The Printing of Etchings and Engravings

Strang, David

Editorial: New York: Dodd Mead and Co. 1930
Usado / Cantidad: 0
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Descripción:

Hard Cover. Very Good to Near Fine/Very Good Dustjacket. First Edition. 8vo - over 7¾" - 9¾" tall. 218 pages plus index. A scarce but outstanding reference work in the field. With 27 instructional drawings. The book is sturdily bound in black cloth-covered boards textured to catch the light in different ways from different angles, an interesting effect. The spine bears the publisher's paper label stating the title and the author. The only real flaws to the book itself are a bit of soil to the top exterior page edges and a faint age toning to the pages. The exterior of the book is especially dazzling, still fresh, crisp and bright with only insignificant, very occasional signs of any prior handling or shelf use. The spine label is completely intact and untouched by any wear. The book is clean, it stands perfectly straight, and it is still extremely firm and tight in its binding, with no pages loose, missing, folded or torn. The hinges are still sound and completely undamaged. The text-block is intact and held well in place by the binding. The corner points are sharp and unbumped. The pages are clean, clear, and unsmudged, with just a bit of age-toning, however, all text and illustrations remain bright, crisp, sharp and very legible. There is no writing, underlining, highlighting or markings of any kind in the book, and there are no bookplates. The cloth binding is without any wear, and there are no tears, no snags, no wear-throughs, and no fraying. The dustjacket shows very brief, occasional, faint hand soil and some age toning, especially to the spine, but it nonetheless presents as clean and basically intact. There is light-to-moderate wear at the corners and there is chipping at the top of the spine and a chip missing from the bottom of the spine which does not affect any lettering or graphics.The jacket is, however, otherwise complete, and is free of wrinkles, folds or creases. It is still bright and all jacket lettering and jacket graphics are very legible. A solid, very sound copy of an important book in the field. N° de ref. de la librería

Detalles bibliográficos

Título: The Printing of Etchings and Engravings
Editorial: New York: Dodd Mead and Co. 1930

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1.

Strang, David
Editorial: E. Benn (1930)
Usado Cantidad: 1
Librería
Better World Books Ltd
(Dunfermline, Reino Unido)
Valoración
[?]

Descripción E. Benn, 1930. Estado de conservación: Good. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Nº de ref. de la librería GRP89882856

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2.

Strang, David
Editorial: Ernest Benn, London, England (1930)
Usado Tapa dura Primera edición Cantidad: 1
Librería
Brown's Books & Instructional Media, Inc
(Oxford, IN, Estados Unidos de America)
Valoración
[?]

Descripción Ernest Benn, London, England, 1930. Hard Cover. Estado de conservación: Fair. No Jacket. First Edition. Clean First Edition in Fair condition, from defunct library of Art Museum. Minor shelfwear, mainly on edges and edges of spine; foxing (freckles due to age) on free end papers and the pastedowns inside covers; hinge cracked inside back cover (cover has begun to pull away from spine due to age); shelf label on spine. Dust Jacket is missing. Size: 4to - over 9¾" - 12" tall. Hardcover. Nº de ref. de la librería 0088085

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3.

Strang, David
Editorial: Ernest Benn Limited, London (1930)
Usado Tapa dura Primera edición Cantidad: 1
Librería
John E. DeLeau
(Springfield, OR, Estados Unidos de America)
Valoración
[?]

Descripción Ernest Benn Limited, London, 1930. Hard Cover. Estado de conservación: G-VG. No Jacket. First Edition. Clean, unmarked & tight. NOT ex-library. Many pages show some foxing and there are about 4 pages with marginal pencil notations that are quite helpful. 240pp, index, illustrations. Shipped in sturdy cardboard box. Size: 8vo - over 7¾" - 9¾" tall. Nº de ref. de la librería 004819

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4.

Strang, David (Intro. By Martin Hardie)
Editorial: Ernest Benn (1930)
Usado Tapa dura Cantidad: 1
Librería
Harrowden Books of Finedon
(Wellingborough, Reino Unido)
Valoración
[?]

Descripción Ernest Benn, 1930. Hardcover. Estado de conservación: Good. No Jacket. Blue Cloth. Lacks Jacket. Moderate Wear To Cover Including A Small Bruise/Rip To Lower Front Board Corner. Pages Clean And Tidy. Neat Inscription Inside. Nº de ref. de la librería 092351

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5.

Strang, David
Editorial: Dodd, Mead & Company, NewYork (1930)
Usado Tapa dura Cantidad: 1
Librería
Mullen Books, ABAA
(Marietta, PA, Estados Unidos de America)
Valoración
[?]

Descripción Dodd, Mead & Company, NewYork, 1930. Hardbound. Black patterned cloth on boards, [x] 228 pp, 27 BW illustrations. From the introduction by Martin Hardie: .we should be thankful to Mr. Strang for having compiled, for the first time--in what should be a standard work for future generations--a comprehensive and scientific record of all the methods, materials and processes involved in the art of printing from copper-plates. G, tight copy, with cover splits at outside hinges, some fraying of cover edges, some bending of cover corners, paper label on spine is intact, library labels and stamps inside covers, library stamps on top and bottom of text block edges, which are slightly darkened with age. A good reading copy. Nº de ref. de la librería 125837

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6.

