REVIVING THE RENAISSANCE. The Use and Abuse of the Past in Nineteenth-Century Italian Art and Decoration.. Este artículo no está disponible.
Idioma: inglés
Editorial: Cambridge University Press, 1997., 1997
- Tapa dura
- Usado

Vendedor patrimonial
Librería: Minster Gate Bookshop (est. 1970), YORK, Reino UnidoMinster Gate Bookshop (est. 1970)
Vendedor de 5 estrellas
Vendedor de IberLibro desde 23 de noviembre de 1999
Miembro de asociación: PBFA
No disponible
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Condición: Usado - Bueno
EUR 34,45
Descripción del artículo del vendedor
Large 8vo., pp.xiii,281, grey hardcover lettered in silver, b/w illustrations; a very good, clean copy, in vg unclipped dust-jacket.
N° de ref. del artículo 33621
- Título
- REVIVING THE RENAISSANCE. The Use and Abuse of the Past in Nineteenth-Century Italian Art and Decoration.
- Autor
- Edited by: PAVONI, Rosanna. Translated by: BELTON, Adrian.
- Editorial
- Cambridge University Press, 1997.
- Año de publicación
- 1997
- Estado
- Very Good
- Sobrecubierta
- Sobrecubierta Incluida
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 0521481511
- ISBN 13
- 9780521481519
- Catálogos de vendedores
- ART & ARCHITECTURE, Art History
An account of neo-Renaissance taste and style in Italy during the second half of the nineteenth century.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
This book offers an account of neo-Renaissance taste and style in Italy during the second half of the nineteenth century. By the time Italy had developed its obsession with the neo-Renaissance in the 1870s, collectors and scholars in the rest of Europe had been excited by Renaissance taste and style for several decades. In Italy the Renaissance was promptly reconceptualised, in a forced alignment with the accepted historical version of its birth and development, and its help enlisted in the search for an Italian national identity. But what represented this neo-Renaissance in Italy, and what aided its diffusion? In an attempt to answer these questions this book explores the many areas marked by neo-Renaissance taste. It traces its diffusion and development from the institutions which instructed its chief exponents, to architecture and exhibitions and the publications which disseminated neo-Renaissance designs so effectively.
“Acerca de” puede pertenecer a otra edición de este título.