Blue wraps with color illustration on front; 195 pp. with 46 color plates and additional figures. Text in French; with 5 critical essays, biographies, and a checklist of the exhibition; each work fully-described.

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Detalles bibliogr�ficos

T�tulo

Rubens Contre Poussin: La Querelle du Coloris dans la Peinture Francaise a la Fin du XVIIe Siecle

Editor

Ludion

Fecha de publicaci�n

2004

Idioma

Franc�s

ISBN 10

905544491X

ISBN 13

9789055444915

Encuadernaci�n

Softcover

Estado

Cat�logos de vendedores

European Art

Acerca de

Sinopsis

A l'origine, la pr�pond�rance du dessin sur la couleur est une cons�quence de la volont� d'anoblissement de la cr�ation artistique, marqu�e d�s 1648 par la fondation de l'Acad�mie royale de peinture et de sculpture. Cette domination du dessin est remise en cause par la " querelle du coloris " dans les ann�es 1670. Pour Charles Le Brun, " tout l'apanage de la couleur est de satisfaire les yeux, au lieu que le dessin satisfait l'esprit ". Le dessin est le prolongement imm�diat de l'Id�e, il s'incarne dans une forme et s'adresse � l'intelligence. La couleur, quant � elle, na�t de la pratique et s'adresse aux sens, au toucher autant qu'� la vue. Roger de Piles plaide pr�cis�ment pour cette peinture sensible et sensuelle, qui " pla�t � tous universellement " : " Ce serait une chose �trange que les tableaux ne fussent faits que pour les peintres et les concerts pour les musiciens. " A travers ces d�bats qui ont oppos� le dessin � la couleur et confront� les valeurs picturales de Poussin et de Rubens, c'est la peinture fran�aise de la fin du XVIIe si�cle qui se donne � voir dans toute sa richesse aux " amateurs " que nous sommes.

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