Sinopsis
Excerpt from The Road to Fortune: A New American Comedy, in Five Acts
Mrs. Legrand, negligently seated on a sofa, with a iap-dog seated on her lap. Peter legrand, esq., and miranda sitting by at table. Parlor furnished in gorgeous style.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor
Excerpt from The Road to Fortune: A New American Comedy, in Five Acts
Pompey. Give, give - Pompey starves for de facts.
Catharine. Mrs. Legrand is a very bold, dashing, imperious woman; you mustn't offend her.
Pompey. Ob course; dis nigger idolizes de fair sex.
Catharine. You must please her. Mr. Legrand is cold, sour and crabbish. You mustn't never get him in a passion.
Pompey. Ob course, missus, de crabbed gemman; has the gemman got de dust?
Catharine. That's not my business nor yours. Master Charles is a pleasing young gentleman; he's coming back from the old world; and my young mistress, you see, is cousin to Charles. Miranda is a very good and kind young lady; let me tell you, in secret, that she loves Charles - she has sighed much since he is away. As I said, Charles is coming back, and that's the point; there's likely to be some opposition in their love, and if you was asked to play a second cupid in the case, do it.
Pompey. Ob course; but a darkey play cupid de second?
Catharine. Why not? Mind what I said, 'twill all be for your benefit, and you'll please my young mistress and master. Mind, Pompey.
Pompey. Ob course - dis nigger's no fool.
Catharine. That's right. [Exit.
Pompey. Along de road to fortune, I'll fool de world;
Dis adventurous nigger 'll gain dust and laurels. [Exit.
Scene II. Eugenia's Room, poorly furnished.
Eugenia sitting by a table, sewing.
Eugenia, (in a calm and gentle tone.) Poverty is no crime, indeed; but still poverty has many smart inconveniences, that often bring misery and wretchedness. Work is not always very abundant, and then the remuneration is so trifling; it requires skill and patience, indeed, and a firm steadiness, to thrive under these circumstances. But what should we care for more than a comfortable livelihood? It is true that the price is exorbitant, for we have to ply the needle unrelentingly for a bare subsistence, to the loss of our health and spirits; but we cannot mend our lot we must bear patiently our burden - it is not given to all to be rich - (with a sigh) - but still, notwithstanding my willing resignation, I do not feel happy; immured, I have to be constantly at work; alone in the world, I am deprived of the little and pleasant attentions of kindred; and those that are rich enjoy themselves so well, always amid pleasures and feasts; but we, poor laborers, we are despised! (brightening, but no matter, we earn an honest living, and as long as heaven will give us work and health we will be contented. (Looking, with joy.) Cousin is coming; lam always so happy in his presence.
Enter Joseph Sniffle, with a sunny countenance.
Eugenia rises to meet him.
Joseph, (with animation.) How do you do, dear cousin?
Eugenia. Very well, Joseph.
Joseph. Be seated, cousin. (They sit.) Always at work, as busy as a bee.
Eugenia. That is the poor's only consolation, and happy they may be when they have it.
Joseph. Be contented, cousin, with work and health we may be as happy as any lord.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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