Strang, David
Editorial: Ernest Benn Ltd., London (1930)
Usado Tapa dura Cantidad: 1
Librería
Chequamegon Books
(Washburn, WI, Estados Unidos de America)
Valoración
[?]

Descripción Ernest Benn Ltd., London, 1930. Hard Cover. Estado de conservación: Good +. No Jacket. Gives information about every detail and process of printing from copper plates. 218 pages + index, b/w illustrations. Name inked on free front endpage and at preface, very faint foxing on endpages, spine ends and corners rubbed and somewhat frayed, front cover slightly bowed. Size: 6 x 9 ". Nº de ref. de la librería 17932

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7.

Strang, David
Editorial: Dodd, Mead, NY (1930)
Usado Tapa dura Cantidad: 1
Librería
JULIAN'S BOOKS
(New York, NY, Estados Unidos de America)
Valoración
[?]

Descripción Dodd, Mead, NY, 1930. Hardcover. Estado de conservación: G+. Estado de la sobrecubierta: No Dust Jacket. With an introduction by Martin Hardie, R. E.; 8vo. Nº de ref. de la librería 4059

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8.

STRANG, David.
Usado Tapa dura Cantidad: 1
Librería
Librería Anticuaria Galgo
(Ribadeo, LUGO, España)
Valoración
[?]

Descripción X+218 pp.+7 hh. Tela editorial. 22,5x15,8. Ilustraciones. Ernest Benn, Ltd. London, 1930. Ilustrado con los útiles y dispositivos para la práctica del arte del grabado. Nº de ref. de la librería 18881

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EUR 35,00
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9.

Strang, David
Editorial: Dodd Mead (1930)
Usado Tapa dura Cantidad: 1
Librería
Duttenhofer's Books
(Cincinnati, OH, Estados Unidos de America)
Valoración
[?]

Descripción Dodd Mead, 1930. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: No Dust Jacket. Black textured cloth, paper spine label, 218 pages plus index, illustrated. Nº de ref. de la librería 000210

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10.

STRANG, DAVID. ARTHUR CREED HAMBLY.
Editorial: Ernest Benn., London (1930)
Usado Tapa dura Primera edición Cantidad: 1
Librería
Roe and Moore
(London, Reino Unido)
Valoración
[?]

Descripción Ernest Benn., London, 1930. Hardcover. Estado de conservación: Very Good. First edition. 8vo. cloth. x, 218, (12) pages. With an Introduction by Martin Hardie. First edition (Bridson & Wakeman B77-"A detailed treatise on all practical and artistic aspects of the craft"). With the ownership inscription of the artist Arthur Creed hambly and with his marginal pencil annotations. Covers lightly rubbed.Arthur Creed HAMBLY.1900—1973Born in Newton Abbot, Devon, the son of a bank manager whose ancestors had crossed the River Tamar to Plympton from the Duloe, Morval area of East Cornwall a couple of generations previously. Hambly was educated at Kelly College, Tavistock, Devon. He studied at Newton Abbot School of Art under Wycliffe Egginton and Conway Blatchford, and repeatedly said that Egginton, whom he considered a great watercolourist of Dartmoor subjects, had been the strongest influence on his work.He went on to Bristol Municipal School of Art where he studied etching under Reginald E J Bush. He completed his Art Teaching Diploma in 1925. After a brief spell teaching at Weston super Mare and then Salisbury Schools of Art, he moved to Cornwall and became Headmaster of Camborne and Redruth School of Art. He taught art at Redruth Boys and Camborne Girls County Schools along with day and evening classes He was also involved in the work of the Workers' Educational Association. Among his students at Redruth were Marion Grace HOCKEN and Sven BERLIN. Hambly considered Berlin to be the best and most hard-working student he had ever had. Together with his etchings and watercolours Hambly also designed the seal of the local Council, and the East Window above the High Altar in St. Andrew's Church, Redruth showing Carn Brea, Wheal Euny and Redruth Clock Tower.He exhibited at RI from 1938 until 1966, at Royal West of England Academy from 1926 and at St Ives Society of Artists from 1929 until 1973. He became a member of RWA in 1964 after years as an associate member.After WWII he suffered a bout of TB which prevented him working temporarily. In 1956 he took early retirement to allow himself more time to devote to his own painting. He left Redruth after a 30 year teaching career and went to live at Downside Vicarage, Chilcompton, Somerset, with Rev Lionel Greenway and his family. They had become great friends in the 1930s while Lionel Greenway was curate at St Andrews Church, opposite the Art School in Clinton Road, Redruth. He died following a heart attack in November 1973 and was buried in Downside Churchyard. Nº de ref. de la librería 020990

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