling both preloved and new books, committed to making sustainable reading accessible to all. With a mission to help people read more and waste less, World of Books offers a huge range of affordable, high-quality books — giving both new and preloved titles a second life. The company also operates World of Books – Sell Your Books, an easy-to-use platform that allows customers to trade in unwanted books for cash, helping to keep books in circulation while promoting sustainability. As a Certified B Corp, World of Books is driven by a vision to become the world’s largest and most sustainable dedicated online bookstore. The company measures its success through the positive environmental impact it creates, the value it provides to customers, and its ability to operate profitably while supporting its sustainable mission …
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