Representation and Misrepresentation in Later Stuart Britain: Partisanship and Political Culture. Este artículo no está disponible.Representation and Misrepresentation in Later Stuart Britain: Partisanship and Political Culture

In this original and illuminating study, Mark Knights reveals how the political culture of the eighteenth century grew out of earlier trends and innovations. Arguing that the period 1675-1720 needs to be seen as the second stage of a seventeenth-century revolution that ran on until c.1720, the book traces the development of the public as an arbiter of politics, the growth of a national political culture, the shift towards a representative society, a crisis of public discourse and credibility, and a political enlightenment rooted in local and national partisan conflict.

The 'public' acquired a new status in the later Stuart period as a result of frequent elections, the lapse of pre-publication licensing, the emergence of party politics, the creation of a public debt and ideological conflict over popular sovereignty. These factors enlarged the role of the public and required it to make frequent acts of judgement. Yet contemporaries from across the political spectrum feared that the public might be misled by the misrepresentations peddled by their rivals. Each side, and those ostensibly of no side, discerned a culture of passion, slander, libel, lies, hypocrisy, dissimulation, conspiracy, private languages and fictions. 'Truth' appeared an ambiguous, political matter. But the reaction to partisanship was also creative, for it helped to construct an ideal form of political discourse. This was one based on reason rather than passion, on politeness rather than incivility, on moderation rather than partisan zeal, on critical reading rather than credulity; and the realisation of those ideals rested on infrequent rather than frequent elections.

Finding synergies between social, political, religious, scientific, literary, cultural and intellectual history, 'Representation and Misrepresentation' reinvigorates the debate about the emergence of 'the public sphere' in the later Stuart period.

Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.